From The Paris Review:
To showcase the variety of the short stories published in the Spring issue, we asked the six writers to select a single sentence that marked the moment they first knew what story they were writing.
This story was stuck in my head for months, so by the time I started writing it, I felt like I knew more about it than anyone needs to know about anything. Drafting is often a sweaty, anxious process for me, but there are always surprises that make it worthwhile. I wanted the story to have a slippery quality to it, but nailing down the narrative voice was a series of small discoveries. Writing the opening, and writing this sentence in particular, is maybe the moment when the story and its somewhat capricious voice slid into proper focus for me. —Senaa Ahmad, “Let’s Play Dead”
. . . .
I initially thought I was going to explore this incident that happened in a neighboring town back home involving an elderly woman and her young-man neighbor. And I knew I wanted to start with the woman, Clara, at her kitchen sink, washing dishes and looking out her window. But I had no idea the story would unfurl like it did, and I ended up discovering the story wasn’t even about the incident after all. I love a good surprise. —Ashleigh Bryant Phillips, “An Unspoken”
Link to the rest at The Paris Review