From The Public Domain Review:
This year , the works of one of the most successful and universal writers of all time came into the public domain in many countries around the world. The Tale of Peter Rabbit, The Tale of Squirrel Nutkin, The Tale of Benjamin Bunny, The Tale of Jemima Puddle-Duck – in all, thirty-three books bearing the name “Beatrix Potter” have sold close to 200 million copies.
. . . .
Her appeal is so powerful that museums hold her in permanent exhibition – and some of them even commemorate her solely. Hollywood has trawled through her life, if somewhat on tiptoe. The great and the good have acknowledged her influence and the affection she inspires. Pottery, apparel, wallpaper – all kinds of domestic accoutrements bear her quaint, unthreatening drawings; her inescapably fluffy image has driven a licensing industry that has been worth millions. Yet Beatrix Potter was a sharp-edged, and reclusive woman, serious and complex, and her “nursery” reputation does her scant justice; she was much more than a “mere” children’s writer. Which, however, is where and how her famed “product” began – with the famous letter from Beatrix aged 27 to Noel Moore, aged 6, the little son of her final governess;
Sep 4th 93
My dear Noel, I don’t know what to write to you, so I shall tell you a story about four little rabbits whose names were – Flopsy, Mopsy, Cottontail – and Peter. They lived with their mother in a sand bank under the root of a big fir tree…
She called it a “picture letter.” In among the words she had sketched each character in the tale, with Peter unquestionably the perkiest: he’s the only one standing upright. As adults’ novelists do, she had taken him from life – Peter Rabbit was based on a Belgian buck, she’d given him the name “Peter Piper” and described him thus: “Whatever the shortcomings of his fur, and his ears and toes, his disposition was uniformly amiable and his temper unfailingly sweet.”
Link to the rest at The Public Domain Review