From Literary Hub:
The bookstore next to my apartment is one of the few places where a budding writer can go in New York to and feel nothing but optimism about their literary prospects. People don’t just go there to buy books: they go there to gape at books, to think about books, to read—or fondle—books. Among the shelves of essays, short stories and criticism, the store has also set aside a few rows for writing manuals penned by icons like Stephen King and Haruki Murakami, advising aspiring writers on everything from how to construct a sentence to the best time to go to bed. Those who have gathered the courage to actually put words on paper can move on to the store’s book printing machine; I’ve seen many MFA grads pay a few bucks to get their thesis printed in book form, just as I’ve seen many hopefuls pay some additional bucks to display their paperbacks on the store’s self-publishing shelves.
Having recently graduated from an MFA program with a price tag higher than the average annual household income myself, this store is a comforting place for a writer. Inside, it feels less outrageous to have spent all this money to study how to be a writer. If so many places and services exist just to cater for writers like me, then surely that means the industry is booming?
This daydream extends beyond my book store. After graduation, an informal system of readings, talks, and other events exists to fill up the time I would have otherwise spent in school. I can go to a panel on Elena Ferrante to mingle with other writers and feel part of a literary community. Instead of my neighborhood cafe, I can take my laptop to one of the many co-working spaces especially designated for writers that can offer me a desk, like-minded company, and a reason to get dressed in the morning. Even if I were to move away from New York entirely, the internet would still offer a wide enough net of writerly support: there are complete industries offering online seminars on pitching, or remote workers that provide an editor’s eye—as long as I’m willing to pay the fee.
What all of this seems to point to is the emergence of writing as a lifestyle good. Grad programs and services catering for writers are growing while newspapers and magazines shrink from repeated rounds of lay-offs, and this demonstrates exactly how living like a writer is no longer necessarily correlated to actually working as one.
Link to the rest at Literary Hub