From Hugh Howey:
SFWA (The Science Fiction and Fantasy Writers of America) is drawing heat in some quarters for endorsing Hachette’s side in the ongoing negotiations with Amazon. The move was made unilaterally and without the consultation of its members (of which I am one). Author Don Sakers posted on his blog that SFWA does not represent him, and I add my voice to Don’s.
On the website ThePassiveVoice, commenters bring up trade and labor disputes and organizations, and I think these and class warfare comments I’ve seen elsewhere are spot-on. Trade fiction and narrative nonfiction authors do not have any meaningful representation. There is no group busting balls on behalf of writers, and there are a lot of balls out there to be busted. Amazon, the Big 5, B&N, Apple, Google … no one is fighting these people for better terms and pay. The Writers’ Guild seems to exist to fight Amazon and stands for the rights of bookstores and major publishers.
. . . .
So what we’re seeing is a protest of a lot of little voices, and they add up. It’s what a union is supposed to do, to unite a bunch of smaller, weaker forces so they can negotiate with a single, larger force. Writers have never had this before. I’m not confident they have it now. There is excitement from some, but also a call from others to get back to work, that this doesn’t affect us. Protests pop up now and then, but they rarely sustain themselves. They fizzle.
Here’s the tricky thing, I’m learning: How can anyone represent so many disparate interests? I sympathize with unions and trade groups like never before, as people are emailing me to ask me what authors stand for. I can’t speak for writers.
. . . .
Our readers are probably the one thing I can say with confidence that we love and adore. Without them, we in this trade are whispering to ourselves. Starting from there, I might be comfortable saying that anyone who serves our readers and facilitates our getting together with them is better than anyone who abuses our readers and works to keep us apart. I would sign that charter, and I think most writers would.
When physical bookstores decided to ban Amazon imprint titles, thinking that attacking a tiny fraction of larger Amazon was worth decimating the individual authors, they fell into the coming-between-us camp. When 5 out of the then-Big-6 got together to raise prices on consumers, they fell into the coming-between-us-camp. When B&N refused to stock Simon & Schuster authors last year, and when they decided to manipulate their online bestseller lists, they fell into the coming-between-us-camp. These middlemen work to blockade. Whatever you think of Amazon’s faults, they have worked to unite storytellers with listeners and readers. They have done this like perhaps no other entity in history.
So when this division broke, there was of course a 1% element to this movement not unlike many other protests. A small group of elitists think the universe aligns with their ideals. The system that made them rich is to be preserved, and screw anyone who disagrees. When you gain power, you tend to use it to maintain power, not to empower others. Human history is littered with these stories. But all it takes is a few megaphones in the crowd and gathering bodies to show them the other side.
. . . .
My fear, however, is that nothing will change. Nothing will come of this. I think the power is in the hands of our opponents, because they own the media (actually, the media owns them. Several of the major publishers are owned by companies like CBS). They have the bigger names. They also have the support of a lot of mid-list writers who really want to make the jump up and win the respect of those above them. And there are a lot of readers who haven’t given indie books a chance and see us as ditherers and cranks.
So I don’t have my hopes up, which is rare for me. My unabashed optimism is on hiatus. What I do see is the potential, the response to be had if there’s the right spark. And it highlights for me the need for a trade organization that represents writers, an organization with a focus on those who NEED representation, not those at the very top.
Link to the rest at Hugh Howey and thanks to SFR for the tip.
PG is grateful for Hugh’s kind words about his assistance to authors.
PG believes a strong and articulate association representing the interests of all authors – indie and traditional – would be beneficial. By their nature, authors are scattered and focused on their individual labors. The Internet has done wonderful things to create communities of interest, but that doesn’t always translate into influence in the non-internet world.
The artificial distinction between traditionally-published authors and indie authors does not enhance authors’ overall power and influence. As Hugh suggests, PG believes this distinction includes an elitist attitude on the part of some tradpub authors. Joe Konrath’s Stockholm Syndrome comparison may also apply.
Both indie and traditional authors are involved in the disparate power relationship between themselves as individuals and large corporate organizations.
Some individuals and groups have tried to form associations for indie authors, but PG isn’t certain any have really taken hold yet.
PG isn’t certain exactly how he can help, but he’s happy to contribute to a larger effort to create an effective organization of authors.