Monthly Archives: October 2014

First Bite

31 October 2014

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What do you feel most guilty about?

31 October 2014

From Humans of New York:

“What do you feel most guilty about?”

“Not finishing my novel. I’ve already built the room where I’m going to write it at my house in Sag Harbor. The walls of the room are painted Venetian red. It has shelves filled with every book I’ve ever read. There’s a scallop striped Victorian chair. A little pine desk— two feet by three feet, with all my pens lined up, and an 18th Century sang de bouef vase lamp. And there’s a French door with a step that goes out onto the roof so I can look at the clouds. I have everything I need. Except the time.”

Link to the rest at Humans of New York and thanks to Bill for the tip.

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If human beings had genuine courage

31 October 2014

If human beings had genuine courage, they’d wear their costumes every day of the year, not just on Halloween.

Douglas Coupland

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Wylie the jackal becomes Hachette’s running dog?

31 October 2014

From TeleRead:

Never one to bear a grudge or indulge in overly aggressive, unreflective self-promotion, Andrew Wylie can’t seem to forgive Amazon for the failure of his Odyssey JV with them – or in general, for failing to acknowledge that nothing moves until Andrew Wylie says so. And now he’s blaming Amazon for depriving writers of a decent living. “Writers will begin to make enough money to live,” he claims, according to his keynote address at Toronto’s International Festival of Authors, if only the Big Five have the cojones like Hachette to stand up to Amazon, who he doesn’t hesitate to compare to ISIS.

. . . .

And remember that back in 2010, Wylie was garnering support from authors for his Amazon tie-up because they claimed traditional publishers had been paying too little in royalty rates for ebooks. And now things have turned round and the Big Five are the heroes again? Forgetful creatures, jackals.

It’s no surprise that Wylie also chose to unload on self-publishing, which he described as “the aesthetic equivalent of telling everyone who sings in the shower they deserve to be in La Scala.” After all, if authors can publish themselves, who will ever want to go through Andrew Wylie. Or even listen to him?

Link to the rest at TeleRead

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Bad Advice for Writers!

31 October 2014

From The Huffington Post:

We at Bad Advice for Writers have thus far only concentrated on the act of writing, ignoring important things to like how to behave like a writer and the importance of not understanding how social media works.

Today, on the eve of NaNoWriMo, we will focus on bad advice for the novelist. We feel we should make this distinction insofar as some of this advice might actually not be bad advice if you are planning on a work of non-fiction.

. . . .

Advice #4: Correct negative reviews

There are only two types of reviews: the positive kind, and the kind where the reviewer didn’t understand the book. A bad review of your book is actually a cry for help!

Whenever you see a negative review that makes you say to yourself, “I should reach out to this person, perhaps in a borderline illegal fashion,” by all means do so. Find out where they live if you want! Show up on their doorstep and offer to politely explain how they simply failed to understand your novel. Make it clear that this is something they need to resolve within themselves and not a reflection on your work, and also that there’s no need whatsoever to call the police, so please put down the phone and stop crying.

Interaction is what reviewers are really looking for from you, the writer. Words like “awful” and “incomprehensible” and “this may have been written by a very dumb parrot” are really their way of saying, “I have failed to fully grasp your clear brilliance and would like for you to explain it to me”. So get out there and interact!

You may find that the sheer number of negative reviews makes it impossible to reach out to each and every person, however. When this happens you may want to consider writing a screed complaining about the nature of online reviews in general, and getting it published in a large magazine. This way you can tell multiple reviewers at once that you consider them unqualified to write reviews, and at the same time express a clear lack of understanding for how the Internet works.

Remember, nothing says “I am a serious writer” like a public inability to grasp how modern media functions!

Link to the rest at The Huffington Post

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Young Adult Fiction Doesn’t Need to Be a ‘Gateway’ to the Classics

31 October 2014

From The Atlantic:

I tried to get my 10-year-old son to read George Orwell’s Animal Farm recently. He read a few pages gamely, but was mostly uninterested. He’d much prefer to chug along in The Blood of Olympus, the last massive volume in Rick Riordan’s massive Percy Jackson and the Olympians series. An adventure story about demigods kicking butt beat an acerbic parable about the failures of Communism. No wonder totalitarianism is winning.

Obviously, it’s a bit much to jump to apocalyptic conclusions based on the reading habits of one fifth grader. Everyone knows that. And yet, at the same time, children’s reading habits consistently provoke if not panic, at least nervousness and tasteful hand-wringing. Over the summer, Ruth Graham argued that young adult literature was fundamentally different from, and inferior to, adult literature, and that adults who read it were doing so in order to indulge in “escapism, instant gratification, and nostalgia.” Rebecca Mead at the New Yorker presents a softer, more ambivalent version of that argument, worrying that (as in my son’s case) reading a book like Percy Jackson “makes young readers hungry for more of the palatable same” rather than “urging them on to more challenging adventures.”

Discussions like this often seem to presume that there was an idyllic time, somewhere in the past, when kids’ books were substantially better, or when young people read great adult literature. Graham contrasts Percy Jackson and Riordan’s new encyclopedia Percy Jackson’s Greek Gods to the classic 1925 collection of Greek myths by Ingri and Edgar D’Aulaire. She finds Riordan’s book slangy and “inscribed with obsolescence,” since it references Craigslist, iPhones, and other pop culture detritus. The D’Aulaires, on the other hand, remain “lucid”—though their poetic Victorian language is, she admits, “stilted.” Graham seems to conclude that it’s a loss that kids want to read lines like “At first, Kronos wasn’t so bad. He had to work his way up to being a complete slime bucket” instead of  “In olden times, when men still worshiped ugly idols, there lived in the land of Greece a folk of shepherds and herdsmen who cherished light and beauty.”

. . . .

For that matter, Ebony Elizabeth Thomas, assistant professor at the University of Pennsylvania’s Graduate School of Education, told me, “When people say children’s literature isn’t that great, a lot of adult literature isn’t that great.” Better Percy Jackson than 50 Shades or John Grisham or the Left Behind books. Better Percy Jackson than James Fenimore Cooper, for that matter—or than The Old Man and the Sea. Inventive, goofy, elaborate adventures with gods and gleeful pop cult references—or maudlin, macho themes shamelessly vaunting simplicity as an anxious marker of seriousness?  I’ll take the first, thanks.

Link to the rest at The Atlantic and thanks to Sara for the tip.

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Why we need an e-book DRM DMCA exemption

31 October 2014

From Chris Meadows at TeleRead:

It’s that time again. Ars Technica reports that the Copyright Office is accepting petitions on activities to exempt from the DMCA’s anti-circumvention provisions, making it legal to crack DRM for certain restricted purposes.

. . . .

Public Knowledge will be submitting requests to legalize consumer ripping of DVDs and to allow circumvention of DRM locks on 3D printers. I’m not holding my breath.

. . . .

Here’s a crazy thought: if the Big Five publishers knew what they were doing, they would be submitting and throwing their weight behind a petition to permit consumers to crack e-book DRM for purposes of archival and platform interoperability. Think about it. Publishers already full well know their insistence on DRM effectively handed Amazon the keys to the kingdom, and their conflict with Amazon has come to a head over the last few months with the Amazon/Hachette squabble. What better time to ask the government to permit consumers to break the Amazon shackles?

This would be a way for publishers to have their cake and eat it, too. They could continue to put DRM on their books, placating authors who fear piracy, and it would continue to be illegal to crack DRM for pirate purposes. And what would it really change? It would only legalize something a lot of consumers already do illegally. It’s not as if they’re even trying to hunt down and prosecute people who crack DRM illegally anyway, unless they do something stupid like upload watermarked books to peer-to-peer.

. . . .

With legalized DRM-cracking for interoperability, e-book stores could set up their own DRM-cracking import services for the people who aren’t tech-savvy enough to set up Calibre themselves. Want to move all your e-books from your Amazon library to Barnes & Noble, or Kobo? Just drag and drop the files from your “My Kindle E-Books” directory onto this uploading app and we’ll take care of everything for you! Who knows, it might even make it possible for other e-book stores to compete with Amazon if you could make it almost as easy for customers to switch away from them and keep their libraries as it is to keep using them.

Link to the rest at TeleRead

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Google Play Books Updated To Make It A Better eReader For Students, Chefs, And Others Who Read Huge Books

31 October 2014

From TechCrunch:

Most eReader apps tend to be built for reading something from start to finish — which makes sense, given that that’s how about 99 percent of fiction works are meant to be read.

But what about non-fiction stuff? The research documents, the textbooks, and the cookbooks of the world? In books of that sort, the reader often needs to flip back and forth between opposite ends of the book almost endlessly.

With those folks in mind, Google has just updated its Google Play Books eReader application with a focus on efficient reading.

. . . .

  • “Skim” mode allows you to zoom between pages in an endless stream rather than forcing you to flip through page by page.
  • “Quick Bookmarks” lets you set multiple saved spots in the book and quickly jump back and forth between them — perfect for when you’re required to refer to some reference table 200 pages away from what you’re trying to read.

Link to the rest at TechCrunch and thanks to Nirmala for the tip.

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Rupert Murdoch urges media firms to unite to fight Amazon and Netflix

30 October 2014

From The Guardian:

The media industry needs its own competitor to online streaming giants Amazon and Netflix, Rupert Murdoch told a technology conference on Wednesday.

“As an industry, we need a competitor – a serious competitor – to Netflix and Amazon,” Murdoch told the Wall Street Journal’s WSJ.D conference in Laguna Beach, California.

Link to the rest at The Guardian

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A raw blog post

30 October 2014

From author Colleen Hoover:

Three years ago this week…

I lived in a mobile home. A very small, 1,000 square foot trailer house. With black linoleum, horrendous gold trim, an air conditioner that didn’t work, a patio door that didn’t open because the floor was rotted through and appliances that would only run one at a time or the breaker would trip. We had a huge pile of trash in a backyard pen because for an entire year, we couldn’t even afford the $25 a month trash service.

I drove a minivan that had no heater, and every winter I would have to leave for work at 6:30 in the morning and pull over every few miles just to wipe and defrost the windows so I could see out it.

Our kids were on free lunches, and for a while, we qualified for food stamps.

All of this, and I had a college degree, which I was utilizing. But working as a social worker wasn’t paying all of the bills, and I was still having to borrow money from my mother and fatger to make ends meet. When my older sister would come visit, she would bring me groceries. My aunt would send my kids shoes for Christmas, because we could hardly afford them. We dreamed of living like kings on payday, but in reality we were paupers, digging in the couch cushions during the week to afford the banquet TV dinners we lived on most of the time.

Sounds terrible, doesn’t it?

It wasn’t.

It was wonderful.

I loved my life. I loved my crappy house. I loved that my children were growing up in the town I grew up in, and going to the same school I attended. I loved living half a mile from my mother, and taking the boys for walks every night. I loved paydays, when we would splurge and take the boys to Wal-Mart to buy them a toy. I loved when my mother would show up at my house after everyone went to bed and she’d give me twenty dollars and we would drive to the casino and play penny slots for five hours straight. My favorite present was when my little sister gave me twenty dollars in quarters for Christmas a few years ago because we love arcades, and we spent the entire twenty bucks on claw machines. I loved the days my older sister would come visit and bring me her old clothes and old makeup and groceries and it would feel like I hit the lottery. And I especially loved it when my husband and I would dream about one day building our own house. Of course we never believed it would actually happen, but dreaming was free and it was fun. So we dreamed a lot.

I worked eleven hour days, but I loved my job and I loved the women I worked with. In October of 2011, my son told me he wanted to audition for a play and I knew the hours would kill me, but I loved that he was brave enough to audition in front of a crowd at the age of eight. When he got the part, I was both ecstatic and pissed off. Of course I wanted him to get the part, but my husband was working over the road and was only home a couple of days a month. That meant every weekday, I’d be leaving my house at 6:30 am and wouldn’t get home until 9:30 every night, after rehearsals. But I made it work, with the help of a lot of people.

A friend of mine, and sometimes a few of the teachers at my children’s school, would drop my son, Cale, off at my work every afternoon. My other two children would go to my mother’s house every night. When work ended at 6pm, we would head straight to rehearsals. This went on for a couple of months, and sitting in the auditorium sometimes got boring. I would borrow my mother’s laptop, which honestly couldn’t even be considered a laptop. It was one of those mini laptops that was so tiny, it was hard to type on. Not to mention it was missing a few keys. It was really sad looking, but I didn’t own a computer, so I made it work.

I would play around on youtube, read a book or two on Amazon, anything to pass the time. But one night after watching a lot of slam poetry on youtube, I decided I wanted to read a book about a slam poet. When I couldn’t find one, I started writing one.

I wrote the first few paragraphs on that tiny laptop in the auditorium of the Sulphur Springs community theater. All I could think about while I was driving home was how much I wanted to write another paragraph. And another. I would take my mom’s laptop home with me at night and stay up writing until about 2am. Then I would drop it off in her car at 6:30 every morning so she would have it when she worked all day. Then on my way home every night, I’d borrow it again and use it until 2am. The cycle continued for a week or two, until I had about four solid chapters. I still didn’t know what I was writing. I had no idea that I would eventually let people read it. I just knew that it was fun and I was sacrificing sleep and sanity to do it. It felt so good to be excited about a hobby. I was falling in love with Lake and Will’s story and it consumed me night and day. I would write at work on breaks and lunch and between clients. After a couple of weeks, I printed the first few chapters and gave them to my mother to see if it was something she liked. I also gave them to my boss, who honestly didn’t think anything of it when I said I was writing a book. She was used to my crazy ideas. I think the month before, I wanted to open a pottery story. The month before that I wanted to major in business. The month before that, I wanted to go back into teaching. It was always something new, so she wasn’t expecting this to stick, and honestly, neither was I.

After they read the first few chapters, they didn’t come to me with praise or criticism. They didn’t say how good they thought it was, or how crappy they thought it was. Both of them just basically said, “Where’s the next chapter?” And when I said, “I haven’t written it yet,” it was as if I slapped them in the face. Their reaction was by far better than any compliment they could have given me.

It was my inspiration.

. . . .

My older sister is a different story. She had huge dreams for this book and she’s a very big believer in positive thinking. She makes vision boards every January, and the week before I self-published SLAMMED, she wrote on her vision board that she hoped I would make $100,000 that year from the book. When I saw it, I got so mad at her. I knew that was ridiculous and she was just setting herself and everyone else up for failure. I thought that if she had that expectation of me, she would be disappointed in me. I made her take it down. I didn’t even want my book mentioned on there, because to me, it was just a silly story and no one other than my friends and family would ever care to read it.

When I self-published it to Amazon, I think I sold 30 copies the first week or month. I can’t even remember. I just know it was enough to pay not only my water bill, but my electric bill. And most of those sales were from the first day when all my friends downloaded the book out of curiosity, so I knew the next month wouldn’t really see any sales and things would slow down. But that didn’t matter to me, because I wrote the book simply because it was fun, not because I wanted to make it a career. The thought of actually writing full-time was a crazy notion and I wouldn’t even allow myself to entertain it.

I started on the sequel, Point of Retreat, shortly thereafter.

. . . .

I remember calling my mother one day saying, “SIX people bought my book today and I don’t even know them!” It was insane.

. . . .

Then came the big day. The day every writer dreams of.

The day I was notified that I had hit The New York Times.

Link to the rest at Colleen Hoover and thanks to Randall for the tip.

Here’s a link to Colleen Hoover’s books

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