From Kristine Kathryn Rusch:
The sf field is getting hit hard right now with a clash between generations. The clash isn’t a minor one: it’s over the future of sf. It’s about bringing in diverse voices, which sf failed to do (mostly through the gatekeepers who were [and some still are] bigoted against anyone who is not a white male). Some of the voices that are coming in are strident. Many are accusatory. A few are judgmental.
All have legitimate grievances. When you’ve been pounding on a door for years, and the door finally cracks open, you don’t say thank you. You say, What the hell? I’ve been trying to get in here for a long time. Didn’t you hear me?
Some of that generational conflict broke out on social media the morning that I’m writing this. A tone-deaf member of the older generation tried to defend himself, and failed miserably. Another member (in a different genre) has attracted national news because she was so overzealous in her real world job that she literally cost young black men decades of their lives. Her behavior back then (and now) is news to some of her younger fans. It had been so long ago that I never put the writer with the prosecutor. (I don’t think she’d been writing back then.) That terrible thing she had done is back in the news—and it should be.
That’s what some of her defenders miss. We should be discussing misuse of power and the harm we do, even as we think we’re doing good.
. . . .
I went into my office and grabbed . . . Creative Quest by Questlove (with Ben Greenman)
. . . .
[Questlove] deals with generational change. He expresses it in metaphor. (which is probably why I like the book: I think in metaphor.)
Once, as a young man, he walked along a train track after a train had left and wondered how long he had before another train would mow him down. He moved that physical thought into the creative realm.
How long does an artist have alone on a track, heading to the future, before another artist comes up behind him, and takes his place?
Questlove knows that art isn’t a zero-sum game. He doesn’t mean that only one artist can be on that track at one time. He really is discussing being the cool, the new. The person creating the wave, or riding the crest of the wave. Being the cutting edge.
That’s the focus here.
Because being the cutting edge is addictive. And it makes an impression on our brains as artists. Some artists continue to chase being cutting edge (which puts them behind the cutting edge train, to use Questlove’s metaphor). Others loudly defend that they once were cutting edge. And some move quietly forward, learning and growing, and accepting that they can only be cutting edge once in their careers.
Judging from this book, Questlove and the Roots belong to the latter group. Yes, they’re still learning and growing, but they’re never going to be the hot thing again. They might become more popular than they were in the beginning, but they will never be that new, surprising voice again.
We only get one chance at that.
Link to the rest at Kristine Kathryn Rusch
Here’s a link to Kris Rusch’s books. If you like the thoughts Kris shares, you can show your appreciation by checking out her books.