My first book on magic was A Wizard of Earthsea by Ursula K. Le Guin. It was a single story which expanded into a long-standing series about Ged, the greatest wizard known to his age, and the many mistakes made in his youth which inspired a battle against his dark side, before he righted himself with his darkness.
As a Black boy, I always had a fascination with stories of boys with more to offer than what the world had the ability to see in them. Le Guin offered something along that line—the fantasy of untapped potential, of surviving poverty, of coming to terms with one’s dark side.
However, Ged’s story isn’t what substantiated my attachment to Ursula K. Le Guin’s world; it was Vetch, the Black wizard of the story and Ged’s sidekick. In A Wizard of Earthsea, Vetch is first introduced through a bully named Jasper as a heavy-set, dark skinned wizard a few years older than Ged. Vetch was described as “plain, and his manners were not polished,” a trait that stood out even amongst a table of noisy boys. Unlike the other boys, he didn’t take much to the drama of showmanship, or of hazing and—when the time finally came—he abandoned his good life as a powerful wizard and lord over his servants and siblings to help Ged tame his shadow, then was never seen again.
Black wizards have always been an enigma. I picked up A Wizard of Earthsea years after Harry Potter graced the silver screen and of course, I’d seen Dean Thomas, but there was more to the presentation of Vetch than illustrated in Dean’s limited time on screen.
. . . .
Fantasy has a habit of making Black characters the sidekick. And yet, years after Ged journeyed away from his closest friend, Vetch’s life did not stop: it moved on, prosperously. Representation of Blackness has always been a battle in Fantasy. It isn’t that the marginalized have never found themselves in these stories, but there was always a story written within the margins.
Writing from the perspective of mainstream demographic often results in the sometimes unintentional erasing of key aspects of a true human experience: where you can be angry, internally, at harmful discrimination and you can do something selfish and negative, because its what you feel empowers you. If to be marginalized is to not be given permission to be fully human, then these Black characters (Vetch & Dean Thomas) have never escaped the margins; and if this act is designated as the “right way,” then no character ever will, especially not the ones we see as true change in our imaginations.
Link to the rest at Tor.com