From The Writing Cooperative:
“Sorry we don’t publish unpublished authors.”
This is the conundrum I found myself in when I finished writing Hellbound. I had sent submission letters to as many agents and publishers as I could find on the Internet. Their responses were largely saying the same thing; unless you have a successful body of recognised work behind you, we won’t even read your manuscript.
Somewhat disheartened, I turned to my contacts to see what I could do, or whom I could approach to at least get an unbiased opinion on the story. My search led me to Michael Williams, a man connected with a radio station I was doing the weekly surf report on Friday mornings. Michael had previously worked for one of Australia’s largest independent publishing houses, Text Publishing. He ever so kindly accepted my request to take a look, and offer some advice.
We met for a beer one night in Melbourne near his home, I having emailed him the manuscript a month prior. I’ll never forget what he said. “I’m glad I don’t have to give you the ‘stick to your day-job’ talk. But, you need to know, getting any kind of novel published is incredibly tough and this one will be near impossible. The genre isn’t huge in Australia. It has big, and maybe too many, original ideas. It is the kind of manuscript every publisher dreams of taking a chance on but never, ever does.” So what do I do? I asked. “Firstly you need to edit it. It’s really only about fifty percent complete, there are some plot holes you need to fill, and you need to build the main character more. But more importantly you need to get the right people to read it, without them thinking they need to make a yes or no decision on it.”
Link to the rest at The Writing Cooperative