From NYT bestseller and former writing professor, Dave Farland:
We often begin a story with very little in mind—a powerful image from a dream, a play on words overheard during a conversation, an emotion that we want to capture, a clever idea for a twist. As these ideas begin to stack up, we begin to form a story.
I often feel that the ideas that give me the genesis of a story are like pieces to a puzzle—a puzzle that I will create. Yet when I first imagine them, I only glimpse parts of a complete image—a flash of blue sky here, the eye of a monster there, a mouse in a meadow.
As I imagine the story piece by piece, a novel eventually takes shape. But I want to emphasize that for me, at least, books don’t “take shape” by accident.
I was reading an article recently about Madeline L’Engle, who wrote about how she once went through a five-year dry spell as a new writer. In her memoir “Summer,” Madeline recalls telling her mother about people who say they’d like to write books, yet somehow can’t. “The reason they don’t ever get around to writing the books is usually, in the young, that they have to wait for inspiration, and you know perfectly well that if an artist of any kind sits around waiting for inspiration he’ll have a very small body of work,” she said. “Inspiration usually comes during work, rather than before it.”
I agree. Most of my inspiration comes while plotting and composing a book.
. . . .
A novel doesn’t have just one plot. A complex novel may have a dozen plots. As I’m plotting my novel, I take each of my main viewpoint characters and create a plot chart for each one. Each important conflict gets charted out.
Link to the rest at David Farland