Monthly Archives: October 2014

First Bite

31 October 2014

 

What do you feel most guilty about?

31 October 2014

From Humans of New York:

“What do you feel most guilty about?”

“Not finishing my novel. I’ve already built the room where I’m going to write it at my house in Sag Harbor. The walls of the room are painted Venetian red. It has shelves filled with every book I’ve ever read. There’s a scallop striped Victorian chair. A little pine desk— two feet by three feet, with all my pens lined up, and an 18th Century sang de bouef vase lamp. And there’s a French door with a step that goes out onto the roof so I can look at the clouds. I have everything I need. Except the time.”

Link to the rest at Humans of New York and thanks to Bill for the tip.

If human beings had genuine courage

31 October 2014

If human beings had genuine courage, they’d wear their costumes every day of the year, not just on Halloween.

Douglas Coupland

Wylie the jackal becomes Hachette’s running dog?

31 October 2014

From TeleRead:

Never one to bear a grudge or indulge in overly aggressive, unreflective self-promotion, Andrew Wylie can’t seem to forgive Amazon for the failure of his Odyssey JV with them – or in general, for failing to acknowledge that nothing moves until Andrew Wylie says so. And now he’s blaming Amazon for depriving writers of a decent living. “Writers will begin to make enough money to live,” he claims, according to his keynote address at Toronto’s International Festival of Authors, if only the Big Five have the cojones like Hachette to stand up to Amazon, who he doesn’t hesitate to compare to ISIS.

. . . .

And remember that back in 2010, Wylie was garnering support from authors for his Amazon tie-up because they claimed traditional publishers had been paying too little in royalty rates for ebooks. And now things have turned round and the Big Five are the heroes again? Forgetful creatures, jackals.

It’s no surprise that Wylie also chose to unload on self-publishing, which he described as “the aesthetic equivalent of telling everyone who sings in the shower they deserve to be in La Scala.” After all, if authors can publish themselves, who will ever want to go through Andrew Wylie. Or even listen to him?

Link to the rest at TeleRead

Bad Advice for Writers!

31 October 2014

From The Huffington Post:

We at Bad Advice for Writers have thus far only concentrated on the act of writing, ignoring important things to like how to behave like a writer and the importance of not understanding how social media works.

Today, on the eve of NaNoWriMo, we will focus on bad advice for the novelist. We feel we should make this distinction insofar as some of this advice might actually not be bad advice if you are planning on a work of non-fiction.

. . . .

Advice #4: Correct negative reviews

There are only two types of reviews: the positive kind, and the kind where the reviewer didn’t understand the book. A bad review of your book is actually a cry for help!

Whenever you see a negative review that makes you say to yourself, “I should reach out to this person, perhaps in a borderline illegal fashion,” by all means do so. Find out where they live if you want! Show up on their doorstep and offer to politely explain how they simply failed to understand your novel. Make it clear that this is something they need to resolve within themselves and not a reflection on your work, and also that there’s no need whatsoever to call the police, so please put down the phone and stop crying.

Interaction is what reviewers are really looking for from you, the writer. Words like “awful” and “incomprehensible” and “this may have been written by a very dumb parrot” are really their way of saying, “I have failed to fully grasp your clear brilliance and would like for you to explain it to me”. So get out there and interact!

You may find that the sheer number of negative reviews makes it impossible to reach out to each and every person, however. When this happens you may want to consider writing a screed complaining about the nature of online reviews in general, and getting it published in a large magazine. This way you can tell multiple reviewers at once that you consider them unqualified to write reviews, and at the same time express a clear lack of understanding for how the Internet works.

Remember, nothing says “I am a serious writer” like a public inability to grasp how modern media functions!

Link to the rest at The Huffington Post

Young Adult Fiction Doesn’t Need to Be a ‘Gateway’ to the Classics

31 October 2014

From The Atlantic:

I tried to get my 10-year-old son to read George Orwell’s Animal Farm recently. He read a few pages gamely, but was mostly uninterested. He’d much prefer to chug along in The Blood of Olympus, the last massive volume in Rick Riordan’s massive Percy Jackson and the Olympians series. An adventure story about demigods kicking butt beat an acerbic parable about the failures of Communism. No wonder totalitarianism is winning.

Obviously, it’s a bit much to jump to apocalyptic conclusions based on the reading habits of one fifth grader. Everyone knows that. And yet, at the same time, children’s reading habits consistently provoke if not panic, at least nervousness and tasteful hand-wringing. Over the summer, Ruth Graham argued that young adult literature was fundamentally different from, and inferior to, adult literature, and that adults who read it were doing so in order to indulge in “escapism, instant gratification, and nostalgia.” Rebecca Mead at the New Yorker presents a softer, more ambivalent version of that argument, worrying that (as in my son’s case) reading a book like Percy Jackson “makes young readers hungry for more of the palatable same” rather than “urging them on to more challenging adventures.”

Discussions like this often seem to presume that there was an idyllic time, somewhere in the past, when kids’ books were substantially better, or when young people read great adult literature. Graham contrasts Percy Jackson and Riordan’s new encyclopedia Percy Jackson’s Greek Gods to the classic 1925 collection of Greek myths by Ingri and Edgar D’Aulaire. She finds Riordan’s book slangy and “inscribed with obsolescence,” since it references Craigslist, iPhones, and other pop culture detritus. The D’Aulaires, on the other hand, remain “lucid”—though their poetic Victorian language is, she admits, “stilted.” Graham seems to conclude that it’s a loss that kids want to read lines like “At first, Kronos wasn’t so bad. He had to work his way up to being a complete slime bucket” instead of  “In olden times, when men still worshiped ugly idols, there lived in the land of Greece a folk of shepherds and herdsmen who cherished light and beauty.”

. . . .

For that matter, Ebony Elizabeth Thomas, assistant professor at the University of Pennsylvania’s Graduate School of Education, told me, “When people say children’s literature isn’t that great, a lot of adult literature isn’t that great.” Better Percy Jackson than 50 Shades or John Grisham or the Left Behind books. Better Percy Jackson than James Fenimore Cooper, for that matter—or than The Old Man and the Sea. Inventive, goofy, elaborate adventures with gods and gleeful pop cult references—or maudlin, macho themes shamelessly vaunting simplicity as an anxious marker of seriousness?  I’ll take the first, thanks.

Link to the rest at The Atlantic and thanks to Sara for the tip.

Why we need an e-book DRM DMCA exemption

31 October 2014

From Chris Meadows at TeleRead:

It’s that time again. Ars Technica reports that the Copyright Office is accepting petitions on activities to exempt from the DMCA’s anti-circumvention provisions, making it legal to crack DRM for certain restricted purposes.

. . . .

Public Knowledge will be submitting requests to legalize consumer ripping of DVDs and to allow circumvention of DRM locks on 3D printers. I’m not holding my breath.

. . . .

Here’s a crazy thought: if the Big Five publishers knew what they were doing, they would be submitting and throwing their weight behind a petition to permit consumers to crack e-book DRM for purposes of archival and platform interoperability. Think about it. Publishers already full well know their insistence on DRM effectively handed Amazon the keys to the kingdom, and their conflict with Amazon has come to a head over the last few months with the Amazon/Hachette squabble. What better time to ask the government to permit consumers to break the Amazon shackles?

This would be a way for publishers to have their cake and eat it, too. They could continue to put DRM on their books, placating authors who fear piracy, and it would continue to be illegal to crack DRM for pirate purposes. And what would it really change? It would only legalize something a lot of consumers already do illegally. It’s not as if they’re even trying to hunt down and prosecute people who crack DRM illegally anyway, unless they do something stupid like upload watermarked books to peer-to-peer.

. . . .

With legalized DRM-cracking for interoperability, e-book stores could set up their own DRM-cracking import services for the people who aren’t tech-savvy enough to set up Calibre themselves. Want to move all your e-books from your Amazon library to Barnes & Noble, or Kobo? Just drag and drop the files from your “My Kindle E-Books” directory onto this uploading app and we’ll take care of everything for you! Who knows, it might even make it possible for other e-book stores to compete with Amazon if you could make it almost as easy for customers to switch away from them and keep their libraries as it is to keep using them.

Link to the rest at TeleRead

Google Play Books Updated To Make It A Better eReader For Students, Chefs, And Others Who Read Huge Books

31 October 2014

From TechCrunch:

Most eReader apps tend to be built for reading something from start to finish — which makes sense, given that that’s how about 99 percent of fiction works are meant to be read.

But what about non-fiction stuff? The research documents, the textbooks, and the cookbooks of the world? In books of that sort, the reader often needs to flip back and forth between opposite ends of the book almost endlessly.

With those folks in mind, Google has just updated its Google Play Books eReader application with a focus on efficient reading.

. . . .

  • “Skim” mode allows you to zoom between pages in an endless stream rather than forcing you to flip through page by page.
  • “Quick Bookmarks” lets you set multiple saved spots in the book and quickly jump back and forth between them — perfect for when you’re required to refer to some reference table 200 pages away from what you’re trying to read.

Link to the rest at TechCrunch and thanks to Nirmala for the tip.

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