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AA Milne memoir shows Winnie-the-Pooh author longing to ‘escape’ his bear

12 September 2017

From The Guardian:

Winnie-the-Pooh may have secured a place in the hearts of children worldwide and made his creator a millionaire, but author AA Milne resented the way the bear of little brain undermined his reputation as a serious writer.

The revelation appears in his 1939 memoir It’s Too Late Now, which is to be republished on 21 September, 70 years after it went out of print and ahead of the release of a biopic about his son, Goodbye Christopher Robin. Despite the success of Pooh, Piglet, Tigger and friends, Milne was frustrated that his reputation as a writer for adults had been irrevocably damaged.

Prior to his children’s books, Milne had written a string of hit plays, novels and short stories for adults, as well as editing the satirical magazine Punch. But his first book of children’s verse, When We Were Very Young, sold 50,000 copies within two months of publication in 1924 and his Winnie-the-Pooh books became immediate bestsellers around the world. When the first volume Winnie-the-Pooh was published in 1926, it sold 150,000 copies by the end of the year in the US alone. It has never been out of print since.

In It’s Too Late Now, Milne claims that he had tired of children’s writing after 70,000 words (“the number of words in the average-length novel”), but was trapped. “I wanted to escape from [children’s books] as I had once wanted to escape from Punch; as I have always wanted to escape,” he writes. “In vain. England expects the writer, like the cobbler, to stick to his last.”

Link to the rest at The Guardian

Children's Books, Non-US

3 Comments to “AA Milne memoir shows Winnie-the-Pooh author longing to ‘escape’ his bear”

  1. pen name, pen name. Then you can choose to reveal it later… (or keep it secret and grin behind your hand) 😀

  2. As for his plays, Dorothy Parker had this to say in 1931:

    “I lay no claim to clairvoyance, but when I saw by anticipatory press that the title Mr. Milne’s new play had been changed from “Success” to “Give Me Yesterday,” I knew all. My dearest dread is the word “yesterday” in the name of a play; for I know that sometime during the evening I am going to be transported, albeit kicking and screaming, back to scenes and costumes of a tenderer time. And I know, who show these scars to you, what the writing and the acting of those episodes of tenderer times are going to be like.

    “I was not wrong, heaven help me, in my prevision of the Milne work. Its hero is caused, by a novel device, to fall asleep and a-dream; and thus he is given yesterday. Me, I should have given him twenty years to life.”

    Her summary of the play makes it sound as treacly as you’d think.

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