From The Guardian:
They may have been closed for months during lockdown, but amid long days and many on furlough it has emerged that the nation turned to local libraries for cultural sustenance – with a surge in the lending of ebooks, and crime thrillers in particular.
In total, more than 3.5m additional ebooks were borrowed between the end of March and mid-August, according to the charity Libraries Connected, an increase of 146%. Adding audiobooks and e-comics, there was an increase of 5m digital items borrowed.
Gillian Galbraith’s Blood in the Water, the first of the Alice Rice mysteries featuring the Edinburgh detective, and published in 2007, was the most requested adult ebook. The former first lady Michelle Obama’s memoir, Becoming, was also among the most popular lends. The comedian and TV show judge David Walliams claimed three of the top 10 slots in most-borrowed children and young people’s ebooks.
Library online membership in the UK increased more than six-fold during lockdown, with demand for ebooks and audiobooks one of the main drivers.
“Library membership has surged,” said Nick Poole, the chief executive of the UK library and information association CILIP. “The increase in registration for online membership cards was huge, between 600 and 700%, which is amazing.”
With library buildings closed for up to four months, and people at home, services had to move swiftly online. A survey by Libraries Connected found audiobook checkouts increased, overall, by 113%, magazines by 80%, newspaper by 223% and comics by 497%.
There was growth in digital offerings across many areas including rhyming and reading sessions for young children, instruction sessions to access online services, author-led events, school readiness programmes, and jobs and arts clubs.
More than 75% of libraries delivered online services during lockdown. Some reached more than 20,000 views, according to Libraries Connected. One toddler reading event, which was staged on Facebook, had a 400% increase in views.
While the borrowing of physical books still massively outnumbers that of ebooks, a report by the charity suggests digital borrowing is not just an early lockdown “fad”. After experiencing an initial surge, the higher level of demand has been sustained.
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As the licensing model for digital services continues to operate restrictively for public libraries, public expectation of availability may outstrip supply
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“One of the brilliant things that happened was publishers really stepped up,” said Poole. “Ebooks cost a lot of money. Publishers, during the lockdown, said they would either waive or reduce licence fees so they really helped us out in terms of making ebooks available.”
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“People might think we don’t need the physical places any more, which obviously we really, really do because the library is doing so much more to support the community than just reading,” he said, adding: “Yes, absolutely we have found this new digital audience [but] we also need to continue supporting [the] face-to-face audience.”
Link to the rest at The Guardian and thanks to C. for the tip.
PG notes that the “Ebooks cost a lot of money” really means, “Traditional publishers charge public libraries extraordinary high fees for a license to lend a copy of an ebook.”
Duplicating the ebook itself and delivering it costs a fraction of a second of computer time and, depending upon the speed of the internet connection at the library on the receiving end, pennies at most to deliver (and more probably, no extra cost at all if the publisher or wholesaler has not been dumb in negotiating the terms of its access to the internet.)
As regular visitors to TPV will immediately understand, library licensing practices of traditional publishers are designed to prop up their sales of dead-tree-to-hell-with-climate-change printed books.