Ebook Borrowing/Lending

Great to See Major Publishers Embrace Alternative Ebook Models in Public Libraries, But Let’s Give Credit Where Credit is Due

20 August 2017

From No Shelf Required:

This month, libraries across North America that work with hoopla digital will be able to provide access to some 15,000 (backlist) titles by HarperCollins, one of the ‘big five’ publishers that have resisted working with non-traditional ebook business models and adhered to the one-copy-one-user approach, resulting in less-than-ideal user experience for public library patrons. The news came the day before the official launch of the American Library Association conference in late June and has already received ample coverage, much of which has revolved around statements that with this move HarperCollins was changing the game, breaking new ground, and giving libraries something exciting to look forward to.

While HarperCollins deserves credit for being the first of the Big Five (others include Penguin Random, Macmillan, Hachette, Simon & Schuster) to go a step beyond the restrictive one copy-one user model (it was also the first to provide ebooks to libraries when others weren’t ready), HarperCollins isn’t the first publisher to embrace alternative models and certainly isn’t the one that is breaking new ground with this move. In fact, as many already know, hoopla has offered the cost-per-circulation model (which pays publishers per ‘loan’ instead of paying fixed fees to acquire titles) for a few years.

. . . .

I’ve had the privilege of working with vendors that cater to all types of libraries and have seen first-hand how difficult it is to crack the public library market in particular. My experience has shown that the vast majority of libraries are simply not ready or are not willing to work with new (unfamiliar) companies providing high-quality services (and models that are actually revolutionizing access to books) if, and particularly if  a) they are not established and don’t have a proven record in the library field; b) they are not based in North America (not always the case but very often) and c) they do not work with the Big Five (because public library patrons want those bestsellers the most, an argument that certainly carries weight).

Link to the rest at No Shelf Required and thanks to Paul for the tip.

Getting started with the Libby app to borrow ebooks and audiobooks from your library

14 August 2017

From Overdrive:

Our new Libby app is the easiest way to get started with digital books and audiobooks from your public library. Libby is available for Android, iOS (iPhone/iPad/iPod touch), and Windows 10.

. . . .

Step 1

Install the Libby app from your device’s app store.

Step 2

Open Libby and find your library. You can search by library name, city, or zip code.

Step 3

Browse your library’s collection and borrow a title. When prompted, sign in with a valid library card.

Step 4

Borrowed titles appear on your Shelf and download to the app automatically when you’re connected to Wi-Fi, so you can read them when you’re offline.

From your Shelf, you can:

  • Tap Open book or Open audiobook to start reading or listening to a title.
  • Tap the cover image, then Send to Device to send a book to Kindle.

Link to the rest at Overdrive

PG says this looks a lot simpler than working your way through most library websites.

60 Library Systems are on Pace to Hit One Million Digital Checkouts in 2017

18 July 2017

From Overdrive Blogs:

Last year, a record 49 different OverDrive digital library collections hit one million checkouts and we’re excited to announce that it looks like, once again, a new benchmark will be set. Records are meant to be broken, after all. In 2015, the number of library systems hitting one million checkouts was 33 and two years later we’re within range of doubling that amount. When we reached the end of June, 60 digital collections had surpassed 500,000+ circulations and another ten are just off that pace. In fact, 15 of them have already passed the one million checkout threshold.

The Million Checkout milestone is both a great achievement and a marketing tool for our library partners. Many libraries boost their marketing efforts during the holidays to promote the service and reach that goal. Neighboring libraries have even created friendly competitions to see who can circulate the most eBooks, audiobooks and other digital content. These events often spark inspiration for other libraries to say, “Next year that will be us!” While we love this gumption to plan for next year, there’s still time to reach new heights in 2017.

Link to the rest at Overdrive Blogs

Comics, the King of Libraries

14 May 2017

From Publishers Weekly:

Graphic novel collections have become a staple of libraries across North America. But with greater popularity comes greater scrutiny and new issues. As demand for graphic novels and comics grows—especially among younger patrons—attempts to censor and remove certain titles from library shelves are also increasing.

In addition, self-published graphic novels (which are often crowdfunded) and digitally published comics are becoming more popular. But libraries, bound by acquisitions guidelines that require validation of books’ quality (generally a review in a reputable trade or consumer publication) that is not often available for self-published works, are struggling to include them. And comics in digital formats—such as e-books, streamed comics, and webcomics—are also difficult for librarians to justify purchasing: despite the growing demand for these works, there are only a few library vendors—OverDrive and Hoopla Digital among them—that offer them to libraries.

. . . .

Book challenges—the term for a formal effort to remove a title—filed by parents who find certain works objectionable are a constant in libraries. The visual nature of graphic novels and their prevalence in library collections makes them a big target. “You might be willing to read something, but adding the pictures is still really scary for a lot of folks,” says Carol Tilley, associate professor in the Graduate School of Library and Information Science at the University of Illinois at Urbana-Champaign.

Thus it should come as no surprise that two graphic novels topped the American Library Association’s annual list of the most challenged books: This One Summer by Mariko and Jillian Tamaki and Drama by Raina Telgemeier. Both are acclaimed works by respected authors; however, that acclaim may have helped cause the problems. This One Summer, published by First Second, is marketed as a YA book for older teens. It deals with two girls on the cusp of adolescence who are learning about life and sexuality in an honest and nonexplicit manner. However, when it was named a Caldecott Honor book in 2015, some librarians and parents may have assumed it was for younger readers, despite the fact that it also won the Printz Prize for best YA novel.

“Most librarians buy all the Caldecott winners and they may not have been aware of the content,” says Robin Brenner, teen librarian at the Brookline (Mass.) Public Library. The confusion reflects the belief, still widely held in the U.S., that all comics are for children. “Everyone needs to be reminded that the Caldecott doesn’t always go to picture books for younger children,” she says.

James Larue, director of the ALA’s Office of Intellectual Freedom, confirms the rise in challenges to graphic novels. He notes that both This One Summer and Drama—which includes a subplot about two gay middle schoolers—deal with LGBTQ themes, and “that continues to be a concern for many who challenge books.”

Even acquiring and shelving conventionally published graphic novels for adults can pose problems. Big Hard Sex Criminals by Matt Fraction and Chip Zdarsky collects a popular crime comedy series about a couple who can stop time when they have sex and use their powers to rob banks. The book is rated mature for explicit content. According to Larue, in the library where it was challenged, it was appropriately shelved in the adult section and clearly labeled as such. Larue suspects that, once again, parents assumed that “a book in the comics format is aimed at kids, even when it clearly isn’t.”

. . . .

Making it easier for libraries to offer digital comics is Hoopla, a digital streaming service providing a wide variety of content to public libraries. Hoopla Digital is the digital lending service of Midwest Tape; the service offered e-books, music, and movies when it launched in 2014 and added comics in 2015. Hoopla is currently available in 1,400 library systems and 5,600 branches across the U.S. and Canada.

When its comics service began, Hoopla offered only a small selection of DC comics and titles from independent comics publishers. Since then, “it’s grown by leaps and bounds,” according to Michael Manon, public relations and communications manager at Hoopla Digital. The service works with more than 70 publishers (including every major comics publishers except Marvel) and offers nearly 10,000 titles, including single-issue periodical comics, which are often a problem for libraries to carry because they are essentially magazines and not durable enough for circulation. Patrons of library systems using Hoopla can access the comics for free using their library cards.

Link to the rest at Publishers Weekly

Local libraries struggle to balance cost of digital services against demand

14 March 2017

From the Sandusky Register:

When the CLEVNET library consortium stopped offering Hoopla Digital, the most popular digital library service, almost all public libraries in the Sandusky area faced a choice.

Do they spend additional money to continue offering Hoopla to their patrons, or do they drop the service?

In every case the Register could learn about, local libraries came up with extra money and kept offering Hoopla.

But the experience of using Hoopla has given libraries a lesson on the transition from paper books and other physical objects such as DVDs and audio CDs to the presumed library of the future, which likely will rely on digital materials.

. . . .

Hoopla is sometimes considered the best digital library service. Notably, users can check out any item they want, without having to go on a waiting list for popular items. Each patron of a library in the CLEVNET system was allowed 10 checkouts a month.

CLEVNET officials didn’t return a phone call from Register asking about why it dropped Hoopla, but James Tolbert, director of the Milan-Berlin Library District, said Hoopla refused to give CLEVNET a consortium discount. CLEVNET hadn’t raised membership fees to cover the Hoopla cost and found it couldn’t afford Hoopla, Tolbert said.

“The first year, it was somewhere around double what they budgeted for,” Tolbert said.

. . . .

Tolbert, who said each Hoopla checkout by a patron costs his library an average of $1.77, decided to budget $1,500 [per month] to try keeping the service for a year. Each patron is allowed 10 checkouts a month, the same as before, Tolbert said.

. . . .

Sandusky Library has 25,376 cardholders. The library has 781 patrons who have signed up for Hoopla, Carver said.

Link to the rest at Sandusky Register

Ottawa Public Library introduces ‘express’ ebooks for speed readers

22 February 2017

From The Ottawa Citizen:

The Ottawa Public Library is encouraging speed reading with a new “express” ebooks system, the first of its kind at a Canadian public library.

Starting Wednesday, customers can borrow new and bestselling English-language ebooks for a loan period of seven days. The express system, previously only available for print books, now includes fiction and non-fiction ebooks.

“With a shorter loan period and a no-holds policy, express items help OPL optimize its collection, catering to fast readers,” a press release states.

The OPL’s website notes: “Ottawa Public Library eBooks get returned automatically once the loan period is finished so there will never be any late fees.”

Link to the rest at The Ottawa Citizen and thanks to Tudor for the tip.

Despite What You Heard, The E-Book Market Never Stopped Growing

19 January 2017

From Observer.com:

Over the last year, we’ve been talking to writers like A.G. Riddle who have been making a more than comfortable living selling e-books directly to readers on Amazon. That’s why it’s always seemed a bit strange to see media accounts reporting on the shrinking market for e-books.

News outlets like The New York Times report that e-book sales continue to slip, which is true if the data only covers part of the market. Reports from the Association of American Publishers has data from 1,200 publishers. They are the largest publishers, but they are also losing market share.

E-book sales never declined, according to a presentation yesterday at Digital Book World in New York City. In fact, if anything, we don’t yet have an adequate way to estimate how much the market segment has grown.

In back-to-back presentations from from the data site Author Earnings and publishing tech firm Overdrive, it became clear that “unit sales” may not be the best way to measure the size of the book market. In more and more ways it’s becoming clear that there are additional ways for writers to earn money than by readers buying whole books or even buying books at all.

 

. . . .

E-books, Data Guy told the crowd, “Never stopped growing.”

It looks as though sales stuttered because traditional publishers have been losing market share to indie authors who publish directly through online platforms. Amazon is by far the largest of these platforms.

. . . .

Reports on the e-book market tend to ignore Kindle Unlimited, Amazon’s Netflix for ebooks. Amazon splits up each month’s Kindle Unlimited revenue among participating authors based on how many pages members read.

Science-fiction author Hugh Howey said that being part of the program increased his revenue so much that it was worth pulling his books from all other platforms, such as Kobo and iBooks.

Data Guy acknowledged that some industry watchers might argue that a Kindle Unlimited download isn’t really a sale, but Author Earnings takes the position that any money in a writer’s pocket counts.

. . . .

 

Local book stores saw a 5 percent growth in sales last year, but every other channel (such as big stores, Walmart and etc) saw a 5 percent decline. Those channels were so much larger that local stores’ growth was more than made up for by the declines everywhere else. “Perhaps 10 fold,” Data Guy said.

Let’s hear it for your favorite local shop, but the truth is that Amazon has been the one closing those new print sales.

 

Link to the rest at Observer.com and thanks to Nirmala for the tip.

You Can Now Check Out Library eBooks at Seattle’s Airport

14 December 2016

From The Digital Reader:

Over the past few years the King County Library System has operated pop-up free book kiosks at Seattle’s Sea-Tac Airport, but when the librarians were setting up a permanent presence, they decided to go digital.

KCLS announced on Facebook earlier this month that they had installed two OverDrive media kiosks in Sea-Tac Airport:

Are you travelling this holiday season? Be sure to check out the new KCLS eBook kiosks at SeaTac near the A or D concourse. No library card needed!

There’s bright orange signs throughout the airport to let travelers know about the wealth of online materials (books, movies, music) available through kcls.org. We think you’ll be pleasantly surprised by what you find.

Link to the rest at The Digital Reader

The KU Conundrum

11 December 2016

From author Ruby Madden:

I’m re-assessing how I run my publishing business for 2017 and wanted to share some of my frustrations as an Author.

Recently, many authors have noticed that over the last few months, the pages-read numbers for our eBooks that are borrowed at Amazon and read, have decreased dramatically. Some say it is just a slump resulting from an Election Year. Others say that something is amuck with Amazon’s pages-read reporting system that lets us know how many pages were read for stories that we have enrolled in the Kindle Unlimited (KU) program.

. . . .

Up until Oct, Nov, & Dec – I was pleased. But something has shifted and many authors have been left scratching our heads. Our pages-read numbers (how we earn money from the KU program) are seriously decreased. Many of us have been in the indie publishing business for a while now and we are savvy about using reporting and tracking programs to understand the trends. We know when book-buying or borrow-reading tends to be at its best and worst. We plan ahead with publishing dates, marketing & advertising campaigns. Like any business, some times are better than others.

. . . .

So, I have a favor to ask…

Amazon listens to their customers. They don’t quite seem to value their content providers (writers & authors) as much as they do their customers. Would  you be willing to send an email and express your concern as a reader? Here, I’ll make it easy. Here is a cut & paste letter you can copy and amend:

Dear Jeff & Amazon,

I’m a customer of yours who likes to read and buy and/or borrow eBooks from your website. Over the last couple of months, I’ve heard concerns from authors whose books I read, that they are experiencing an atypical decline, overall, in the pages-read numbers for their stories that are in KINDLE UNLIMITED (KU). 

They’ve shared that they have contacted KDP support and are being provided unsatisfactory responses or cookie-cutter type replies.

It’s important to me that authors are fairly compensated for the work and content they provide. As entertainers, they are important to society and deserve to regarded with respect. I enjoy the books they enroll in KINDLE UNLIMITED and I’m concerned that they will start to pull them out of the KU program. 

Can you please look further into this matter and research it? 

Kind Regards,

Your Name

EMAIL to send to:

jeff@amazon.com; ecr-kdp@amazon.com

Link to the rest at Ruby Madden and thanks to SFR for the tip.

Here’s a link to Ruby Madden’s books. If you like an author’s post, you can show your appreciation by checking out their books.

UPDATE: PG has received several emails, including links to online discussions, claiming that Ms. Madden has not paid royalties for some boxed sets she has published that include works by other authors.

PG is not acquainted with Ms. Madden and has no personal knowledge about these matters, but felt an obligation to update in light of the warnings he received.

E-books can be lent by libraries just like normal books, rules EU’s top court

11 November 2016

From Ars Technica UK:

Public libraries can lend out electronic books, the European Union’s highest court has ruled.

The judgment confirms the opinion of Maciej Szpunar, advocate general to the the Court of Justice of the European Union (CJEU), who said back in June that lending out e-books should be permitted in the 28-member-state bloc provided authors are fairly compensated in the same way as for physical books.

. . . .

Specifically, VOB wanted to use a “one copy, one user” model. A copy of an e-book is placed on the server of a public library, allowing a member of the public to download it. Only one copy at a time can be lent out in this way. After the lending period for the e-book expires, the downloaded copy can no longer be used by that user, but another copy can be downloaded by someone else.

Link to the rest at Ars Technica UK and thanks to Nate for the tip.

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