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From Indies Unlimited:
Do you have self-doubt? Guess what? You’re probably a writer. No, I take that back; you’re probably human. Yes, we all struggle with self-doubt at one time or another. If we didn’t, I daresay we’d have wooden blocks in our heads instead of brains. I believe any thoughtful, contemplative, and — especially — creative person suffers from self-doubt, be it a momentary pause or a lifelong battle. The big question is: how do we deal with it?
Recently I watched one of my favorite movies, Shadows in the Sun. It’s about writers, one young, one older. The older one (Harvey Keitel as Weldon Parish) has not written in twenty years, not since he had a best-seller and then lost his wife. He’s paralyzed by the fear that, along with his wife, he’s lost the world-acclaimed talent he used to have. He sits at his typewriter, fingers poised over the keys, and tears stream down his face. He can’t type even a single stroke.
The younger man (Joshua Jackson as Jeremy Taylor) wants to be a writer, has written a little, but is not sure he has what it takes. He writes in fits and starts, one step forward and two steps back. He has no idea if what he’s written is any good at all, or if it ever will be, and not knowing, he can’t commit to giving it his full effort.
I think most of us can identify with either, or both, of these types of self-doubt. Okay, maybe most of us have not had a best-seller, but we may have written a book that we really, really like, and that did pretty well in sales and got great reviews. The “problem” with success is: how do you follow up on that? If you were struck by an inspired story, created complex, well-rounded characters, and had a kick-ass ending, can you do it again? What if you can’t? Should you even try?
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[W]hat happens is I start a new book, I get two or three or five chapters in and… I hate it. It’s flat. If I don’t like it, how can I expect my readers to like it? But how do I fix it? DO I fix it? Or do I toss it and start something else? Maybe after much gnashing of teeth and pulling of hair I figure out a way to liven it up. Introduce a new character that adds some zing. Think of a new twist to the story line. Okay, now I’m cooking with gas. Chapter nine, ten, and… wading into the quagmire of the middle slump. No, not again!
Yes, again. Because the self-doubt that we feel is not a once-in-a-lifetime event. It’s not something we confront once, stare down, and never see again. It rears up again, and again, and again. Why? Because we continue to create. Every time we start a new project, we’re endeavoring to create something that was never there before. If we didn’t, if we just did the same thing over and over, we wouldn’t be writers, creators; we’d be producers. But we are creators. We get a new idea, we develop a new character, we charge off into the wilds of a new genre… and around every corner lurks the specter of self-doubt. And we have to deal with it over and over and over.
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You can take the left-brain approach and analyze. This means sitting down and reducing your WIP into small, bite-sized chunks and comparing each aspect to the perfect story. Is your main character sympathetic (even if s/he’s a jerk to start), believable, and three-dimensional? Do you like him or her? Do you have sufficient back story, and have you developed his/her flaw(s), those things that hold him/her back now but will get him/her to the end of the book? How’s your story arc? Does it soar, or does it droop in the middle? Is it predictable? Surprising? Are you building tension? Think of all the things you look for in a good book, and see if yours holds up.
You can take the right-brain approach and riff. Keep going, keep pushing through, and somewhere along the line you may have an “ah ha” moment when your character’s motivation becomes clear and your story falls into place. I do this fairly often, and I’ve had books that I’d been a micron away from abandoning suddenly become cohesive and satisfying. It’s hard-slogging; when I’m in this phase, I might only write a paragraph a day because I don’t know where I’m going. And I won’t deny that this approach could involve some heavy rewriting once you get it figured out, going back and tidying up the bits you need to bring it full circle. Eventually, thought, you reach that point of cohesion that makes it all worthwhile.
Link to the rest at Indies Unlimited