BETWEEN 1967 AND 2005, 684 hour-long episodes of live-action Star Trek and 22 half-hour episodes of the animated series aired on TV. Allowing for commercial breaks, that gives us 521 hours of Star Trek, give or take. Add in the 13 movies, from 1979’s Star Trek: The Motion Picture to Star Trek Beyond in 2016, and you wind up with more than 48 full days of Star Trek—not counting books and comics, which, if you want to argue about canonicity and amount of content, my DMs are open. (Not really.)
. . . .
And now the first real look at the long-delayed new show Star Trek: Discovery has finally frontiered. I’m gonna watch that show, too. All 15 hours of it, set to air on the subscription streaming service CBS All Access in the autumn. (When I showed my editor the new trailer, he said, “Sure, but who’s gonna get CBS All Access?” “Me,” I meeped. “For that.”) As a lifelong, devout Trekkie, I hear your concerns about the new show—why did they keep pushing the release? Why did showrunner Bryan Fuller bail for American Gods? What is up with that awful typeface on the intertitle cards?—but like Star Trek itself, I remain hopeful.
In fact, I am fuller of hope now than I have been about any of the movies since the whale one (which I liked). Because Trek’s serialized self, its television self? That’s Trek’s best self.
. . . .
The trailer’s visuals combine the shiny, lens-flaring, camera-tilting modes of the JJ Abrams and Justin Lin reboot movies. But that slickness is a sop to non-fans. Give me bulkheads that wobble and actors pretending to fall over when the camera shakes to simulate the loss of inertial dampers after a phaser takes the forward shields down to 30 percent. I mean, I get it: The structural rigidity of epic-sci-fi movies turns pretty much every Trek film (except the good ones) into a quest adventure with a third-act reveal and a finale of VFX and explosions. But audiences get enough of that these days from Star Wars and Marvel movies. A television show, with more time for story and presumably way less money in the budget, let Star Trek get back to its authentic guts.
Link to the rest at Wired