From Writer Beware:
I don’t think there’s much dispute that the many “imprints” under the Author Solutions umbrella are among the most negatively regarded of all the author services companies.
From the predatory business practices that gave rise to two class action lawsuits, to the huge number of customercomplaints, to the relentless sales calls and deceptive recruitment methods, to the dubious and overpriced”marketing” services that are one of the company’s main profit sources, AS’s poor reputation is widely known. Along with other factors, such as the competition from free and low-cost self-publishing platforms, this has pushed AS in recent years into steady decline.
Unfortunately, whatever gap AS’s contraction has created has been filled by a slew of imitators. Why not, when hoodwinking authors is as easy as setting up a website and opening an account with Ingram? In some cases, the imitators have first-hand experience: they’ve been founded and/or staffed by former employees of AS’s call centers in the Philippines.
Like AS, the clones rely on misleading hype, hard-sell sales tactics, and a lucrative catalog of junk marketing services. Even if authors actually receive the services they’ve paid for (and judging by the complaints I’ve gotten, there’s no guarantee of that), they are getting stiffed. These are not businesses operating in good faith, but greedy opportunists seeking to profit from writers’ inexperience, ignorance, and hunger for recognition. They are exploitative, dishonest, and predatory.
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3. Elaborate claims of skills and experience that don’t check out. A clone may say it’s been in business since 2006 or 2008, even though its domain name was registered only last year. It may claim to be staffed by publishing and marketing experts with years or even decades of “combined experience”, but provide no names or bios to enable you to verify this. A hallmark of the clones’ “About Us” pages is a serious lack of “about.”
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5. Junk marketing. Press releases. Paid book review packages. Book fair exhibits. Ingram catalog listings. Hollywood book-to-screen packages. These and more are junk marketing–PR services of dubious value and effectiveness that are cheap to provide but can be sold at a huge profit. It’s an insanely lucrative aspect of the author-fleecing biz, not just because of the enormous markup, but because while you can only sell a publishing package once, you can sell marketing multiple times.
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Stratton Press claims to offer “an experience that is one of a kind for both novice and veteran authors”. Oddly, it doesn’t display its publishing packages on its website; you have to go to its Facebook page to see them. Named after famous writers, they start at $1,800 and go all the way up to $10,500.
Link to the rest at Writer Beware
PG has had extensive exposure to quite a few different categories of businesses. While every business has its frauds and con artists, he has to say that publishing seems to attract a larger share than many other types of business.
Unfortunately, phony agents, phony publishers and phony marketers abound. Some have worked in legitimate parts of publishing in the past, but haven’t been able to support themselves in that arena and use their past experiences to support their pitches to authors.
While PG thinks indie publishing offers the best financial opportunities for most authors over the long run (or as long as anything is in internet years), if you’re convinced that the magic of Manhattan will make you an overnight sensation, PG suggests that selling very well as an indie author is the best way to attract contacts from legitimate agents.
Flogging an unpublished manuscript to agent after agent tends to become soul-destroying for many authors. Why not just polish the ms to the best of your ability, accessing your own resources, self-publish it and at least start earning a little bit of money from your writing while you query away.
If you’re paying attention to reader responses and suggestions, you may get some ideas to write a second book that’s better than the first. Number 2 may attract an agent when Number 1 failed.
PG suggests that your marketing of your indie books is not a lost effort. Nearly every publisher who talks about what they’re seeking in a new author is a platform, meaning an online presence that has attracted a lot of people to the author’s work, personality, videos, etc. On the one hand, if you have a good platform, you may gain fewer benefits from signing with a publisher, but build your platform and see how things turn out. A good author’s platform will attract more readers if indie publishing is what’s going to happen either in the near term or for an extended period of time.