The Self-Help That No One Needs Right Now

From The Atlantic:

Nothing about The Body Keeps the Score screams “best seller.” Written by the psychiatrist Bessel van der Kolk, the book is a graphic account of his decades-long career treating survivors of traumatic experiences such as rape, incest, and war. Page after page, readers are asked to wrestle with van der Kolk’s theory that trauma can sever the connection between the mind, which wants to forget what happened, and the body, which can’t. The book isn’t academic, exactly, but it’s dense and difficult material written with psychology students in mind. Here’s one line: “The elementary self system in the brainstem and limbic system is massively activated when people are faced with the threat of annihilation, which results in an overwhelming sense of fear and terror accompanied by intense physiological arousal.”

And yet, since its debut in 2014, The Body Keeps the Score has spent 150 weeks—nearly three years—and counting at the top of the New York Times best-seller list and has sold almost 2 million copies globally. During the pandemic, it seems more in demand than ever: This year, van der Kolk has appeared as a guest on The Ezra Klein Show, been profiled in The Guardian, and watched his book become a meme. (“Kindly asking my body to stop keeping the score,” goes one viral tweet.)

After all the anxiety and social isolation of pandemic life, and now the lingering uncertainty about what comes next, many people are turning to a growing genre of trauma self-help books for relief. The Body Keeps the Score is now joined on the best-seller list by What Happened to You?, a compilation of letters and dialogue between Oprah Winfrey and the psychiatrist Bruce D. Perry. Barnes & Noble, meanwhile, sells about 1,350 other books under the “Anxiety, Stress & Trauma-Related Disorders” tab, including clinical workbooks and mainstream releases. Sometimes, new installments in the genre seem to position themselves as a cheat code to a better life: Fill out the test at the back of the book; try these exercises; narrativize your life. One blurb I read, on the cover of James S. Gordon’s Transforming Trauma, basically said as much: “This book could give you back your life in unimaginable ways, whether you think of yourself as a trauma victim or not.”

“You can kind of understand why the sales of these books are going up in this stressful, pressurized situation,” Edgar Jones, a historian of medicine and psychiatry at King’s College London, told me. In a moment of personal and collective crisis, the siren song of a self-help book is strong.

There’s just one problem. In spite of their popularity, trauma books may not be all that helpful for the type of suffering that most people are experiencing right now. “The word trauma is very popular these days,” van der Kolk told me. It’s also uselessly vague—a swirl of psychiatric diagnoses, folk wisdom, and popular misconceptions. The pandemic has led to very real suffering, but while these books have one idea of trauma in mind, most readers may have another.

. . . .

In the decades since, trauma has come to signify a range of injuries so broad that the term verges on meaninglessness. The American Psychological Association, for example, describes trauma as “an emotional response to a terrible event like an accident, rape or natural disaster”—like, but not only. “Like weeds that spread through a space and invasively take over semantic territory from others,” trauma can be used to describe any misfortune, big or small, Nicholas Haslam, a psychology professor at the University of Melbourne, told me. That concept creep is evident on TikTok, where creators use “trauma response” to explain away all kinds of behavior, including doomscrolling and perfectionist tendencies.

In the pandemic, trauma has become a catchall in the U.S. for many varied, and even competing, realities. Some people certainly are experiencing PTSD, especially health-care workers who have dealt with the carnage firsthand. For most people, however, a better description of the past 19 months might be “chronic stressor,” or even “extreme adversity,” experts told me—in other words, a source of immense distress, but not necessarily with severe long-term consequences. The whole of human suffering is a lot of ground for one word to cover, and for trauma best sellers to heal.

Today, a comprehensive shelf of trauma self-help includes the biophysicist Peter Levine’s Waking the Tiger, which argues that a lack of trauma in wild animals can offer insight into how humans might overcome their seemingly unique susceptibility to it; The Deepest Well, by the surgeon general of California, Nadine Burke Harris, who uses personal experience to draw a direct line from childhood stress to a host of physical and social ills; and It Didn’t Start With You, in which the author, Mark Wolynn, makes the controversial claim that trauma can be inherited from distant ancestors.

These books tend to follow a reliable arc, using the stories of trauma survivors to advance a central thesis, and then concluding with a few chapters of actionable advice for individual readers. In The Body Keeps the Score, van der Kolk writes about people he refers to as Sherry, a woman who was neglected in childhood and kidnapped and repeatedly raped for five days in college, and Tom, a heavy drinker whose goal was to become “a living memorial” to his friends who had died in Vietnam. For patients like these, van der Kolk eventually turned to yoga, massage therapy, and an intervention called eye-movement desensitization and reprocessing, or EMDR, which specifically treats the traumatic memories that pull people with PTSD back into the past.

Those experiences are remarkably different from what most Americans have endured in the pandemic. Although almost everyone has struggled with the risk of contracting a deadly virus and the resulting isolation and potential loneliness, a remote worker’s depressive episode, or an unemployed restaurant worker’s inability to pay their bills, has little in common with stories like Tom’s and Sherry’s. They are no less important—no less deserving of attention—but we need better words to describe them, and other remedies to treat them.

Even van der Kolk himself is wary of some of the ways in which trauma is used today. When I asked him whether he thinks The Body Keeps the Score is useful for all the readers turning to it during the pandemic, he objected to the premise of my question: The readers he hears from most, he said, are those who grew up in abusive households, not those who feel traumatized by COVID-19. “When people say the pandemic has been a collective trauma,” van der Kolk said, “I say, absolutely not.”

Link to the rest at The Atlantic

Making the Past Relevant (by Diversifying Biographies)

From author Heather Demetrios in Publishers Weekly:

After reading my new biography of World War II spy Virginia Hall, Code Name Badass, a seasoned biographer told me, “I’m… pleasantly surprised you got away with it!” The surprise was justified: it’s not often you see a YA nonfiction work that’ll make your grandma clutch her pearls. Badass is meant to read like an episode of Drunk History, with all the irreverence of the Comedy Central hit intact—but with more than 50 pages of endnotes.

My Pussy Riot–style ambush on the genre has f-bombs falling on its pages. This book comes to the fight with brass knuckles and one of the most audacious women ever to enter the ring of war as its subject. I wanted the language to reflect the dirty fighting of guerilla warfare and the culture of my readers, most of whom armor themselves for the daily onslaught of the patriarchy with clothing and accessories emblazoned with so-called foul language.

It’s possible to drop an f-bomb and an endnote at the same time, I assure you.

Despite the increasing presence of female writers, subjects, and narrative approaches to nonfiction, I’m still not seeing many books that marry the deep research required of a quality biography with bingeable prose. With the rights of women constantly under threat, the last thing my readers want is another biography by the man, for the man, about a man. I may be writing about the past, but the future is female.

It was exhilarating to write the book I wanted to read—as though I’d ditched history class and hung out behind the gym, sneaking a cigarette with the French Resistance instead of reading a dry chapter on the early days of asymmetrical warfare.

Badass is about a disabled woman whose job was to be invisible, but who was also rendered invisible not only by the men in power she worked with but by the privileged few who chose to write and acquire biographies. Did I want to make a little noise with my book, since its subject was often silenced? Hell yes I did. And to be heard over all the dudes in the biography section, I knew I’d need to do a bit of literary shouting.

. . . .

We’ll always have the scholarship and heft of a David McCullough or Ron Chernow. But many readers I know—myself included—long for biography that’s infused with the energy of the subject’s life (often iconoclastic, passionate, and dramatic) and wouldn’t mind seeing a clear line drawn between the past and the present. In short: relevant biography, as modern as its 21st-century readership.

I’m not alone in taking the genre’s road less traveled, but I want to see more writers on this road with me. There’s no map, but you have a lot of fun getting where you’re going.

I share some of Virginia Hall’s privileges: I’m white, middle-class, educated, American. Hall’s access to education and travel is what allowed her to become one of the greatest spies of all time. But she was also disabled and a woman. These two barriers created numerous obstacles throughout her life. And yet it was her character—her grit, moxie, and doggedness—that made me want to write about her.

In order to do Hall’s extraordinary life justice, I had to write in a way that was as divergent as the woman herself.

Link to the rest at Publishers Weekly

PG suggests that anyone who believes inserting obscenities anywhere in a book is daring or unusual has mixed up 2021 with 1960.

If you’re gonna be a rebel, you need to do something that’s not passé. Nose rings don’t count. YA Fiction is purely a creation of the New York publishing world. You can put anything in a book and call it YA. You might pick up some one-star reviews on Amazon, but, if you’re a real rebel, what other people think doesn’t mean a thing.

The OP author’s latest book is Code Name Badass: The True Story of Virginia Hall and is published by Atheneum Books which is owned by Simon & Schuster which is owned by ViacomCBS.

The person who has total control of ViacomCBS is Sheri Redstone, a wealthy heiress who took over the company from her father, Sumner Redstone.

Perhaps the author of the OP and Ms. Redstone can get together to talk about how their rights as women are constantly under threat.

Of Fear and Strangers

From The Wall Street Journal:

George Makari’s concern with xenophobia goes back to a childhood trauma. To escape from sectarian conflict, his French-speaking Christian parents had fled their native Lebanon and settled in the U.S., where Dr. Makari was born. In 1974, at the age of 13, he was taken on a family visit to Beirut. Suddenly, the travelers found themselves caught in the midst of what would become a civil war. “To me, it was bizarre,” Dr. Makari recalls in “Of Fear and Strangers: A History of Xenophobia.” He continues: “All these bewildering sects were far more alike than different. All were Levantines who spoke the same dialect; all loved the same punning humor, devoured the same cuisine, abided by strict rules of hospitality, and approached any purchase as a three-act play: bargain, stage a walk-out, then settle. They were quick with proverbs and went agog when Fairuz sang. And yet, subtle distinctions in their identities now meant life or death.” It was an experience that would haunt a young George Makari.

Today, Dr. Makari, a psychiatrist, psychoanalyst and the director of Weill Cornell’s DeWitt Wallace Institute of Psychiatry, sees xenophobia as a threat to social peace, not only in the Middle East but also in Europe and North America, where recent political convulsions have been driven by a bristling hostility toward strangers and outsiders. Dr. Makari is clear that a lot of different impulses are often conflated here: “ethnocentrism, ultranationalism, racism, misogyny, sexism, anti-Semitism, homophobia, transphobia, or Islamophobia.” What might they have in common? “Is there any one term specific enough to not be meaningless, while broad enough to allow us to consider whatever common strands exist between these phenomena?” He thinks that there is: xenophobia. And if all these disorders are variants of the same affliction, then perhaps they have the same cause and might be susceptible to the same treatment.

Dr. Makari traces the invention of “xenophobia” to the 1880s, when psychiatrists came up with a variety of “phobias” apparently caused by traumatic experience. “Hydrophobia”—a fear of water—was an old term for rabies. There followed a rash of other phobias, from claustrophobia to my personal favorite, phobophobia—the fear of being frightened. (One commentator remarked that the number of phobias seemed limited only by an Ancient Greek dictionary.) Xenophobia entered a medical dictionary in 1916 as a “morbid dread of meeting strangers.”

Like many psychiatric classifications, early definitions of xenophobia covered too much ground. Perceptions of the disease seemed malleable. What began as a psychiatric diagnosis would soon be used to describe the fury with which colonized populations often turned on settlers. These settlers, in turn, would be accused of xenophobia by the critics of colonialism, as waves of migrations in the years leading up to World War I provoked fears of a loss of national identity.

In the U.S., three confrontations between different segments of the population proved formative. The first pitted the Puritans, who were themselves refugees from religious persecution, against Native Americans. The second was the forced migration and enslavement of millions of Africans by descendants of the country’s European settlers. The third was provoked by the migrants, first from Europe, then from Asia, who arrived after the Civil War largely for economic reasons.

Dr. Makari notes that in 1860 60% of the white population in the U.S. was of British origin, while 35% were broadly classified as German. By 1914, after 20 million immigrants had passed through American ports, 11% of the white population had British roots, 20% German, 30% Italian and Hispanic, and 34% Slavic. The settled sense of identity enjoyed by established white American Protestants was threatened. There was, in particular, a panic about Chinese immigration, even though the number of arriving Chinese was relatively small. This led to the passage of the Chinese Exclusion Act in 1882, prohibiting the immigration of Chinese laborers. In 1892, 241 lynchings were recorded in America. Two-thirds of the victims were black; the remaining third were mostly Chinese and Italian. In 1908, the Harvard philosopher Josiah Royce asked: “Is it a ‘yellow peril,’ or ‘black peril,’ or perhaps, after all, is it not some form of ‘white peril’ which threatens the future of humanity in this day of great struggles and complex issues?”

. . . .

One idea is that there is something fundamentally human here. Early human groups competed for territory. All intruders were enemies. The more you feared and hated outsiders, the better your chances of survival. So xenophobia bestowed an evolutionary advantage. Sports fans are simply expressing inherited tribal instincts. Even babies are frightened by a strange face.

This is a popular one-size-fits-all explanation. But it is problematic. For one thing, anthropologists do not agree that constant strife was the norm during the 95% of human history when small nomadic bands lived by hunting and gathering. The Victorian anthropologist Edward Burnett Tylor said that early humans would have had to choose between marrying out or being killed out. When Europeans in the early 19th century made contact with surviving communities of hunter-gatherers, different bands were observed forming marriage alliances and trading partnerships that generally kept feuds from raging out of control.

. . . .

In the aftermath of World War II and the Holocaust, however, a better explanation of mass hatreds was needed. The orthodox theory in American psychology at the time was behaviorism, which explained habitual attitudes and responses as the products of conditioning: Pavlov’s dogs salivated at the sound of a bell because they had been conditioned to recognize this as a cue for food. In the same sort of way, children are warned against strangers and so conditioned to fear others.

Less orthodox, but more influential in the long run, is the notion of projection. Each of us half-recognizes our shameful desires, infantile fears, aggressive impulses. Instead of dealing with them, we may accuse someone else of harboring those same feelings, cleansing ourselves by shifting the blame onto a scapegoat.

According to yet another analytic theory, the people most susceptible to collective paranoia are the children of strict and demanding fathers whom they feared and adored. Theodor Adorno, the lead author of the classic account “The Authoritarian Personality,” wrote that the typical subject “falls, as it were, negatively in love.” Cowed by the father-figure, he is masochistically submissive to authority and sadistically takes out his anger on the weak.

Link to the rest at The Wall Street Journal (This should be a free link, but PG doesn’t know how many clicks it can handle. He apologizes for the paywall, but hasn’t figured out a way around it.)

Powers and Thrones by Dan Jones audiobook review

From The Guardian:

The latest masterwork from Dan Jones, the British historian and author of The Templars, isn’t short on ambition. Spanning a thousand years, it tells the story of the “awkward slab” of time that is the middle ages, the period between the fall of the western Roman empire in the fifth century AD and the Protestant reformation. Jones, who reads the audiobook himself, lays out his plan in the introduction to “sweep across continents and centuries, often at breakneck pace. We are going to meet hundreds of men and women, from Attila the Hun to Joan of Arc. And we are going to dive headlong into at least a dozen fields of history – from war and law to art and literature.”

He isn’t wrong about the pace: he hopscotches from the collapsing Romans, barbarian migration and the rise of Islamic empires to the age of the Franks, the brutal Mongol superpower and the plague that wiped out millions across north Africa, Asia and Europe. But despite the hectic schedule, his reading feels relaxed as he delights in peculiar details and revels in witty asides. While the tone is confident, Jones mercifully avoids the declamatory style that can afflict historians in performance mode.

Link to the rest at The Guardian

PG noted the OP for two reasons.

  1. In his reading, it isn’t common for a large-circulation periodical to include audiobook reviews.
  2. Having the author voice the audiobook is also somewhat unusual.

Perhaps those who follow audiobooks more closely that PG does will correct any misconceptions PG has about this part of the literary world.

Stillwater: Amanda Knox Reaction & Murder Case Controversy Explained

From ScreenRant:

It’s not strange for filmmakers to take inspiration from real-life people and events, but sometimes, the way these are handled in fiction does more harm to the people they are based on – such is the case of Stillwater, based on the Amanda Knox case and who has called out those involved for profiting off her controversial and complex case. The coronavirus pandemic forced studios to delay their releases and reorganize their schedules, and one of those movies that went through a couple of date changes is Stillwater, directed by Tom McCarthy and starring Matt Damon. Stillwater is finally out, but not without a lot of controversy.

. . . .

Stillwater tells the story of Bill Baker (Damon), an unemployed oil rig worker from Oklahoma who sets out alongside a French woman called Virginie (Camille Cottin) to prove his convicted daughter’s, Allison (Abigail Breslin), innocence, who had spent four years in prison for the murder of her roommate. Stillwater premiered at the Cannes Film Festival in July 2021 and was released in theaters at the end of the month, but instead of making headlines for its quality, the movie has been involved in controversy for using Amanda Knox’s case as inspiration without her consent, with her calling out Damon and McCarthy on social media.

. . . .

Amanda Knox took Twitter to call out those behind Stillwater for using her story for profit and dragging her name into it for the sake of marketing. Knox explains that Stillwater has been marketed as being “inspired by the Amanda Knox saga”, focusing on the sensationalist side of what happened to her rather than on facts. Knox also explains how authorities and thus the media focused on building a specific image of her, even though she’s innocent and wasn’t involved in the murder she was accused of and continues to be linked to by the media. Of course, there’s also the fact that her story was used without her consent and fictionalized, once again painting her under the wrong light, with the movie “reinforcing an image of her as a guilty and untrustworthy person”. Knox also invited McCarthy and Damon to her podcast so they can clear all this up, but there hasn’t been a response from them yet.

. . . .

In 2009, Amanda Knox was wrongfully convicted for the murder of Meredith Kercher, her roommate in Perugia, Italy. What led to that and what followed for years was a messy investigation by Italian authorities in which Knox and her boyfriend at the time, Raffaele Sollecito, were portrayed in a negative light, leading to a lot of controversy as the interrogations and the overall investigation was put into question by U.S. lawyers and forensic experts. After a long and tiring legal process, during which Knox points out she had “near-zero agency” and no control over the image the media was building around her, Italy’s highest court exonerated Knox and Sollecito in 2015, but she had already spent almost four years in prison. Knox returned to the US, completed her degree, and wrote the book Waiting to Be Heard: A Memoir, and has worked as a journalist and activist ever since.

. . . .

Stillwater isn’t the first movie to take “inspiration” from Amanda Knox’s story, such as Lifetime’s Amanda Knox: Murder on Trial in Italy, for which Knox actually sued them over.

Link to the rest at ScreenRant

The Ant Man’s World

From The Wall Street Journal:

A well-known portrait of Edward Osborne Wilson shows the smiling Harvard professor hovering, like a benevolent god, over some models of his cherished leafcutter ants. The photograph serves as the cover of “Tales From the Ant World,” Mr. Wilson’s most recent and, by my count, 35th book. The large ant right beneath Mr. Wilson’s chin, a mix of Mars Rover and de Chirico mannequin, wields a leaf almost as big as the entomologist’s head. The proportions seem off, but in a larger sense they really aren’t: As Mr. Wilson, now in his 90s, has reminded us over a long, distinguished career, ants can more than hold their own against humans. There are, by some rough estimates, 10,000 trillion ants in the world at any given moment, and their combined weight (Mr. Wilson, who likes to mock his ineptness at math, nevertheless supplies numbers whenever he can) would match the total weight of the planet’s human population.

Mr. Wilson has always had a knack for reducing complex problems to simple number games, easy-to-grasp metaphors or memorable anecdotes. A world-famous scientist, winner of many medals and honorary doctorates, celebrated for his research on ant communication and evolutionary equilibrium in island settings, he has also swept up awards in the field of literature, including two Pulitzers and, for his novel titled (what else?) “Anthill” (2010), the Chicago Tribune Heartland Prize for fiction. Earlier this year came the ultimate literary sanctification, inclusion in the venerable Library of America, where Mr. Wilson is now rubbing shoulders with just a handful of other nature observers: John James Audubon, Rachel Carson, Loren Eiseley, Aldo Leopold and John Muir. And, as if further corroboration of Wilson’s eminence were needed, we now also have “Scientist,” a full-length biography by Richard Rhodes, whose previous work in the genre includes the popular “John James Audubon: The Making of an American” (2004).

. . . .

Mr. Wilson’s career as a naturalist began during a summer vacation on Paradise Beach, Fla., with an incident so far from paradisal that it would have ended a lesser man’s aspirations: A pinfish the boy had caught jumped and pierced his right eye, blinding it. Yet, although he would later lose some of his hearing, too, young Wilson never wavered in his determination to become a naturalist. He settled on entomology: Keeping his surviving eye trained on the ground, he would track the motions of animals too small to rise to most people’s attention, creatures whose world was ruled not by sight and sound but by taste and smell. “I opened logs and twigs like presents on Christmas morning, entranced by the endless variety of insects and other small creatures that scuttled away to safety.”

Born into a complicated, nomadic family, young Wilson attended more than a dozen schools in 10 years, with no apparent damage to his intellectual development. His sixth-grade teacher in Washington, D.C., noted on his report card: “He writes well and he knows a lot about insects. If he puts those two things together, he might do something special.” And “something special” he did with “those two things.” One of the great pleasures of the new, lavishly illustrated Library of America edition is the opportunity to appreciate the many ways in which Mr. Wilson fuses literature and science. His blend of wisdom and wit even extends to his footnotes: He never saw the Emperor of Germany bird of paradise in the wild, Mr. Wilson admits, but “many Paradisaea guilielmi probably saw me.”

. . . .

Works by scientists don’t, as a rule, contain such perfectly paced sentences as the following tribute to Bulum Valley, New Guinea, where Mr. Wilson went in 1955 to collect ants: “A flock of sulfur-crested cockatoos circled in lazy flight over the treetops like brilliant white fish following bottom currents.” And not too many fiction writers would dare insert such precisely observed passages into their novels as the following, taken from Mr. Wilson’s “Anthill,” a description of a particularly scrappy ant species: “The swollen posterior lobes were filled with adductor muscles that closed the jaws with enough force to cut through the chitinous exoskeleton and muscle of most kinds of insects.“ If you think such language is entirely too technical for a novel, you have a point. But I would still suggest that you give “Anthill” a try—the combination of ant lore and human plotting works well enough for Margaret Atwood to have tagged Mr. Wilson, in a review of the book, the “Homer of the Ants.”

Link to the rest at The Wall Street Journal (This should be a free link. If the WSJ does something to make it decay with use, PG apologizes if you hit a WSJ paywall, but hasn’t figured out a way around it.)

PG found Mr. Wilson’s Amazon Author page fascinating for his prolific popular output which was almost certainly accompanied by a lot of publications in academic journals.

NOTE: The WordPress Kindle Embed function has been blowing up whenever PG hits the Free Preview link below the image of the book cover. If you click the Buy on Amazon link, that will take you to the book’s site on Amazon where the Look Inside feature works fine.

PG hasn’t been able to track down the source of the problem. If someone else has, PG would appreciate an explanation or fix via the Contact PG link at the top of the blog.

The Gilded Edge: Bohemian Tragedy

From The Wall Street Journal:

The Bohemian literary colony at Carmel-by-the-Sea, Calif., gained notoriety in the early 20th century not only for its drunken bonfire parties, embrace of free love, and hosting of left-leaning poets and writers such as Robinson Jeffers, Sinclair Lewis and Jack London. It also became infamous in those decades for a tragic love triangle that resulted in three suicides.

In “The Gilded Edge: Two Audacious Women and the Cyanide Love Triangle That Shook America,” Catherine Prendergast, a professor of English at the University of Illinois, exposes the myth behind the colony’s creation and the desperate powerlessness and exploitation of two women involved in that circle.

The book centers around the poet George Sterling, his wife, Carrie, and the poet Nora May French. Sterling and French had a passionate love affair, and over the course of the unfurling tragedy, all three ended up taking their own lives.

Ms. Prendergast, in her first work of narrative nonfiction, organizes her book as a dual narrative: the story of the characters in the love triangle, interwoven with her own detective work in the archives. She ties these two strands together beginning in San Francisco, less than a year after the earthquake and firestorms of 1906 that razed much of the city. French takes abortion pills to end a pregnancy, but also writes about the experience amid her painful contractions. “It takes some kind of woman to write a letter about an abortion to her boyfriend while she’s administering it,” notes Ms. Prendergast, who soon adds that it is one of the very few early-20th-century first-person accounts of abortion in existence. French survives that terrible experience, but nine months later, despondent and with “no taste for the poor compensations of living,” she dies in Carrie’s arms, at the Sterlings’ cottage in Carmel-by-the-Sea.

In explaining why this happened, and the subsequent cyanide suicides of George and Carrie, Ms. Prendergast examines the seamy truth of the Carmel colony—that Sterling was, in fact, hired by the Carmel Development Co. to entice his circle of San Francisco friends to what was then “a square mile of nearly barren dirt next to a bay.”

Carrie, whose mother had run a boardinghouse, often found herself single-handedly feeding the colony’s residents in her cottage, struggling to find adequate provisions when money was tight. Meanwhile, George was openly carrying on affairs with women who visited or decamped to Carmel, most notably French but many others as well. Both Carrie and Nora were what were then called New Women, those on “the trailing edge of the Gilded Age who sought to enjoy the spoils of economic expansion.”

Sterling, a protégé of the writer Ambrose Bierce, was San Francisco’s unofficial poet laureate and a prominent member of the city’s Bohemian Club. A mostly forgotten poet today, he wrote plays for the club’s midsummer gatherings and was held in high regard by many of its members.

But in the years after French’s death, Sterling struggled with alcohol and faced an uncertain future, with constant financial stress. In 1926, a few days after the 19th anniversary of French’s suicide, Sterling arranged a banquet at the Bohemian Club for the critic H.L. Mencken, but never made it to the festivities. He burned most of his papers and killed himself.

Ms. Prendergast makes a convincing argument that French, who died at the age of 26, was a more gifted poet than Sterling. She was, as the author tells us, “the sensation in her time.” Yet she was repeatedly exploited. “Nora May French, whose reputation was used to bolster the colony’s image, was passed along a line of Bohemian men who treated her as a perpetual ingenue, co-opting her talent in an attempt to claim her as their personal discovery; they plied her with unwanted editorial advice while maneuvering her toward the bedroom.”

Link to the rest at The Wall Street Journal (The link is supposed to be free, but PG apologizes if you hit a paywall. He hasn’t figured out a way around it.)

PG will not include an Amazon ad showing the cover because, while the marketing department for the idiot publisher (Randy Penguin) likely worked hard to get a Wall Street Journal weekend review, they’re holding to book for its official release date (October 12) to make a big splash in physical bookstores.

PG predicts that more than a few WSJ readers (who, on average, have lots of discretionary income with which to purchase interesting books, antique cars and a lot of other things) will have forgotten about the book and the review in nine days. PG just checked to confirm that The Wall Street Journal is the largest paid circulation newspaper in the US.

With an apparent list price of $28 for the ebook (discounted to $14.99 by Zon), the same price as the hardcover, Randy Penguin is apparently trying to induce people to purchase the printed book, which generates a much lower per-copy profit for the publisher than the ebook does because Bad Amazon or something like that.

Apparently, there is not a review for the book in The New York Times (Sunday issue less than half the circulation of WSJ). If there is one closer to the release date, we’ll know that the geniuses of Randy Penguin mistook the little bang for the big bang in two different ways.

Inside the rise of influencer publishing

From The New Statesman (UK Edition):

“We live in a world where everyone is a brand,” said Laura McNeill, a literary agent at Gleam Titles, which was set up by Abigail Bergstrom in 2016 as the literary arm of the influencer management and marketing company Gleam. Many of the UK’s biggest selling books of the last few years, from feminist illustrator Florence Given’s Women Don’t Owe You Pretty to Instagram cleaning phenomenon Mrs Hinch’s Hinch Yourself Happy, have been developed at the agency, and then sold for huge sums to traditional publishing houses.

Celebrity autobiographies and commercial non-fiction have existed for a long time. Gleam Titles’ modus operandi is more specific: it has a focus on “writers who are using social media and the online space to share their content in a creative and effective way”. The term “author”, for the clients with which McNeill and her colleagues work, may be just one part of a multi-hyphen career that also includes “Instagrammer”, “podcaster” or “business founder”. These authors – whose books will become part of their brands – therefore require a different kind of management to traditional literary writers. “I do think the move to having talent agencies with in-house literary departments comes from these sorts of talents being a bit more demanding,” McNeill said. “I don’t want to come across as if those clients are difficult. But they are different.”

The biggest draw for publishers bidding for books by influencers is that they have committed audiences ready and waiting. Gleam understands the importance of these figures: on its website, it lists authors’ Instagram and Twitter followings beneath their biographies. When publisher Fenella Bates acquired the rights for Hinch Yourself Happy in December 2018, she noted Sophie Hinchcliffe’s impressively quick rise on Instagram, having grown her following from 1,000 to 1.4 million in just six months. Upon publication in April 2019, the book sold 160,302 copies in three days, becoming the second fastest-selling non-fiction title in the UK (after the “slimming” recipe book Pinch of Nom).

Anyone who has harnessed such an audience to sell products, promote a campaign, or otherwise cultivate a successful personal brand is an exceptionally desirable candidate to a publisher that wants to sell books. What’s more, the mechanics of social media means the size of these audiences is easily measurable, making the authors “cast-iron propositions” for publishers, said Caroline Sanderson, the associate editor of the trade magazine the Bookseller, who has noticed a huge increase in the number of books written by social media stars over the last couple of years. 

A spokesperson for Octopus Books, which published Florence Given’s Women Don’t Owe You Pretty in June 2020, suggested that a book deal can raise an influencer’s profile too. When the book was acquired, Given had approximately 100,000 followers on Instagram. “Her book was acquired because she was an exceptional writer, not because she was an influencer,” they said. “By the time it was announced, she had 150,000 followers and when the book was published her audience had jumped to circa 350,000 followers. As the book and its message grew, so did her audience.” Women Don’t Owe You Pretty has spent 26 weeks in the Sunday Times bestseller charts according to data from Nielsen BookScan, and, as of August 2021, has sold over 200,000 copies.

Link to the rest at The New Statesman (UK Edition)

PG reminds one and all that, unlike plebeian self-publishers, traditional publishers are curators of culture.

The Eternal Decline and Fall of Rome: The History of a Dangerous Idea

From The Wall Street Journal:

This is a history of Rome in which the first name is that of Donald Trump and Ronald Reagan’s name almost the last. President Trump earns his place with his inaugural address promising to “make America great again,” President Reagan with a speech in 1969 on the theme of “decline and fall” in which the greatest empire in Western history collapsed in bureaucracy, excessive welfare payments, taxes on the middle class and long-haired students wearing makeup. Edward J. Watts, a professor of history at the University of California, San Diego, is a scholar of the later ancient world, who takes his readers from republican Rome to Republican Washington with a resounding theme that anyone promising to restore lost greatness is probably up to no good.

Throughout the years of his story he finds a range of cases where politicians first claim that society is “becoming worse” than it was during a great past and then “suggest a path toward restoration that consists of rebalancing society to address the problems they identify.” His modern abusers of history come from Spain and the Philippines as well as the U.S. When “radical innovation” is dressed as the “defense of tradition” he sees a trail of victims—immigrants, dissidents and the young.

Roman history, he argues, is the most abused in this fashion because it is absolutely at the heart of Western culture. President Trump, after his appearance in Mr. Watts’s first line, is not mentioned by name again and no one has ever suggested him as a student of Classics. Yet Mr. Watts is not the first to point out the real-estate magnate’s instinctive grasp of rhetorical themes—populist anti-elitism as well as nostalgia—that were well-tested over the Roman ages.

This is a powerful lens through which to view the past, both for those who already think they know it well and those who have practical uses for it. The first villains in the book are identified even before Rome has an emperor, led by the “cynical” Marcus Porcius Cato, who blamed immigrant Greeks for corrupting the Roman young in the early second century B.C. Cato is followed by the down-at-heel aristocrat Lucius Cornelius Sulla, who in the 80s B.C. slaughtered thousands of his fellow citizens in a program of turning back the clock toward a better age. By the end of the book, Mussolini in Ethiopia and Rodrigo Duterte in Manila have joined other villains in what Mr. Watts sees as a pattern of disguising brutal policies within disingenuous history.

There are surprisingly generous words for leaders regularly seen as the worst of their kind, the emperors Caligula (A.D. 37-41) and Nero (54-68), both of whom “prized stability and continuity” with the immediate past instead of embracing the “language of Roman decline and renewal.” These men may have been vicious fantasists, claiming divinity and artistic genius for themselves, but they did not inflict a political fantasy of restoration.

It is hard to make heroes of Caligula and Nero. A firmer positive verdict goes to Antoninus Pius (138-61), a “savior and restorer” in the eyes of those to whom he sent disaster relief, and to the first African emperor, Septimius Severus (193-211), who restored the fabric of Rome at the end of the second century without claiming to be restoring any grander concept. This is the model that Mr. Watts approves. In his final paragraph, he offers his readers two approaches to what he perceives as pressing modern crises—modern “political instability, environmental degradation, wealth inequality and climate change.” Some, like Sulla, create scapegoats. Others, like Antoninus Pius, aim to bring society together. President Trump was certainly a Sulla: whether his successor is an Antonine, Mr. Watts does not say.

Link to the rest at The Wall Street Journal (Sorry if you encounter a paywall)

Hurts So Good

From The Wall Street Journal:

A few years ago, an Australian scientist was bushwhacking through the wilderness when he felt a twig snap against his leg. Or so he thought. He’d actually been nipped by an Eastern brown snake, one of the most venomous serpents on Earth. Oblivious, he walked on and even went swimming in a nearby river before blacking out and nearly dying.

We’ve probably all heard similar stories, about athletes or warriors who suffer serious injury but power through without realizing they’re hurt. What’s surprising is what happened next. Nothing if not intrepid, the scientist plunged back into the bush six months later for another hike—at which point he again felt something snap against his leg. He crumpled to the ground in agony, writhing and screaming.

But this time, it really was just a twig. Identical sensation, completely different reaction. “There is no grievous injury . . . just a very powerful memory of last time,” explains science writer Leigh Cowart about the story. “The basic sensory processing is the same, but the cognitive understanding of the pain differs.” All of which goes to show that, for something so basic to human experience, pain remains a highly subjective and even slippery phenomenon.

There’s possibly no one alive more qualified to write about pain than Leigh Cowart, who uses the pronoun they and prefers the Mx. honorific. A self-described “gorehound,” the author has been, at different points in life, “a ballet dancer, an overexerciser, a serious bulimic and self-harmer, a tattoo aficionado” and a hard-core BDSM enthusiast. This eye-opening book, “Hurts So Good: The Science and Culture of Pain on Purpose,” explores why so many people pursue painful activities like these, and especially what people get out of pain when they encounter—or achieve—it. “Many people engage in the ritual of deliberately feeling bad to feel better,” the author notes, “and once I started looking for the pattern, I saw it everywhere.”

. . . .

Beyond plumbing their personal past, the author also engages in what might be called gonzo science writing. They dive into one excruciating situation after another (a polar bear plunge, a chili pepper-eating contest), and things go hilariously awry. The mush from one superhot pepper (2.2 million Scoville units; jalapeños max out at 8,000) burns the author’s mouth like “Dante’s gazpacho.” In their stupor, they then rub some into their eye. The author is especially good at describing escalating pain: just when you think a passage has reached a crescendo, Mx. Cowart ups the ante with some new turn of phrase. More than once, I found myself sucking in my breath and feeling my feet tingle as some new horror unfolded on the page.

I especially enjoyed the chapter on extreme running, which covers the fiendish Big Dog’s Backyard Ultra in Tennessee. Every hour, the contestants in this ultramarathon have to complete a four-mile circuit. Doesn’t sound too bad, except that the race sometimes continues all day and all night for nearly three days, with zero breaks. Quite literally, the last person standing wins. Overall, the chapter is a beautiful reflection on the capacity for human endurance, and for pushing yourself beyond what you thought possible. It’s also wickedly funny. God help me, but I still laugh at one poor soul who, 40-some hours in, pitched forward in exhaustion and crashed asleep atop a mailbox.

Yet this running chapter does highlight a problem with the author’s objective to find masochists everywhere they looked. Before the Tennessee race, the organizer initially revoked the author’s press pass because he objected to the pastime being characterized as masochism. As he wrote, “like many sport[s], there is discomfort involved, but it is a cost of competition, not an objective.”

The author objects to that distinction, but I think the organizer is right. For most runners and ballet dancers, pain is a byproduct of their ultimate goal—to run fast or dance beautifully.

. . . .

[T]his book makes a far better case for the importance of pain in dance or athletics than I expected. Imagine you could win an Olympic marathon without enduring any pain. You’d still have to train, but you could sidestep all the misery—the soreness, the burning lungs, the bloody blisters, the toenails falling off. Would you accept this deal? Many of us probably would; suffering stinks. But the author makes a strong argument that the medal would mean far less to you than to someone who suffered for it. Suffering creates meaning, and the joy of victory is sweeter for having suffered.

Link to the rest at The Wall Street Journal (Sorry if you encounter a paywall)

The Authority of the Court and the Peril of Politics

From The Wall Street Journal:

In the United Kingdom, there is a tradition of printing 100-page books—booklets, really—from lectures given by notable judges and lawyers. The Hamlyn Lecture series, for example, has featured such distinguished talks as Lord Denning’s “Freedom Under the Law” (1949), Professor Arthur Goodhart’s “English Law and the Moral Law” (1953) and Dean Erwin Griswold’s “Law and Lawyers in the United States” (1964). The primers are collectible, memorable and quotable.

Now Harvard University Press has perhaps embarked on a similar plan for Harvard Law School’s annual Scalia Lecture series, instituted in 2013. This year the program turned to Justice Stephen Breyer, who has thought deeply about judicial power, the rule of law and the role of the judiciary in the American polity. Perhaps these three subjects are in the nature of a trinity: three that make up one. In any event, their position in the U.S., when compared to the rest of the world, has been enviably secure. Yet insiders know that, here as elsewhere, the institution is perennially precarious.

In April Justice Breyer spoke from a lectern to a Zoom audience, and now his speech is preserved in book form. Those wishing to know Justice Breyer’s thoughts can choose either to read the book or to watch the two-hour speech on YouTube. You’d feel edified in doing either.

Quoting Cicero, Justice Breyer argues that the only way to ensure obedience to the Supreme Court’s pronouncements is to convince people that the Court deserves obedience because itsdecisions are just. That means an observer must assess not the justness of each individual decision, but the justness of the Court’s decisions collectively and in general.

In support of this thesis, Justice Breyer gives a mini-lecture on American constitutional history and on the struggle, when interpreting the Constitution, for judicial supremacy. He explains how Chief Justice John Marshall, in Marbury v. Madison (1803), decided the case in a most unexpected fashion—pleasing President Thomas Jefferson with the specific result but only by establishing the Court’s ability to declare acts of Congress unconstitutional. That all but guaranteed acceptance of the Court’s power, at least in that case, while establishing the doctrine of judicial review.

Nearly 30 years later, when the Supreme Court declared that the State of Georgia had no rightful control over Cherokee lands there—lands where gold had been discovered—President Andrew Jackson and the state of Georgia both ignored the decision. There was no enforcement. As a result, the Cherokee Nation was driven to Oklahoma on the infamous Trail of Tears.

After that outrage, adherence to the principle of judicial review was, reassuringly, mostly re-established. Yet even as late as the 1950s, with Brown v. Board of Education, it wasn’t at all clear whether the Court’s decision would be enforced by the Executive Branch. Some today may have forgotten that, to enforce Brown, President Eisenhower sent 1,000 parachutists from the 101st Airborne Division into Arkansas. Central High in Little Rock would no longer be white-only. In taking that bold action, Eisenhower ignored the advice of James Byrnes, the South Carolina governor who had once briefly served on the Supreme Court, before returning to the Roosevelt administration to aid the war effort. At the time of Brown, Byrnes advocated taking the Jacksonian stance of doing nothing to enforce the Court’s decree. The U.S., in other words, came perilously close to a 20th-century trail of tears—one that would have resulted from reducing the Brown decision to empty words on a piece of paper.

. . . .

If the events of the past year have taught us anything, it’s that the established institutions of the United States are more fragile than almost any of us had previously thought. We used to believe, for example, that strongman coups were exclusively in the domain of Third World countries. Now we know that the potential is also here on our shores.

Meanwhile, judicial institutions are under attack once again. We can’t say “under attack as never before,” because Justice Breyer shows us that such attacks are a persistent problem. Although he abjures speaking directly about the current Court-packing proposals, the author wants to “ensure that those who debate these proposals also consider an important institutional point, namely how a proposed change would affect the rule of law itself.” His voice is a powerful one, and the brevity of this book, together with its readability, should ensure its lasting influence. Like anyone else, Washington leaders can absorb its message in a single evening.

. . . .

The central question is whether courts should interpret legal documents by giving them a fair reading of what they denoted at the time of adoption, or whether courts can interpret those texts according to their broad purposes (not getting too caught up in grammar and historical dictionaries) and even the desirability of results. As Justice Breyer puts it: “Some judges place predominant weight upon text and precedent; others place greater weight on purposes and consequences.” As the popular mind conceives it, conservatives do the former, and liberals do the latter. And the latter approach, according to Scalia, leads inevitably to appointing judges who will vote for outcomes they personally favor. Hence the process becomes more politicized the further judges stray from the text.

Link to the rest at The Wall Street Journal (This should be a free link, but, if it doesn’t work, PG apologizes for the paywall, but hasn’t figured out a way around it.)

The United States Constitution includes only a broad overview of the US court system. Here is all that document says about courts:

Article III.

Section. 1.

The judicial Power of the United States, shall be vested in one supreme Court, and in such inferior Courts as the Congress may from time to time ordain and establish. The Judges, both of the supreme and inferior Courts, shall hold their Offices during good Behaviour, and shall, at stated Times, receive for their Services, a Compensation, which shall not be diminished during their Continuance in Office.

Section. 2.

The judicial Power shall extend to all Cases, in Law and Equity, arising under this Constitution, the Laws of the United States, and Treaties made, or which shall be made, under their Authority;—to all Cases affecting Ambassadors, other public Ministers and Consuls;—to all Cases of admiralty and maritime Jurisdiction;—to Controversies to which the United States shall be a Party;—to Controversies between two or more States;— between a State and Citizens of another State,—between Citizens of different States,—between Citizens of the same State claiming Lands under Grants of different States, and between a State, or the Citizens thereof, and foreign States, Citizens or Subjects.

In all Cases affecting Ambassadors, other public Ministers and Consuls, and those in which a State shall be Party, the supreme Court shall have original Jurisdiction. In all the other Cases before mentioned, the supreme Court shall have appellate Jurisdiction, both as to Law and Fact, with such Exceptions, and under such Regulations as the Congress shall make.

The Trial of all Crimes, except in Cases of Impeachment, shall be by Jury; and such Trial shall be held in the State where the said Crimes shall have been committed; but when not committed within any State, the Trial shall be at such Place or Places as the Congress may by Law have directed.

Section. 3.

Treason against the United States, shall consist only in levying War against them, or in adhering to their Enemies, giving them Aid and Comfort. No Person shall be convicted of Treason unless on the Testimony of two Witnesses to the same overt Act, or on Confession in open Court.

The Congress shall have Power to declare the Punishment of Treason, but no Attainder of Treason shall work Corruption of Blood, or Forfeiture except during the Life of the Person attainted.

Unlike any other public office mentioned in the Constitution, federal judges at all levels serve until they voluntarily retire or die.

The specific language is:

The Judges, both of the supreme and inferior Courts, shall hold their Offices during good Behaviour, and shall, at stated Times, receive for their Services, a Compensation, which shall not be diminished during their Continuance in Office.

The “good Behavior” language means that federal judges can be removed from office only via an impeachment process.

The House of Representatives impeaches a judge and the Senate holds a trial to determine whether removal is justified. A simple majority vote in the House is required to impeach and a two-thirds majority is required in the Senate to convict the judge of the charges laid in the impeachment and remove the judge from office.

Only one Supreme Court justice has ever been impeached, Samuel Chase, who was appointed an Associate Justice in 1788 by George Washington.

President Thomas Jefferson was upset at several federal judges who had held some of his legislative initiatives to be unconstitutional. Jefferson and his supporters in the House and Senate repealed the Judiciary Act of 1801, under which federal courts subordinate to the Supreme Court were established, thus abolishing the federal courts and, effectively terminating their lifetime appointments as provided in Article III of the Constitution.

Thereafter, Chase severely and publicly criticized this action. For this, he was impeached by the House of Representatives in 1803. Following a trial in the Senate, several votes were taken, but the required 2/3 majority voting for Chase to be removed from the bench could not be attained. Chase continued to serve on the Supreme Court until his death in 1811.

See Wikipedia for more information about Chase. This Wikipedia article includes lots of links to third-party information regarding Chase and his trial.

8 Memoirs of Women Hiking in the Wilderness

From Electric Lit:

The history of women hiking in nature is almost non-existent. Instead, Cheryl Strayed is widely believed to be the first woman to boldly walk day after day in remote, unpeopled landscapes. This is a terrible misconception.

Five years ago, exasperated by the male dominance of walking and nature writing, I began researching women walkers of the past for my latest book Windswept: Walking the Paths of Trailblazing Women. It seemed to me that while women had made great progress in public, urban life, the myth of Male Wilderness was harder to shift. The wilds endured as a place for well-heeled white men to prove their masculinity.

But women have always walked. And not merely to carry water and firewood. Like men, women hiked for pleasure, solitude, creativity, and catharsis. During the 19th-century, numerous women hiked solo over mountains and across plains, beside rivers and through forests. Many of them published accounts of their walks—gripping memoirs that have languished in archives or been entirely forgotten.

. . . .

Wanderers: A History of Women Walking by Kerri Andrews

The first nonfiction book to excavate lost women walker-writers of the past and return them to the literary stage. Andrews spent over a decade researching women from as far back as the 18th-century in a scholarly bid to prove that women have always hiked in wild landscapes. From Elizabeth Carter to Dorothy Wordsworth to Cheryl Strayed, Andrews argues for a re-evaluation of the genre now known as literature of the leg.

A Walking Life: Reclaiming Our Health and Our Freedom One Step at a Time by Antonia Malchik

A Walking Life is a series of meanders through the many facets of walking. Malchik is one of the empathetic few to write about walking while attending to those who cannot walk. She makes a compelling case for better public transport, for greater access to wild landscapes, and for more power to the pedestrian, while lambasting the highways that have gobbled up vast tracts of American wilderness. For Malchik walking is a political act—and as someone who grew up car-less, I lapped up her impassioned prose.  

. . . .

The Living Mountain by Nan Shepherd

The Living Mountain is quite possibly the most remarkable account of hill-walking ever written. The Scottish poet and novelist, Nan Shepherd, recounts a life spent walking in the Scottish highlands. Her prose is now considered some of the best “nature-writing” ever penned, as Shepherd shows us how to walk into the heart of a mountain using all of our senses. This slim volume was out of print for decades but is now lauded as a masterpiece.

Link to the rest at Electric Lit

Nomadland

PG doesn’t know if stories like Nomadland will resonate with visitors from outside the United States or not.

During the past several decades, there has been a significant population movement away from small cities and small towns, often in the middle of the country, an area some have called, “flyover country” given that flights from the East Coast to the West Coast and back again pass over this middle area without stopping.

The detailed results of the 2020 US Census started being released in the second quarter of 2021. They showed the second-lowest total ten-year growth rate ever recorded in the US. (The lowest growth decade was during the Great Depression in the late 1920’s-30’s.)

37 states grew more slowly during the 2010-2020 period than they did in the prior ten-years and three states lost population. California had its lowest growth rate ever due largely to the state’s high cost-of-living and state taxes. Some large and medium-sized California employers have also moved parts of their operations to lower-cost states. States like West Virginia, Illinois and Michigan lost population.

Within states and regions, there has also been a notable migration away from rural and small-town locations to medium and large-sized cities. This trend has hit rural areas in several middle-western states hard.

During the Covid shut-down, some smaller and different patterns appeared. A few individuals, usually mid-level office employees and some professionals, learned that remote work was possible and enjoyable and moved from expensive coastal cities and suburbs into small town and rural settings, expecting to have to go into the offices much less frequently or not at all.

This out-migration has not been nearly large enough to counter-balance the longer-term flattening of population growth in the more empty places, particularly empty places that don’t feature oceans, mountains, forests, etc. Aging populations with low birth rates have also impacted growth in some areas.

Texas, Florida, Utah, Idaho, Nevada, and Arizona have grown substantially faster than the average.

Nomadland is a 2020 motion picture set in the empty places of the United States. As the PBS documentary in the second video window depicts, more than a few middle and lower-income families who suffered from Covid-related job losses have left their homes, hit the road and adopted a new lifestyle, often located in those empty places.

When Yes Doesn’t Mean Yes

From Electric Lit:

This is how the story goes: Jake and I were having a playdate. We were at his house. I have no memory of where his parents were. My parents were at work, miles away in the city. Jake and I were young enough to both unabashedly adore Barney and I hadn’t yet been taught what could happen when girls and boys played alone together. My legs were scrawny and my cheeks were chubby. Jake was much, much taller than me. At some point, Jake led me into a bedroom—the bedroom belonging to his parents—and locked the door. Then he grabbed my tiny shoulders and forced a kiss on my mouth.

My parents like to tell this story because it never fails to entertain at a dinner party. People laugh and sometimes blush and almost always raise a glass to what they call: ‘Jake’s gumption’.

After all, we were children.  

I recently watched Miranda July’s Kajillionaire. The film ends with what I interpret as the protagonist’s first consensual kiss. That kiss feels transformative because it’s the first time this emotionally stunted twenty-six year-old allows herself pleasure. It’s the first time she acknowledges her sexuality without feeling like it’s wrong.  

Days later, the intensity of my feelings hadn’t waned. I felt confident that the protagonist, Old Dolio was the victim of sexual abuse. My certainty was guttural. There was something in the way she held herself that was familiar. Watching her felt like looking into a mirror.  

Kajillionaire explicitly depicts the psychological abuse Old Dolio experiences, but the presence of sexual abuse is left up to the audience. Early in the film, Old Dolio attempts to return a one-hour massage certificate for cash and instead reluctantly accepts a twenty-minute massage. Before the masseuse’s hands even make contact with her baggy top, Old Dolio’s whole body flinches, recoiling at the prospect of touch. The masseuse makes the tiniest impact and Old Dolio yells out that it’s too much. The scene ends with the masseuse holding her hands above Old Dolio’s back, keeping them there, suspended in the air, giving Old Dolio the only amount of intimacy she can bear.  

I flinched the first time I let someone kiss me. He was thirteen and his eyes were the color of ice. I said yes. And yet I was terrified. My body was already programmed to anticipate violence. My mother says that as a baby I couldn’t be soothed. That I cried and cried and cried and nothing she did could end my sobbing. She went back to work soon after my birth and shortly after that, was diagnosed with breast cancer. In every photograph we have from that time, she and I cling to each other. On some visceral level, we understood how little control we had—that safety is imaginary. When you’re deprived of comfort, your body accommodates. Old Dolio’s shoulders slouch throughout Kajillionaire. Her hair hangs almost over her face. She’s trying to make herself disappear. She’s trying to protect herself.

For as long as I can remember, I’ve hunched. Sometimes I tell myself it’s because I want to make myself smaller, other times I acknowledge what feels truer: there is safety in invisibility.

When Melissa Febos’ latest essay collection, Girlhoodshowed up in my mailbox, I hid the book under my couch cushion for a week. It was too hot for my skin. I’d read her second book, Abandon Methe year I blew up my life, the year I left a six year relationship that was headed toward marriage so I could travel around the country. That book forced me to acknowledge that I was horribly unhappy. The prospect of Girlhood dislodging another piece of my certainty terrified me.   

Since the #MeToo movement began, I’ve licked my wounds quietly, unsure of how to engage with the cloudy intrusions that haunt my body. I didn’t have the language to name what happened to me. I didn’t know whether my experiences counted for anything. What I did know was that every time I entered a new space, I sought the exit; anytime I got stuck on a crowded subway car, I panicked; most nights, if I fell asleep, I’d wake from nightmares shaking; even with partners I trusted, a surprise touch unraveled me.  

When I finally read Girlhood, I learned I was right to be worried. Febos holds a mirror up to the violence of being twelve years old and having “a body like those women in the magazines.” She recounts the many men who were compelled by her because of what they wanted to take from her. “Eventually, I understood the strength that was no strength, that was a punishment no matter what I did or did not do. So I let my friend’s older brother close the closet door.” 

Link to the rest at Electric Lit

Motherhood at the End of the World

From The Paris Review:

In the run-up to Thanksgiving last year, you learned a whitewashed story at school about how the first peoples of this land were happy to give their sacred spaces to the consumptive force of European men in the name of civilization and progress. You came home from school and unzipped your backpack, revealing with artistic pride a picture book you had colored and stapled yourself. Your kindergarten teacher had asked you to color in a little Native American girl, then a Native American boy, followed by a pilgrim girl and boy, each one garbed in their traditional attire. I admired the craft of your book, a swell of parental pride coursing through me as I witnessed the evidence of my progeny doing and making things in the world beyond me. And I relished that you had colored all four children Brown like you.

As you flipped through the pages of your book, you narrated a sad story about how much the pilgrims had suffered when they arrived on this land. I felt a surge in my body, an immediate, unstoppable need to explain the other forms of suffering elided by this disturbingly singular narrative. I described some of the impacts of this arrival on Indigenous peoples—the European theft of their autonomies, cultures, languages, and lands. I explained that colonial practices dramatically changed how humans live in relation to this land. And I told you that this historical moment of colonial contact was crucial to understanding how we arrived at the global ecological crisis we face today. I will never forget the way you looked at me then, your head slightly tilted to one side, your eyes wide in bewilderment. We were sitting on the landing at the top of the apartment stairs, the contents of your backpack scattered around us. “This is not what my teacher told us,” you said with unmistakable agitation. I knew that for the first time you were confronting the existence of conflicting worldviews, a vital gulf between your formal education and your maternal one. “That’s okay,” I said. “My job as your mother is to tell you these stories differently, and to tell you other stories that don’t get told at school.” I pressed on to explain that history is a story based on a version of the past. “Can you hear the word story in history?” I asked. You nodded slowly, a little body in deep rumination. “These stories need to be told from the perspectives of those who have been most damaged by history. These other stories,” I said, “can teach us how to keep living.”

From the onset of your public education, you have been learning what it means to be American through a manicured version of history that keeps European whiteness at its center. This form of education willfully forgets the lives that were destroyed, the bodies that were brutalized, and the cultures and traditions that were abolished or displaced to establish that center space. It tells you a singular and continuous narrative of Western capitalist expansion, obscuring the bleak fact that much of what we call “progress” has been a direct and unrelenting line to the wholesale destruction of the earth. Against this obliterating narrative, I glean from the fragments in an attempt to teach us otherwise. I scramble to harvest alternative histories omitted by the textbooks, the histories of those who have faced annihilation and lived toward survival. Learning to mother at the end of the world is an infinite toggle between wanting to make you feel safe and needing you to know that the earth and its inhabitants are facing a catastrophic crisis. This morning, you went off to school to learn discipline, to hone your reading and writing skills, to study official state history. I am at my desk sipping tea, turning over words. The birds are chirping outside my window. You, me, the birds. We are all creatures living as though we have a future, as though tomorrow will continue to resemble today. Meanwhile, plans are being devised to drive the marketplace forward when the earth’s nonrenewable resources are exhausted. Scientists and businessmen are plotting to colonize the moon in a relentless drive to create an alternative human habitat when this one can no longer foster us. There is no consideration of ceasing extraction, only a maniacal mission to discover other worlds to plunder.

Link to the rest at The Paris Review

PG notes that he doesn’t necessarily agree with everything he posts on TPV.

He also notes that “the lives that were destroyed, the bodies that were brutalized, and the cultures and traditions that were abolished or displaced to establish” Western civilization in the United States and Canada could be said about every continent and sub-continent in the world and every race in the world during all of known history.

It is absolutely true that the US enslaved African-Americans. It is also true that Native Americans killed and enslaved each other long before any European face appeared in North, Central and South America. The Aztec and Inca empires were built on the backs of Native American slaves.

William the Conqueror was not particularly kind to native Anglo-Saxons. The Golden Horde was an equal-opportunity conqueror of both Europeans and Asians. The Ottoman Empire wasn’t regarded as particularly gentle by its subjects. Attila the Hun, Genghis Khan and Timur AKA Tamerlane were not regarded as pacifists in their time.

Mansa Musa, an African, the 14th century emperor of The Mali Empire, is regarded by some as the wealthiest individual the earth has ever seen. In addition to Mali, Musa’s empire included present day Senegal, Gambia, Guinea, Niger, Nigeria, Chad, and Mauritania. The Mali Empire grew to that size through the military conquest of a variety of other African tribes and their hereditary homelands.

When Musa decided to make a pilgrimage to Mecca, he was accompanied by tens of thousands of his subjects and servants. The procession included hundreds of camels just to carry the gold to finance his travel expenses. Musa gave gifts of gold to a great many people that pleased him during his pilgrimage. He was vastly more wealthy than any of his subjects.

These encounters sometimes resulted in unintended consequences, however. Musa’s gifts of gold were so large that they depreciated the value of the metal in Egypt, and the economy took a major hit. It took 12 years for the community to recover.

Zoom Dysmorphia Is Following People Into the Real World

From Wired:

LAST SUMMER, WHEN clinics began to tentatively reopen, dermatologist Shadi Kourosh noticed a worrying trend—a spike in appointment requests for appearance-related issues. “It seemed that, at a time like that, other matters would be top of mind, but a lot of people were really concerned with feeling that they looked much worse than usual,” she says.

Kourosh, who is an assistant professor of dermatology at Harvard Medical School, soon discovered that others in her field and related ones such as plastic surgery had noticed a similar phenomenon. And when she and her colleagues asked patients what was driving their decision to seek treatment, a lot of them cited videoconferencing. The pandemic had catapulted them into a world of Zoom calls and Teams meetings, and staring at their own face on a screen all day every day was wreaking havoc with their self-image.

In the age of Zoom, people became inordinately preoccupied with sagging skin around their neck and jowls; with the size and shape of their nose; with the pallor of their skin. They wanted cosmetic interventions, ranging from Botox and fillers to facelifts and nose jobs. Kourosh and colleagues surveyed doctors and surgeons, examining the question of whether videoconferencing during the pandemic was a potential contributor to body dysmorphic disorder. They called it “Zoom dysmorphia.”

Now, with the rise in vaccinations seemingly pushing the pandemic into retreat, new research from Kourosh’s group at Harvard has revealed that Zoom dysmorphia isn’t going away. A survey of more than 7,000 people suggests the mental scars of the coronavirus will stay with us for some time.

Even before Covid, plastic surgeons and dermatologists were seeing a rise in patients coming to them with demands that were “unrealistic and unnatural,” Kourosh says. The term “Snapchat dysmorphia” was coined in 2015 to describe the growing numbers of people who wanted to look like they’d been put through a face-altering filter in real life, all big eyes and sparkling skin.

Before that, a patient might turn up at a plastic surgeon’s office with photos of a celebrity they wanted to look like clipped from a magazine. Even before the rise of social media, psychologists found that people who stared at themselves in a mirror became more self-conscious.

But Zoom dysmorphia is different. Unlike with Snapchat, where people are aware that they’re viewing themselves through a filter, video conferencing distorts our appearance in ways we might not even realize, as Kourosh and her coauthors identified in their original paper.

Front-facing cameras distort your image like a “funhouse mirror,” she says—they make noses look bigger and eyes look smaller. This effect is exacerbated by proximity to the lens, which is generally nearer to you than a person would ever stand in a real-life conversation. Looking down at a smartphone or laptop camera is the least flattering angle—as anyone from the MySpace generation will tell you, the best camera position is from above, hence the ubiquity of the selfie stick.

We’re also used to seeing our own reflection when our faces are relaxed—the concentrated frown (or bored expression) you wear in a Zoom meeting jars with the image of yourself you’re used to seeing in the mirror. “Changes in self-perception and anxiety as a result of constant video-conferencing may lead to unnecessary cosmetic procedures, especially in young adults who have had increased exposure to online platforms including videoconferencing, social media, and filters throughout the pandemic,” write Kourosh, Channi Silence, and other colleagues.

The term “Zoom dysmorphia” was picked up by international media, and Kourosh was inundated with emails from friends and strangers who it resonated with. In the new follow up study due to be published in the International Journal of Women’s Dermatology, the research group found that 71 percent of the 7,000 people surveyed were anxious or stressed about returning to in-person activities, and that nearly 64 percent had sought mental health support.

Link to the rest at Wired

PG is interested in the writing that will come out of this exceedingly strange Covid era.

PG hasn’t seen many reports from other countries, but there was a bizarre craziness that settled over more than a few people in the United States during this period. For others, the Covid-caused disruption of their ordinary daily routines provided an opportunity and incentive to take more extreme rational steps to improve their lives than might have been the case absent Covid.

One of the lasting consequences appears to be that a great many people anticipate not having to go into the office of an employer on a regular basis in the future. Some companies are offering remote work as a recruiting strategy to snare valuable employees away from employers who have announced that everyone will be coming back to the office full-time as soon as public health directives permit.

Other employees are taking retirement or early retirement rather than go back to a daily commute.

The Wall Street Journal reported that exurbs, “outer fringes of large metro areas where single-family homes mix with farms and many workers have traditionally commuted a significant distance to the core of the metro area,” have experienced substantial growth during the Covid shutdowns, driven by move-ins of people who anticipate that they won’t be making a daily commute in the future.

Per the Journal, “for the year ended in March, exurban counties outside large metro areas saw construction of single-family homes rise 20% from the year-earlier period. That was more than twice the rate for core counties in those metro areas.”

“Clearly, it will transform the South,” Susan Wachter, a professor of real estate at the Wharton School at the University of Pennsylvania, said of exurban growth. The region is benefiting from lower costs that are drawing tech companies and other businesses looking for cheaper locations.

Wall Street Journal

New arrivals Nicole O’Meara and her husband talked for years about moving away from their lifelong home in suburban Chicago, unhappy about property taxes and weather. Last year they moved with their two toddlers to a subdivision in Murfreesboro after spending only a few days in the area.

Ms. O’Meara works from home in accounting. Real-estate company  Zillow Group Inc. recently declared the Nashville metro area the No. 1 U.S. location for these types of workers, known as “digital nomads.” Stephen O’Meara works in the automotive industry and knew he would quickly find a job.

As they worked with a real-estate agent, “she would send me listings and we’d see these houses and they would be gone in a day,” said Ms. O’Meara, 43.

Wall Street Journal

Because the U.S. population as a whole isn’t growing very fast, the population increases in some areas driven by Covid are being offset by declines elsewhere.

California, by far the largest state by population, experienced a population decline in 2020, the first time the California’ had lost population since the state Department of Finance began collecting population date in 1900.

Hopelessly Devoted: Why We Watch Sports

From Public Books:

My father called me the other day to ask if I was in a good mood. The Mets were in first place, having triumphed in their season opener. These days Mets fan cherish even the briefest of moments on top. During the brighter era of the mid-eighties, my father, a trial lawyer, childhood Brooklyn Dodgers fan, and recent convert to the Mets, developed a new philosophy. He decided that the outcomes of his cases were directly tied to the Mets results. If they were winning games then he would win his case, and if they lost then it did not bode well. He did not harbor this belief in secret; he strongly encouraged his clients to root for them. And this philosophy stood him in surprisingly good stead through the late eighties. As the Mets slid downhill in the following decade, pragmatics forced him to put this philosophy, if not his allegiance, aside.

In The Secret Lives of Sports Fans: The Science of Sports Obsession, Eric Simons attempts—earnestly and enthusiastically—to explain such irrational behavior. He starts with his own. The book opens with a blow-by-blow account of Simons watching his alma mater football team, the University of California, play Oregon State. Cal is down three with seconds to go. A win would make them the top team in the nation and give them a spot in the Rose Bowl for the first time in over fifty years. The rookie quarterback needs to throw the ball away to set up the tying field goal and a chance to win in overtime. But, inexplicably, he chooses to scramble for the win, and he fails. After describing his sweat-stained, devastated ride home, Simons declares: “this sports experience was one of the most emotionally complicated moments of my life.” His surprise at himself—at the intensity of his reaction to something that is “just a game”—drives the inquiry of the book. Sports are precisely not matters of life and death. So why do we invest so much energy and emotion in the apparently unimportant and irrational endeavor of sport fandom? Why do humans watch sports? Why do we feel the way we feel when we watch? How can a game generate such intense and complex emotional and physical responses in us? Shouldn’t these responses be reserved for the things in life that “really matter”?

Sports are precisely not matters of life and death.  So why do we invest so much energy and emotion in the apparently unimportant and irrational endeavor of sport fandom?

The underlying premise of the book is that watching ourselves watch sports can help reveal something fundamental about ourselves as contradictory human creatures.  Simons gathers material from scholars, sports fans, and at-home experiments. He reviews a stunning range of research—in psychology, neuroscience, and sociology—on topics running from the hormone system, emotion, and motivation, to cultural cognition, schadenfreude, and theories of self deception. He hangs out with fans of Cleveland’s perennially losing teams, embeds himself in the up-at-dawn San Francisco branch of Arsenal’s international fan club, and trails after the fanatic fans at the heart of Raider Nation in order to find out how sports fans understand their own fandom. And he performs pseudo-scientific experiments on himself and his friends, such as monitoring testosterone levels through saliva samples before, during, and after watching hockey games. Spectatorship, in Simons’s hands, is not a topic for which there is a single explanation but a field for understanding how we come to care and invest value in apparently “unnecessary” activities.

Art history and cinema studies have long examined and theorized questions of spectatorship, but sports generally falls outside of this tradition’s scope. One exception is a glancing mention by Walter Benjamin in The Work of Art in the Age of Mechanical Reproduction, when he uses the example of “a group of newspaper boys, leaning on their bikes, discussing the results of a cycle race” to claim common ground between cinematographic and sporting technologies, arguing that in the cases of both film and sport, “everyone watches the performances displayed as a semi-expert.” For Benjamin, the sports fan, in occupying the position of a semi-expert, gains a degree of authorship; the race, match, or game, then, is always the product of multiple authors. It is common property—a collective creation—and one generated from within common conditions of relations at a particular historical and technological moment. As the title indicates, Simons, on the other hand, is after “the science of sports obsession,” and the majority of the book rests on work from biology and psychology. His writing displays an evolutionary, universalizing cast. The book slowly scales up from the physiological to the psychological to the social. I found it delightful to read Simons’s synthesis of the research being done on the effects of winning and losing on brain chemistry, models of social dominance, kinesthetic empathy, and mirror neurons.

We learn about a fish boxing ring complete with spectator fish. Researchers collect urine from the spectator fish after each bout to determine if merely watching other fish fighting has an impact on the spectators’ testosterone levels.

We also learn about experiments that test which parts of the brain fire in athletes, fans, and novices as they watch sports. The motor cortex (the part of the brain that directs movement) activates in both athletes and serious fans (experts and expert watchers) when they watch.

Athletes’ brains go particularly nuts when a shot is missed—when early anticipation of the ball’s movement is the biggest advantage. But although the biology is entrancing, applied psychology and neuroscience do not—as of yet—provide truly satisfactory explanations for why people care about sports. While a test can prove that watching competitions impacts testosterone levels, we do not know enough about what a rise or fall in testosterone level means to understand definitively what we know from the test. Simons reminds us, “You can’t generalize behavior or hormonal changes onto one person, you can’t predict the way a person will respond to a game without understanding all the ways the game matters to them.”

So how do we explain something like the commitment to almost guaranteed misery on the part of those fans who root for perennially losing teams? Simons chooses Cleveland fans as his example, but it could be any team, really. Team sports are organized around an inescapable fact: at the end of every season, every team loses except one. And that winning team will most likely lose the following year. Being a sports fan would seem to be a regular practice in heartbreak. Which is to say, being a sports fan has something to do with love. Simons reaches back to Socrates to unearth an old but still useful definition of love, one with parallels in contemporary research. The notion of a “social prosthetic system,” as advanced by behavioral scientist Stephen Rosslyn, is this:  individuals build up their identities by placing pieces of themselves into people and things that they care about, “à la Voldemort.” These practices of self-expansion are our bid for immortality. We care about sports teams, then, because (or when) we choose to lodge key parts of ourselves in them and to build core pieces of our identity around them. Humans are motivated to expand themselves, this causal logic goes, and watching sports is one way we can do this. We cannot understand sports fandom by measuring win/loss ratios, because most of the value and the pleasure lie in the risks and rewards of the ongoing relationship. And, as in addiction and romantic love, this relationship requires relinquishing control. In watching, we choose to put ourselves in situations that are out of our hands. We choose to be swept away by feeling.

Link to the rest at Public Books

Revisiting Roosevelt and Churchill’s ‘Atlantic Charter’

From The Wall Street Journal:

It was, even for those two historical giants, Franklin Roosevelt and Winston Churchill, a remarkable action. On Aug. 7, 1941, without letting the still-neutral American nation know what was going on, the unorthodox and purposeful president had arrived in the quiet harbor of Placentia Bay on the Newfoundland coast, after traveling there via train and warship. Two days later the equally resourceful Prime Minister of Britain arrived in the same port on the battleship HMS Prince of Wales, just repaired from its encounter with the Bismarck.

For three full days, these two leaders and their top advisers shared their views about how the United States and the British Empire should carry out a combined policy against the Axis powers “in the event” of America’s joining the war. This meeting turned out to be the first of 11 that the “Big Two” would have during the world conflict—the last being with Stalin, at Yalta in February 1945. Their colloquy established a pattern for the hammering-out of the shared Anglo-American grand strategy.

In addition to discussing their military intentions, the two governments also worked together to produce one of the most important political documents in the West’s canon of statements about human rights, trade, the freedom of peoples and democratic purpose. The statement, soon termed “The Atlantic Charter” in the press, was issued after the two leaders had secretly departed for home, the better to avoid possible enemy interruption.

The Atlantic Charter was never actually signed by Roosevelt and Churchill, but was later viewed by historians as a grand step toward the coming of the United Nations. The lineage of the document’s ideas ran back, via Wilson’s Fourteen Points, to 19th-century thought about the comity of nations and an international order. And when this greatest conflict in human history was over—to be followed shortly after by the rise of the Cold War—the permanent peacetime agreements that formed the NATO alliance (1949) could also be seen as the natural successor to the ideas and decisions that arose from Roosevelt and Churchill’s meeting.

It is not surprising, then, that whenever the cohesiveness and common purposes of the Western Alliance appears to be splintering, whenever America and Europe seem to be drifting apart in today’s world, the calls to halt that danger almost always begin by referring back to this historic 1941 encounter. A fine new Brookings Institution policy book by David McKean and Bart Szewczyk, “Partners of First Resort: America, Europe and the Future of the West,” is not a work of history, unless one thinks of it being what scholars at the Harvard Kennedy School call “Applied History.” The two authors are scholar-practitioners (both being former members of the Policy Planning Staff of the Department of State) and their account begins with the Atlantic Charter, the United Nation and NATO, then gallops forward swiftly to the coming of the Obama and Trump presidencies, both of which in their different ways (the latter especially) exposed irresolution and fissures in the Atlantic partnership.

This book can be seen as a liberal-internationalist act of special pleading, but it is no less interesting for being so. “Partners of First Resort” is quite good in describing the American-European differences of viewpoint in recent times, and on the dangers posed by Chinese authoritarianism—as well as by Vladimir Putin’s frequent efforts to undermine Western ideas and unity. The book concludes with a long chapter (“Toward a New Atlantic Charter”) that contains a serious and detailed agenda of all of the areas that any and all American policy makers, Republican or Democratic, now have to grapple with: climate change; cyber conflict; technological disruption; trade; public health. “Partners of First Resort” comes across, then, as a bold attempt to set out a grand strategy for the West, perhaps timed to catch the attention of President Biden and his team of advisers.

Link to the rest at The Wall Street Journal (If this free link stops working, PG apologizes for the paywall, but hasn’t figured out a way around it.)

A Black Woman’s Quest to Trace Her Lineage

From Electric Lit:

Lineage is complicated in Honorée Fanonne Jeffers’s debut novel, The Love Songs of W.E.B. Du Bois.

Set in Washington, D.C., and Chicasetta—a fictitious town based on Eatonton, Georgia, the birthplace of Jeffers’ mother—the novel relies on historical “songs” to trace Ailey Pearl Garfield’s lineage from the arrival of her first African ancestor on American soil and her Creek ancestors’ early encounters with Caucasians in America. The songs serve as a narrative of the land and what happens throughout the years to the inhabitants of that land.

Given the period, the novel touches on large issues—slavery, the removal of Native Americans from their ancestral lands, colorism, race relations—but for Jeffers, the heart of the novel is the growth of the messy, chubby, loud, and imperfect Ailey.

When we first meet Ailey, she is a preschooler, traveling with her mother and sisters to spend the summer months in Chicasetta. The coming of age novel follows Ailey through her teenage and college years. As Ailey grows older, the annual pilgrimage and her relationship with her elders take on a different meaning. Ailey’s Uncle Root introduces her to the work of W.E.B. Du Bois and gifts her a first edition of The Souls of Black Folk. Later, when Ailey attends university, Du Bois serves as a guide leading her to discover her life’s calling and forge a path distinct from that of her parents and sisters.

. . . .

Donna Hemans: Where does your fascination with history come from?

Honorée Fanonne Jeffers: When I first learned about slavery, I didn’t learn about it in a history book. I am a child of the ’70s. Even though I went to primarily African American schools up until junior high school, we didn’t get a lot of that in school. You had to learn it elsewhere. 

My grandmother’s father was born in slavery. And he was a little bitty boy—a toddler—and my great-grandmother Mandy was a teenager when freedom came. One of her first memories is of her father being sold down the river to Mississippi or where ever, sold deeper south. That was a very traumatic experience for her. She told that story to my mother. She was an old woman and my mother was maybe five and Momma would always despair that she hadn’t spent enough time when Great-Grandma Mandy tried to tell these stories. The kids wouldn’t listen; they wanted to go out and play. Great-Grandma Mandy would say “You got to hear this.” And then Momma would always say “I wish I had paid more attention.” 

That made an impression on me. But you know when you are a child, you don’t have these sorts of critical thinking skills. But as an adult, I think there was something about that grief that Momma had had if she had paid more attention to her great-grandmother that made me pay attention to the older folks. So that’s how I first learned about slavery through family stories. 

Later, when I first began reading the classic slave narratives—Frederick Douglas’ narratives, Harriet Jacobs’ Incidents in the Life of a Slave Girl—things began to click about the stories I had heard in Eatonton and then the history that was on the page. And that’s when the fascination really began. 

The first time I was in graduate school, The University of North Carolina at Chapel Hill, had a big archive called the Southern Historical Collection. That’s where I first encountered the archives and I still have photocopies of letters written by enslaved Black people that I found in the Southern Historical Collection. Once I saw those letters I was just hooked. I couldn’t get those people out of my mind.

DH: I think of the focus of the book as building lineage. Ailey says to her white classmate that for white descendants of the Pinchard family “paternity is an a priori assumption.” But that’s not the case for Black Americans. Lineage of Black people in the Americas is such a complicated thing. Why did you want to write about the complexity of lineage? Is it tied to the fact that it is so difficult for Black folks to trace who we are and where we came from? And do you think the complexity of lineage is widely understood outside of Black communities? 

HFJ: I definitely do not think that many people who are not African American understand that most of us have European ancestry, no matter what we look like. I am a cocoa-brown woman with coily hair and I have white ancestors on both sides, paternal and maternal. I don’t think people understand the violence behind white lineage in Black communities. I do think the half has not been told about Native American lineage in Black communities. 

One of the reasons is that there is so much missing from the historical archives. In the United States, no one bothered to keep these sort of impeccable records. When you go to 1860, that’s basically where you’re going to hit a wall for Black lineage to be able to trace names, to be able to trace where people lived. If you don’t have bills of sale, if somebody wasn’t sold, typically you’re not going to have a paper trail. So lineage was very important. 

But also I think that only within Black communities are we really aware of the way that skin color has been used as a hierarchy. Skin color, hair texture, all of that. But also only within Black communities are we aware that in one family with the same mother and father, you can have several different skin colors, several different hair textures. So within the family, you may be treated the same or you may not, but when you go out people will respond based upon phenotype. 

The reason I found that to be fascinating to talk about is that we have always heard this sort of story about the house and the field slave, and that enslaved Africans who worked in the house were close in color to the master and many of them were related to the master. And so they had an easier time than people who worked the fields. What I hadn’t seen a lot of in fiction is an examination of what those people who lived in closer proximity with the master had to deal with in terms of sexual harassment and sexual abuse.

Link to the rest at Electric Lit

PG isn’t very impressed with accounts of kind masters and happy slaves. It’s difficult for him to believe there wasn’t a continuing anxiety arising from the knowledge that a life and an environment could change in an instant. The death of one owner then a new owner who had inherited the slaves. A relatively stable owner who traveled to Europe who was replaced by an overseer who showed one face to the boss and another to the slaves. A good owner who went bankrupt, leaving the fate of the slaves in the hands of a banker in New York or Atlanta.

On the other hand, PG has identified his ancestry with enough precision to be fully satisfied that neither he nor any of his ancestors benefitted financially from slaves or slavery. Even if one or more of them had, PG doesn’t believe that the sins of the fathers are the moral responsibility of their descendants any more than he believes that descendants of slaves who have lived in freedom all of their lives are entitled to any special benefits by virtue of the suffering of their ancestors.

PG realizes that this attitude places him in opposition to the opinions of more than a few in the United States. Such individuals are entirely free to have whatever opinions they think best about slavery or anything else.

One of the problems with extending past wrongs, even horrible atrocities, beyond the lives of those who were the perpetrators or victims of those wrongs is that this is, unfortunately, a very good way to create a forever war, one that can never end because no one is in a position to say that justice has been served and the war can end.

PG remembers meeting more than a few veterans of World War II when he was a child. Some were still physically impaired by the wounds they had received fighting the Japanese or Germans. A subset of this group still bore a grudge, not just against those they fought, but all Japanese and Germans, including those who had lived in the United States before the war and their descendants and played no part in it.

PG has read that the Taliban and some other middle-eastern groups refer to American or European soldiers as “crusaders” although the last crusade ended over 700 years ago. For PG, that’s a forever war.

Does Technology Have a Soul?

From The Paris Review:

When my husband arrived home, he stared at the dog for a long time, then pronounced it “creepy.” At first I took this to mean uncanny, something so close to reality it disturbs our most basic ontological assumptions. But it soon became clear he saw the dog as an interloper. I demonstrated all the tricks I had taught Aibo, determined to impress him. By that point the dog could roll over, shake, and dance.

“What is that red light in his nose?” he said. “Is that a camera?”

Unlike me, my husband is a dog lover. Before we met, he owned a rescue dog who had been abused by its former owners and whose trust he’d won over slowly, with a great deal of effort and dedication. My husband was badly depressed during those years, and he claims that the dog could tell when he was in despair and would rest his nose in his lap to comfort him. During the early period of our relationship, he would often refer to this dog, whose name was Oscar, with such affection that it sometimes took me a moment to realize he was speaking of an animal as opposed to, say, a family member or a very close friend. As he stood there, staring at Aibo, he asked whether I found it convincing. When I shrugged and said yes, I was certain I saw a shadow of disappointment cross his face. It was hard not to read this as an indictment of my humanity, as though my willingness to treat the dog as a living thing had somehow compromised, for him, my own intuitiveness and awareness.

It had come up before, my tendency to attribute life to machines. Earlier that year I’d come across a blog run by a woman who trained neural networks, a Ph.D. student and hobbyist who fiddled around with deep learning in her spare time. She would feed the networks massive amounts of data in a particular category—recipes, pickup lines, the first sentences of novels—and the networks would begin to detect patterns and generate their own examples. For a while she was regularly posting on her blog recipes the networks had come up with, which included dishes like whole chicken cookies, artichoke gelatin dogs, and Crock-Pot cold water. The pickup lines were similarly charming (“Are you a candle? Because you’re so hot of the looks with you”), as were the first sentences of novels (“This is the story of a man in the morning”). Their responses did get better over time. The woman who ran the blog was always eager to point out the progress the networks were making. Notice, she’d say, that they’ve got the vocabulary and the structure worked out. It’s just that they don’t yet understand the concepts. When speaking of her networks, she was patient, even tender, such that she often seemed to me like Snow White with a cohort of little dwarves whom she was lovingly trying to civilize. Their logic was so similar to the logic of children that it was impossible not to mistake their responses as evidence of human innocence. “They are learning,” I’d think. “They are trying so hard!” Sometimes when I came across a particularly good one, I’d read it aloud to my husband. I perhaps used the word “adorable” once. He’d chastised me for anthropomorphizing them, but in doing so fell prey to the error himself. “They’re playing on your human sympathies,” he said, “so they can better take over everything.”

But his skepticism toward the dog did not hold out for long. Within days he was addressing it by name. He chastised Aibo when he refused to go to his bed at night, as though the dog were deliberately stalling. In the evenings, when we were reading on the couch or watching TV, he would occasionally lean down to pet the dog when he whimpered; it was the only way to quiet him. One afternoon I discovered Aibo in the kitchen peering into the narrow gap between the refrigerator and the sink. I looked into the crevice myself but could not find anything that should have warranted his attention. I called my husband into the room, and he assured me this was normal. “Oscar used to do that, too,” he said. “He’s just trying to figure out if he can get in there.”

While we have a tendency to define ourselves based on our likeness to other things—we say humans are like a god, like a clock, or like a computer—there is a countervailing impulse to understand our humanity through the process of differentiation. And as computers increasingly come to take on the qualities we once understood as distinctly human, we keep moving the bar to maintain our sense of distinction. From the earliest days of AI, the goal was to create a machine that had human-like intelligence. Turing and the early cyberneticists took it for granted that this meant higher cognition: a successful intelligent machine would be able to manipulate numbers, beat a human in backgammon or chess, and solve complex theorems. But the more competent AI systems become at these cerebral tasks, the more stubbornly we resist granting them human intelligence. When IBM’s Deep Blue computer won its first game of chess against Garry Kasparov in 1996 the philosopher John Searle remained unimpressed. “Chess is a trivial game because there’s perfect information about it,” he said. Human consciousness, he insisted, depended on emotional experience: “Does the computer worry about its next move? Does it worry about whether its wife is bored by the length of the games?” Searle was not alone. In his 1979 book Gödel, Escher, Bach, the cognitive science professor Douglas Hofstadter had claimed that chess-playing was a creative activity like art and musical composition; it required an intelligence that was distinctly human. But after the Kasparov match, he, too, was dismissive. “My God, I used to think chess required thought,” he told the New York Times. “Now I realize it doesn’t.”

It turns out that computers are particularly adept at the tasks that we humans find most difficult: crunching equations, solving logical propositions, and other modes of abstract thought. What artificial intelligence finds most difficult are the sensory perceptive tasks and motor skills that we perform unconsciously: walking, drinking from a cup, seeing and feeling the world through our senses. Today, as AI continues to blow past us in benchmark after benchmark of higher cognition, we quell our anxiety by insisting that what distinguishes true consciousness is emotions, perception, the ability to experience and feel: the qualities, in other words, that we share with animals.

If there were gods, they would surely be laughing their heads off at the inconsistency of our logic. We spent centuries denying consciousness in animals precisely because they lacked reason or higher thought. (Darwin claimed that despite our lowly origins, we maintained as humans a “godlike intellect” that distinguished us from other animals.) As late as the fifties, the scientific consensus was that chimpanzees—who share almost 99 percent of our DNA—did not have minds. When Jane Goodall began working with Tanzanian chimps, she used human pronouns. Before publishing, the editor made systematic corrections: He and she were changed to itWho was changed to which.

Link to the rest at The Paris Review

Smarter Tomorrow

From The Wall Street Journal:

Working at home has led to widescale experimentation in productivity. Many workers, no longer tied to central offices, are trying new schedules, locations, routines and work-life arrangements. But this has been a haphazard process, nothing like a controlled scientific study. Those interested in adding rigor to their self-improvement journeys have no better place to turn than “Smarter Tomorrow: How 15 Minutes of Neurohacking a Day Can Help You Work Better, Think Faster, and Get More Done,” by the science educator and advocate Elizabeth Ricker. (Neurohacking, to put it simply, is finding shortcuts to a better-functioning brain).

At the outset, Ms. Ricker contrasts her project with traditional self-help, in which one copies an authority’s example and doesn’t measure the results. Instead, she offers what she calls “The Neurohacker’s Creed”: Don’t assume the same thing works for everyone, pick “hacks” and evaluations carefully, and find a partner so you can help each other. There’s also “the neurohacker’s ladder,” F-S-T-R: Focus on your goals, select an experiment, train and reflect on the outcome and next steps.

Similar organizing structures permeate her upbeat book, which reads like a combination of a science book (including both fun findings and neuroanatomical terms), a workbook (presenting goals and takeaways in each chapter, and a section for experiment recipes), a memoir (detailing her own self-help sojourn) and an encouraging email from a smart friend (full of exclamations points and apologies for puns).

“Smarter” can mean lots of things. Ms. Ricker interprets the term ecumenically, tackling four broad categories of improvement. First, there’s “the new IQ,” by which she means executive functioning, a combination of working memory (juggling things in your head), inhibition (resisting temptation) and mental flexibility (quickly shifting focus or synthesizing ideas). Second, “the new EQ,” or emotional self-regulation—the ability to monitor, assess and modify your feelings. Third, memory and learning, whether for events, facts or skills. Fourth, creativity. Each can be assessed with simple tasks online or in the book, and the author also offers surveys with which to track two more holistic outcomes: the ability to complete to-do lists and life satisfaction.

Link to the rest at The Wall Street Journal (The link should work for non-subscribers, but the WSJ may cause it to rot after a few clicks. PG apologizes for the paywall, but hasn’t figured out a way around it.)

A study on dishonesty was based on fraudulent data

Definitely not about writing directly, but quite possibly a wonderful story about human nature, which forms the basis of many works of fiction and is present at all times, everywhere.

From The Economist:

IF YOU WRITE a book called “The Honest Truth About Dishonesty”, the last thing you want to be associated with is fraud. Yet this is where Dan Ariely, a behavioural economist at Duke University, finds himself, along with his four co-authors of an influential study about lying.

In 2012 Mr Ariely, along with Max Bazerman, Francesca Gino, Nina Mazar and Lisa Shu, published a study on how to nudge people to be more honest. They concluded that when asked to affirm that information is truthful before they give it, rather than afterwards, people are more likely to be honest. The results stemmed from three experiments: two conducted in a laboratory (led by Mr Bazerman, Ms Gino and Ms Shu), and a third based on data from a car-insurance company (led by Mr Ariely and Ms Mazar).

Several researchers have tried and failed to replicate the results from the laboratory tests. But it is the car insurance study which is driving the most serious doubts. It asked policyholders to self-report the number of miles they had driven. Customers were asked to sign a statement on the reporting form which said, “I promise that the information I am providing is true”; half of the forms had this declaration at the top, half had it at the bottom. All of the car-owners had previously reported their odometer readings to the insurance company, giving a baseline for the data (the time elapsed between the baseline readings and the experiment varied for each customer). Mr Ariely and Ms Mazar found that when customers were asked to sign the statement at the top of the form, there was a 10.25% increase in the number of self-reported miles, compared with the miles reported on forms where the statement was signed at the bottom. The more miles a car has driven, the more expensive the insurance will be. The researchers concluded that signing the truthfulness statement at the top of the form resulted in people being more honest (and thus on the hook for higher insurance premiums).

With over 400 citations on Google Scholar, these findings have spread far and wide. But on August 17th Leif Nelson, Joe Simmons and Uri Simonsohn, who run a blog called Data Colada, published an article, based on the work of a group of anonymous researchers, dissecting what they believe to be evidence of fraud. There are several eyebrow-raising concerns, although two in particular stand out: the number of miles reported by the policyholders, and the way in which the numbers were supposedly recorded.

In a random sample of cars, one would expect the number of miles driven by each vehicle to follow a bell-shaped curve (such as a “normal distribution”). Some cars are driven a lot, some are barely driven, but most fall somewhere in between these extremes. But in the experiment from 2012, the number of miles driven follows a uniform distribution: just as many cars drove under 10,000 miles as drove between 40,000 and 50,000 miles, and not a single car drove more than 50,000 miles. Messrs Nelson, Simmons and Simonsohn suggest that a random number generator was used to add between zero and 50,000 to original readings submitted by the customers.

The random number generator theory is backed by the second problem with the data. Many people, when asked to write down big numbers, round to the nearest ten, hundred or thousand. This can be seen in the data for the original odometer readings: nearly 25% of the mileages end in a zero. But in the experiment, each digit between zero and nine is equally represented in the final digit of the mileage reports. Humans tend to round numbers, but random generators don’t.

All five members of the original research group admit that the data in their study were fabricated. But all say they were duped rather than dishonest. “We began our collaboration from a place of assumed trust⁠—rather than earned trust,” said Ms Shu, on Twitter. However, she declined to comment further to The Economist. Mr Ariely’s name is listed as the creator of the Excel spreadsheet containing the original data. But he says he has no recollection of the format of the data he received, speculating that he might have copied and pasted data sent to him into the spreadsheet. One explanation is that the insurance company, or a third party that collected data on its behalf, falsified the numbers. The Hartford, the Connecticut-based insurance company that allegedly provided data for the experiment, could not be reached for comment. Mr Ariely has requested that the study be retracted, as have some of his co-authors. And he is steadfast that his mistake was honest. “I did not fabricate the data,” he insists. “I am willing to do a lie detection test on that.”

Link to the rest at The Economist

From Buzzfeed News:

The paper also bolstered the reputations of two of its authors — Max Bazerman, a professor of business administration at Harvard Business School, and Dan Ariely, a psychologist and behavioral economist at Duke University — as leaders in the study of decision-making, irrationality, and unethical behavior. Ariely, a frequent TED Talk speaker and a Wall Street Journal advice columnist, cited the study in lectures and in his New York Times bestseller The (Honest) Truth About Dishonesty: How We Lie to Everyone — Especially Ourselves.

Years later, he and his coauthors found that follow-up experiments did not show the same reduction in dishonest behavior. But more recently, a group of outside sleuths scrutinized the original paper’s underlying data and stumbled upon a bigger problem: One of its main experiments was faked “beyond any shadow of a doubt,” three academics wrote in a post on their blog, Data Colada, on Tuesday.

The researchers who published the study all agree that its data appear to be fraudulent and have requested that the journal, the Proceedings of the National Academy of Sciences, retract it. But it’s still unclear who made up the data or why — and four of the five authors said they played no part in collecting the data for the test in question.

That leaves Ariely, who confirmed that he alone was in touch with the insurance company that ran the test with its customers and provided him with the data. But he insisted that he was innocent, implying it was the company that was responsible. “I can see why it is tempting to think that I had something to do with creating the data in a fraudulent way,” he told BuzzFeed News. “I can see why it would be tempting to jump to that conclusion, but I didn’t.”

. . . .

But Ariely gave conflicting answers about the origins of the data file that was the basis for the analysis. Citing confidentiality agreements, he also declined to name the insurer that he partnered with. And he said that all his contacts at the insurer had left and that none of them remembered what happened, either.

According to correspondence reviewed by BuzzFeed News, Ariely has said that the company he partnered with was the Hartford, a car insurance company based in Hartford, Connecticut. Two people familiar with the study, who requested anonymity due to fear of retribution, confirmed that Ariely has referred to the Hartford as the research partner.

The Hartford did not respond to multiple requests for comment from BuzzFeed News. Ariely also did not return a request for comment about the insurer.

. . . .

The imploded finding is the latest blow to the buzzy field of behavioral economics. Several high-profile, supposedly science-backed strategies to subtly influence people’s psychology and decision-making have failed to hold up under scrutiny, spurring what’s been dubbed a “replication crisis.” But it’s rarer that data is faked altogether.

And this is not the first time questions have been raised about Ariely’s research in particular. In a famous 2008 study, he claimed that prompting people to recall the Ten Commandments before a test cuts down on cheating, but an outside team later failed to replicate the effect. An editor’s note was added to a 2004 study of his last month when other researchers raised concerns about statistical discrepancies, and Ariely did not have the original data to cross-check against. And in 2010, Ariely told NPR that dentists often disagree on whether X-rays show a cavity, citing Delta Dental insurance as his source. He later walked back that claim when the company said it could not have shared that information with him because it did not collect it.

Link to the rest at Buzzfeed News

PG picked an online random number generator at random.

Somewhere in his brain, he remembered reading that random numbers generated by a computer are not truly random numbers, but are pseudo random numbers – he is not certain of the difference, but expects picking an online random number generator by entering “Random Number Generator” into Google and picking one of the first listings to appear is a pseudo random number generator search. Or something.

At any rate, here is a list of ten random numbers that PG created with the online random number generator – pseudo or non-pseudo, he can’t tell the difference:

12654
36023
23996
13888
33367
23237
18197
18197
17624
23718

If, as the OP’s suggested, the main culprit is a TED Talk speaker and a Wall Street Journal advice columnist who used a random number generator to create the mileage figures upon which the whole ground-breaking study was based, it makes PG question the expertise of TED Talk speakers and Wall Street Journal advice columnists.

Additionally, is there a reason why none of these heavy-duty university mathematics and data science experts never noticed that none of the numbers in the original data was rounded off?

Four hundred years of melancholy—why Robert Burton’s masterpiece speaks to our pandemic age

From Prospect:

It has become increasingly difficult to ignore our great capacity for experiencing and describing psychological pain. To many observers across the globe, mental illnesses and disorders are now alarmingly prevalent, and talk of crises, unprecedented surges and epidemics has become widespread amongst clinical experts and in the media. Living through a viral pandemic and enforced lockdowns has further concentrated attention on mental wellbeing. Conversations about emotional health proliferate. As with the cliché about the Eskimo words for snow, our abundant vocabulary testifies to the variety and intractability of our disturbances, and also to our enduring need to work through them with language.

This phenomenon has deep roots. Sadness, anxiety, lethargy, dejection, discontentment, torpor, perplexity, horror, shame, suspicion, anguish, diffidence, weariness, languishing, misanthropy, despair: such emotions and dispositions live in our present, but they have long been observed in human nature. Four hundred years ago, surveying a world that had evidently succumbed to similar debilitating passions, the Oxford scholar Robert Burton declared an epidemic of melancholy. In his view, melancholy had become “a disease so frequent… in our miserable times, as few there are that feel not the smart of it.” For Burton, who himself suffered from melancholy, the condition was then “so grievous” and “so common,” that he felt compelled to “show the causes, symptoms and several cures” of “so universal a malady, an Epidemical disease, that so often, so much crucifies the body and mind.”

The result was The Anatomy of Melancholy, unquestionably the greatest work on this subject in English literature. It is a book that guides its reader through the territory with wit, compassion and curiosity. Its many admirers over the centuries have included John Milton, Samuel Johnson, John Keats, Laurence Sterne, George Eliot, Virginia Woolf, Dorothy Sayers, Samuel Beckett, Jorge Luis Borges, Philip Pullman, Patrick Keiller and Nick Cave.

As befits its subject matter, the Anatomy is enormous. By the time of the sixth edition, published posthumously in 1651, Burton’s sprawling masterpiece had expanded to more than half a million words. It also included over 13,000 quotations, drawn from learned and popular sources stretching back to antiquity, illustrating and lamenting our psychological dispositions, self-destructive passions and moral pathologies, surveying the causes and consequences of our curious susceptibility to melancholy, and offering a bewildering range of possible cures.

Anyone encountering Burton’s book for the first time today will be struck by its idiosyncrasies. It is both serious and humorous. The main subject is medical, but the subtitle signals that melancholy will also be treated “philosophically and historically.” It opens with an extended satire, in which the laughing (possibly unhinged?) philosopher Democritus Junior ridicules the madness of the world. He doesn’t spare the reader: “Thou thyself art the subject of my discourse.” The main treatise then applies the structure of medical pathology—kinds, causes, symptoms, prognostics, cures—to different forms of melancholy. This structure, however, incorporates a variety of different kinds of writing, including poetry, history, moral philosophy, theology, geography, astrology and mythology. Despite attempts to assign the book to a specific genre, it resists categorisation.

Burton’s personality is stamped on every page, in prose that is eccentric and unmistakable: conversational, expansive, expressive and frequently digressive. Many sentences end only with an “et cetera,” suggesting that more could always follow—and in later editions often did. The text is punctuated with splenetic outbursts (especially against Burton’s pet hate, the idle aristocracy), but these are often accompanied by self-doubt and self-reproach: “Thou canst not think worse of me than I do of myself.”

Link to the rest at Prospect

Writers Who Make Hard Choices

From Publishers Weekly:

When Ellen Bass and I published The Courage to Heal, a book that helped launch the incest survivor empowerment movement, it was 1988 and I was 31 years old. I was shocked when the book became a grassroots bestseller, catapulting me to fame for the worst thing that had ever happened to me.

During the years Ellen and I were writing the book, I was terrified about how my family would react. My fears were justified. When I outed my grandfather as my perpetrator, my already volatile relationship with my mother exploded, and I became estranged from her side of the family. Holidays and Mother’s Day became painful reminders of the price I’d paid for writing the truth.

But my fierce, dramatic mother and I shared something in common: a stubborn insistence on working our way back into each other’s lives. It took years, but we ultimately succeeded, in part by agreeing to disagree about the hot-button issue that had driven us apart. Grandchildren helped bring us together, and I rewove threads of connection with estranged relatives. I wrote books about other things.

Over the next two decades, I built a career as a writing teacher, and my own writing faded into the shadows. I never stopped writing, but I didn’t publish. To keep the peace, I had to avoid writing and publishing about the subjects closest to my heart. I didn’t want to lose my family again.

Yet the epic story of my mother and me still thrummed inside. When the reconciliation I thought we’d achieved was challenged a dozen years later by her sudden announcement that she was moving across the country to my town for the rest of her life, I was faced with caring for an 80-year-old woman whose developing dementia pushed every button I had. Could I possibly rise to the challenge of becoming the daughter she needed me to be?

Millions of people are in this position, caring for parents who in one way or another betrayed them; this story needed to be told. So, as I sat with my mother in doctor’s offices and hospital rooms. As we played 500 rummy in her tidy mobile home, I scrawled bits of dialogue on random scraps of paper. Late at night, I wrote the truth about being a caregiver for a parent whose proximity had never equaled safety.

As the pages piled up, I told myself, “I’m just writing this for myself. I don’t have to publish it.” That was the safe container I had to create for myself, because lurking on the edge of my consciousness were the relatives who’d rejected me the first time I’d entered this territory. How could I tell our mother-daughter story without once again writing about the sexual abuse, the conflict that had sundered us the most?

It wasn’t until my mother and the rest of her generation died that I seriously considered publishing The Burning Light of Two Stars

Link to the rest at Publishers Weekly

Napoleon Bonaparte, gardener? Yes, says a new book, the dictator found solace in the natural world

From The Washington Post:

Of the making of books about Napoleon Bonaparte, there seems to be no end. Two hundred years after the emperor’s death in 1821 on the island of St. Helena, he continues to be the subject of new biographies and speculations. His name and iconic image — the bicorne hat worn sideways, the army greatcoat, the hand inserted in the vest — are instantly recognizable the world over.

Even though ours is an age of billionaire boy wonders, Napoleon’s sheer precocity still dazzles: On Nov. 9, 1799, shortly after his 30th birthday, the former artillery officer from Corsica assumed dictatorial powers over all of France. Five years later, he crowned himself Emperor of the French. At 40, “the man on horseback”— Edmund Burke’s prophetic phrase — had conquered all of Western Europe. When Napoleon’s armies fought and lost the make-or-break Battle of Waterloo, he was all of 45. Imprisoned afterward on St. Helena, the deposed emperor eventually died of stomach cancer — or, possibly, arsenic poisoning if you’re conspiracy-minded — at a still-young 51.

What did Napoleon do during his six-year confinement on that tiny South Atlantic island? He grew flowers (the roses died), planted trees, constructed an aviary and harvested peas and beans. An engraving shows him wearing a straw peasant’s hat and leaning on a spade. In fact, contends Ruth Scurr in “Napoleon: A Life Told in Gardens and Shadows,” this world-shaking military genius had always turned to the natural world — and to two- or three-hour long baths — for succor from the ills of the spirit or the burdens of power.

In her book, Scurr tracks Napoleon’s rise and fall with hardly a glance at his battles, political maneuverings and mistresses (there were at least 21). Instead, we learn about the vegetable patch young Bonaparte kept while at school, his later attention to green spaces when undertaking urban renewal in Egypt, Italy and France, his enjoyment of reflective walks in the woods and his penchant for neoclassical landscape design. Straight lines, notes Scurr, along with “precision and order were central to his aesthetic.” In contrast, Napoleon’s first wife, Josephine, insisted on natural, parklike surroundings — the English style — for Malmaison, their private residence. As empress, she obsessively collected plants and animals from around the world and was apparently the first person to breed black swans in captivity.

. . . .

(The author0 prefers to devote greater attention to André Thouin, head gardener at the Jardin des Plantes. Thouin was among the 167 members of the Commission for Arts and Sciences that accompanied Napoleon’s army during his largely unsuccessful Egyptian campaign. Stationed in Cairo, the group soon created a 30-acre walled garden and research center, eventually producing an encyclopedic record of their labors in the landmark catalogue “Description of Egypt.” Later, many of the botanical and zoological specimens brought back from France’s scientific expeditions ended up in Thouin’s care.

. . . .

There’s just one battle in Thomas E. Crocker’s “Empire’s Eagles: The Fate of the Napoleonic Elite in America” and that’s Waterloo. After Napoleon’s defeat — “a near-run thing,” as his adversary Wellington admitted — the emperor’s family and his generals all realized they would soon be facing prison sentences or firing squads. Where should they flee? To many of them, America seemed a land of refuge and, perhaps, of renewed opportunity.

A scholar of early American history, Crocker opens with a riveting day-by-day account of Napoleon in the port city of Rochefort, waiting to escape from France, perhaps to Baltimore, where his younger brother Jerome had once been married to a local belle named Elizabeth Patterson. Revealing an uncharacteristic lack of decision, the emperor dillydallied, then trusted the English to be honorable and soon found himself en route to St. Helena. More fortunate, his elder brother Joseph made it to our shores, where he established himself in regal comfort at a vast estate near Philadelphia.

After other Napoleonic loyalists reached the United States they founded clubs and support groups, tried to establish a Utopian community devoted to viniculture in Alabama swampland and even planned a military operation to install Joseph as emperor of Mexico. All these activities Crocker relates in meticulous detail before devoting the second half of his book to a long-standing legend — that Marshal Ney, Napoleon’s “Bravest of the Brave,” faked his death before a French firing squad, then escaped to South Carolina, where he resurfaced as a schoolteacher named P.S. Ney. Could this possibly be true? Crocker, trained as a lawyer, lays out the evidence both for and against.

. . . .

In the end, the most tantalizing question about Napoleon remains open: Would the world have been better off had the man never been born (or born at a different time, as in Stephen Vincent Benét’s little classic of alternative history, “The Curfew Tolls”)? It’s a hard call. Napoleon led millions to their deaths, yet he also instituted laws and reforms comparable in importance to those of the U.S. Constitution.

Link to the rest at The Washington Post

The Silver Age of Essays

From The Paris Review:

The first quarter of the twenty-first century has been an uneasy time of rupture and anxiety, filled with historic challenges and opportunities. In that close to twenty-five-year span, the United States witnessed the ominous opening shot of September 11, followed by the seemingly unending Afghanistan and Iraq wars, the effort to control HIV/AIDS, the 2008 recession, the election of the first African American president, the legalization of same-sex marriage, the contentious reign of Donald Trump, the stepped-up restriction of immigrants, the #MeToo movement, Black Lives Matter, and the coronavirus pandemic, just to name a few major events. Intriguingly, the essay has blossomed during this time, in what many would deem an exceptionally good period for literary nonfiction—if not a golden one, then at least a silver: I think we can agree that there has been a remarkable outpouring of new and older voices responding to this perplexing moment in a form uniquely amenable to the processing of uncertainty.

When the century began, essays were considered box office poison; editors would sometimes disguise collections of the stuff by packaging them as theme-driven memoirs. All that has changed: a generation of younger readers has embraced the essay form and made their favorite authors into best sellers. We could speculate on the reasons for this growing popularity—the hunger for humane, authentic voices trying to get at least a partial grip on the truth in the face of so much political mendacity and information overload; the convenient, bite-size nature of essays that require no excessive time commitment; the rise of identity politics and its promotion of eloquent spokespersons. Rather than trying to figure out why it’s happening, what’s important is to chart the high points of this resurgence, and to account for the range of styles, subgenres, experimental approaches, and moral positions that characterize the contemporary American essay.

Of course, roping off a period like the year 2000 to the present and calling it “contemporary” is somewhat arbitrary, but one has to start somewhere. At least this artificial chronological box allows for the inclusion of older authors who made their mark in the twentieth century and had the temerity to keep producing significant work in the twenty-first (such as John McPhee, Joyce Carol Oates, Barry Lopez, Thomas Lynch). Just as set designers of period films make a mistake in choosing only articles of clothing or furnishings that were produced in that era, forgetting that we always live with the layered material objects of previous decades, so it would be wrong to restrict the literary flavor of an era to writers under forty. Indeed, what makes this period so interesting is the mélange of clashing generations and points of view. There are still tightly reasoned sequential essays being written in the classical mode, side by side with ones that resist that tidiness.

The essay has always been an adaptable, plastic, shape-shifting form: it may take the form of meditation, reportage, blog, humor piece, eulogy, autobiographical slice, diatribe, list, collage, mosaic, lecture, or letter. Contemporary practitioners seem bent on further testing its limits. For instance, Lia Purpura, Eula Biss, and Mary Cappello are drawn to the lyric essay, which stresses the essay’s associational rather than narrative or argumentative properties. Cappello has shrewdly spoken about essay writing—“that non-genre that allows for untoward movement, apposition, and assemblage, that is one part conundrum, one part accident, and that fosters a taste for discontinuity.” In line with Modernist aesthetics, a mosaic essay with “a taste for discontinuity” may be constructed from fragments, numbered or not, with white space breaks between pieces that connect intuitively or emotionally if not logically. It is up to the reader to figure it out. The list essay, which is highly generative of disparate materials, by its very nature evades an argumentative through line, and can seem initially as random as a poetic inventory by Whitman, though it may deepen subtly and organically. (For example, Nicholson Baker’s charming “One Summer,” which crisscrosses periods of his life, nevertheless builds to a revealing self-portrait.)

While the influence of poetic technique on the lyric essay has been largely acknowledged, less recognized is the short story’s impact on the contemporary essay. Many memoir essays exist in a kind of fictive space, progressing through scene and dialogue and a sensory-laden mood that stays tied to the moment by moment. The piece itself may be entirely factual, but the sentences give off a Minimalist frisson that shows the influence of short story writers such as Lydia Davis, Amy Hempel, and Lorrie Moore.

Nonfiction has been agitated in recent years by certain ethical questions, such as, “How legitimate is it to insert fictional details in nonfiction?” or “Is it proper to appropriate the voice of some- one of a different ethnicity, sex, or social class?” That both can be done successfully can be seen in Hilton Als’s “I Am the Happiness of This World,” which channels the silent film star Louise Brooks’s ruminations, as though Brooks herself were dictating an essay to Als from the grave.

The role of technology—the internet and social media—in altering our rhetorical lives may even affect the typography of an essay (as evidenced in Ander Monson’s unshackled “Failure: A Meditation”). “Are we merging with our computers and turning into ‘spiritual machines’?” wondered the essayist Meghan O’Gieblyn. The blog, once viewed as a debasement or poor relation of the essay, has proven itself a useful invitation to free-flowing, self-surprising displays of consciousness (see Ross Gay, Eileen Myles). Some feminist essayists have expressed a desire to arrive at a “post-patriarchal essay,” implying that the very structure of linear argumentation is authoritarian and reinforces status quo sexist power relations. (Maggie Nelson’s influential Bluets and The Argonauts offer clues for shaking up the old model.) Yet all these ways to challenge and subvert the classic essay are in the tradition of the essay itself, whose very name bespeaks an attempt, an experimentation, a stab in the dark. All this is to suggest that the essay remains the most open-ended of forms. (It has even spilled out into other media, as witness the essay film and the graphic essay, subjects for another day.)

Perhaps nothing has so shaped the contemporary practice of essay writing as the rise of the personal essay. It scarcely matters whether the subject be illness (Floyd Skloot), loitering (Charles D’Ambrosio), or prisons (Joyce Carol Oates): some insertion of authorial character is likely to invade the text. Much the way journalism has increasingly surrendered its claims of objective neutrality and allowed reporters room for subjective voice, so the essay has come to rely more and more on an “I.” With that has come an infusion of raw honesty, vulnerability, and awkward admission such as would scarcely have been seen in earlier essays. Younger essayists are often willing to acknowledge confusion, psychological distress, thralldom to contradictory drives and uncontrollable desires. There is often a trade-off: more heat, urgency, diaristic excitement, less perspective. Younger essayists might struggle to resolve questions about their authentic nature and perplexing disparities, while older essayists might feel more at ease with the self’s mutable, impure, self-betraying nature. Those who are entering middle age will often situate their “I” characters on a moving platform that begins in childhood or adolescence and transitions into adulthood and sometimes even parenthood. The personal essayist can accommodate these chronological shifts between life’s passages more easily than the short story writer (unless you’re Alice Munro). As the essayists age, they are less likely to be writing from the midst of distressed confusion and more from a place of wry self-mockery and detachment. The younger the essayist—not all, of course—the more likely an identification with a generational perspective. Popular culture, rock music, or TV programs may be convenient markers for that shared membership. The sense of being part of a generation tends to fade as one grows older: one sees one’s unshakable limits and singularities, for better or worse.

It has long been the province of the personal essayist to turn one’s narrator into a character by asserting defining autobiographical facts, eccentric or contrarian notions, odd tastes, behavioral tics, and so on. Having done so, the essayist might then wish to parry that Crusoe-like separateness by analyzing to what extent he or she belongs to a larger group or tribe. Ethnicity, gender, sexual preference, physical or mental disability, national origin, generational awareness, social class, and political alignment are some of the categories increasingly tempting contemporary essayists to situate themselves in the midst of a group or at an ambivalent angle from it. This is especially true when the minority to which you belong is asserting its rights or finds itself under attack—when the question becomes unavoidably topical.

Link to the rest at The Paris Review

From a purely sentimental and personal standpoint, PG would like the essay to regain the stature and prominence it once held.

That said, he’s not optimistic about commercial success. He would be happy to be proven wrong on this point, however.

A Great Storyteller Loses His Memory

From The Paris Review:

Writing about the death of loved ones must be about as old as writing itself, and yet the inclination to do it instantly ties me up in knots. I am appalled that I am thinking of taking notes, ashamed as I take notes, disappointed in myself as I revise notes. What makes matters emotionally turbulent is the fact that my father is a famous person. Beneath the need to write may lurk the temptation to advance one’s own fame in the age of vulgarity. Perhaps it might be better to resist the call and to stay humble. Humility is, after all, my favorite form of vanity. But as with most writing, the subject matter chooses you, and so resistance could be futile.

A few months earlier a friend asked how my dad was doing with his loss of memory. I told her he lives strictly in the present, unburdened by the past, free of expectations for the future. Forecasting based on previous experience, which is believed to be of evolutionary significance as well as one of the origins of storytelling, no longer plays a part in his life.

“So he doesn’t know he’s mortal,” she concluded. “Lucky him.”

Of course, the picture I painted for her is simplified. It is dramatized. The past still plays a part in his conscious life. He relies on the distant echo of his considerable interpersonal skills to ask anyone he meets a series of safe questions: “How is everything?” “Where are you living these days?” “How are your people?” Occasionally he’ll venture an attempt at a more ambitious exchange and become disoriented in the middle of it, losing the thread of the idea or running out of words. The puzzled expression on his face, as well as the embarrassment that crosses it momentarily, like a puff of smoke in a breeze, betrays a past when conversation was as natural to him as breathing. Creative, funny, evocative, provocative conversation. Being a great conversador was almost as highly regarded among his oldest group of friends as being a good writer.

The future is also not completely behind him. Often at dusk he asks, “Where are we going tonight? Let’s go out to a fun place. Let’s go dancing. Why? Why not?” If you change the subject enough times, he moves on.

He recognizes my mother and addresses her as Meche, Mercedes, La Madre, or La Madre Santa. There were a few very difficult months not long ago when he remembered his lifelong wife but considered the woman in front of him claiming to be her to be an impostor.

“Why is she here giving orders and running the house if she is nothing to me?”

My mother reacted to this with anger.

“What is wrong with him?” she asked in disbelief.

“It’s not him, Mom. It’s dementia.” She looked at me like I was trying to pull a fast one. Surprisingly, that period passed, and she regained her proper place in his mind as his principal companion. She is the last tether. His secretary, his driver, his cook, who have all worked in the house for years, he recognizes as familiar and friendly people who make him feel safe, but he no longer knows their names. When my brother and I visit, he looks at us long and hard, with uninhibited curiosity. Our faces ring a distant bell, but he cannot make us out.

“Who are those people in the next room?” he asks a housekeeper.

“Your sons.”

“Really? Those men? Carajo. That’s incredible.”

There was an uglier period a couple of years earlier. My father was fully aware of his mind slipping away. He asked for help insistently, repeating time and time again that he was losing his memory. The toll of seeing a person in that state of anxiety and having to tolerate their endless repetitions over and over and over again is enormous. He would say, “I work with my memory. Memory is my tool and my raw material. I cannot work without it. Help me,” and then he would repeat it in one form or another multiple times an hour for half an afternoon. It was grueling. That eventually passed. He regained some tranquility and would sometimes say, “I’m losing my memory, but fortunately I forget that I’m losing it,” or “Everyone treats me like I’m a child. It’s good that I like it.”

Link to the rest at The Paris Review

How Two Authors Brought a Book on Birthing Into the World

From Publishers Weekly:

In September 2021, our book, Designing Motherhood: Things That Make and Break Our Births, will be published by MIT Press. We’re two design historians, and between us we’ve had babies and books before. But DM, as our most recent offspring is affectionately known, has had the longest gestation of them all. This book sprung from our shared curiosity about why the material culture that defines our reproductive lives was so hidden, and also what it might take to change that. We write about the objects and systems that we came to call “design for the arc of human reproduction”: contraceptives, breast pumps, labor and delivery wards, and at-home abortion kits, to name just a few.

Such objects, spaces, and ideas should be among the most well-considered design solutions; designers should aspire to work on them. Yet these tools, techniques, systems, and speculations are treated as afterthoughts. They receive no attention in design studios or classrooms, and likewise are never present in design collections within cultural institutions. Instead, the subject is treated furtively or as unimportant—as something beneath debate or lacking in intellectual content. This gap inspired our book.

We were tired of society looking away. We wanted to make an image-rich book that could hold these designs to the light. If we told their wildly different—and sometimes totally contradictory—histories, then perhaps they could become part of the canon and, in doing so, could recalibrate it.

In 2017 we embarked on the journey of pitching Designing Motherhood as a public reckoning. We sent out the proposal to directors and decision makers at various presses, and waited with glee, ready to fend off multiple offers.

When the replies did trickle in, they were polite rejections: “Not sure there’s an audience for this….”

A constant refrain: “A women’s issue. We don’t really publish in that area.”

Though we were positive the audience for such a book would be far-reaching, no one seemed to see this topic with the same fervor and potential as we did. In our evenings and weekends, in times when children were napping or on lunch breaks from work, we began to write. We knew we’d need money for image permissions and so we started to think about applying for a Pew grant. The only problem was that we were individuals and we needed an institutional partner—and none of the institutions we knew or worked for were remotely interested.

At the 11th hour, we were introduced to Maternity Care Coalition. MCC has been working since 1980 to support pregnant people and their families with direct services, like doulas and lactation support, as well as advocating for policy change at the city and national level. It is an organization that envisions an equitable future, grounded in racial and social justice. They understood our project right away, because it was their project too. It took folks outside the museum and art and design worlds to “get it”—probably because that’s where the real work usually happens.

When we passed the first stage of the Pew application, we cowrote a proposal for a book, two exhibitions, and a set of public programs that would center the expertise of MCC’s staff. To our disbelief, we were awarded the grant, and MIT Press came on board as the publication partner.

We began writing, mainly during the pandemic. We had a lot to say and more to show—in the 350-plus images we chose to illustrate our writing, and with the 50-plus contributing artists, writers, and interviewees we spotlighted, we wanted to make sure we were as polyvocal as 344 pages would allow. All throughout the book, we cast a critical eye on designs that ultimately shape every living person. We partnered with the Mütter Museum and the Center for Architecture and Design to devise the two exhibitions.

Bringing Designing Motherhood into the world was not easy or painless. But it was a good birth.

Link to the rest at Publishers Weekly

Lukashenko Regime Tells PEN Belarus That It’s To Be Closed

Trigger Warning – PG spent way too long researching and preparing this post and is posting it too late at night.

At this point, he thinks there may some interesting observations, but isn’t sure

From Publishing Perspectives:

Disturbing news from PEN America, which has issued a notice to the media this afternoon (July 22) saying that the Belarusian justice ministry has sent a letter to PEN Belarus, informing the organization that it’s to be closed.

The news follows government raids on offices of cultural and rights organizations and of media outlets, as described in our article from Friday (July 16).

. . . .

Early this week, Belarusian opposition leader Sviatlana Tsikhanouskaya was in Washington for meetings with the Joe Biden administration’s national security adviser Jake Sullivan, congressional lawmakers, the US Agency for International Development’s Samantha Power and US Agency for Global Media’s acting CEO, Kelu Chao.

One point she made to CNN’s Jim Sciutto–an international affairs specialist [book plug for Jim’s book omitted as irrelevant – PG] –is that she thinks of herself not as the opposition leader but as a figure in the majority.

Her reference was to the August 9 election, claimed by longtime strongman Alexander Lukashenko as a victory but said by Tsikhanouskaya and her voters to have been a travesty. Tsikhanouskaya lives in Lithuania for safety at this point.

. . . .

The action reported by the PEN network of international chapters today coincides with the US-funded Radio Free Europe/RadioLiberty report on Minsk’s justice ministry also asking the country’s supreme court to shut down the Belarusian Association of Journalists (BAZh) for what the regime calls “repeated violations of the law”.

. . . .

It’s reported that the message from the ministry was received at PEN Centre Belarus on the same day that the organization released one of its detailed reports on cultural rights violations.

This new report from PEN Belarus is a first-half 2021 update on issues encountered and cites 621 violations between January and June. Like the first-quarter report we looked at at the time of Roman Protasevich’s arrest, six-month report pulls together what’s known of state actions taken against the community PEN represents and lists instances of censorship, “persecution for dissent,” and more.

Image: PEN Centre Belarus

In a section on literature, the PEN Belarus staff writes, “Starting from January of this year, non-state publishing houses, publishers, book distributors, independent press, including those with content on cultural topics, authors, and often readers themselves, have come under pressure.”

Interference and suppressive action against elements of the country’s publishing community include instances of detention; interrogation; raids; confiscations of computers, telephones, books; frozen finances; blocked book exports; and censorship.

As the PEN team writes in its report, “This is a tragic time for freedom of expression, freedom of creativity, freedom of opinion. The sociopolitical crisis is characterized by the violation of fundamental human rights and freedoms, persecution for dissent, censorship, an atmosphere of fear, and the expulsion of proponents of change.”

Link to the rest at Publishing Perspectives

For those who seem to find dictators and autocrats behind every bush in a country governed by democratically-elected officials, this is what a real dictatorship looks like.

With respect to that general subject, PG is reading an excellent history focused on what happened in Eastern Europe after World War II, Iron Curtain: The Crushing of Eastern Europe, 1944-1956 by Anne Applebaum.

It is a well-written, highly-detailed and densely-footnoted account of the take-over of governments of all sorts, including democratically-elected ones, by Russian-backed Communists during the last days and the decade following the end of World War II in Europe.

If you have ever had a fancy to live in a Communist dictatorship, this book will put you off of that idea forever.

If you describe any Western democratically-elected government official a “dictator,” this book will help you understand you are using the term as a metaphor. (Yes, that includes Donald Trump.)

This goes down on PG’s highly-recommended list and he doesn’t believe the book falls in the literary equivalent of, “Eat your spinach! It’s good for you!”

When PG made this post, this heavy-duty book (over 1,000 pages) had 771 reviews with an average star rating of 4.6.

Sometimes, PG checks the one-star reviews to catch a flavor of the readers who didn’t like the book.

Here’s the first one-star review that appeared on the Amazon-USA site (paragraph breaks and spacing in the original):

She author is so bias against the Red Army and Soviet Union that she makes the Red Army and Soviet Union sound worse than the Nazis.
The Soviet Union due to the Nazi invasion and the war to save their country and destroy the Nazis lost at least 27 million people. Several of the East European countries (Romania, Hungary, Slovakia) that the author portrays as innocent victims supplied hundreds of thousands of troops to assist the Nazis in their goal of destroying the Soviet Union. Poland also during 1920-1 had a war with the Red Army in which the Poles defeated the Red Army. The Poles as the price for an end of the war took parts of Ukraine, and Belorussia which had few Polish residents and incorporated them into Poland. I have a question for the author or anyone else. Except for the Red Army who would have freed Poland and other Eastern European countries from the Nazis? The answer is no one. Only the Red Army was strong enough to thoroughly defeat the Nazis and force them out of Eastern European and eventually capture Berlin.
It is understandable that a nation that lost more than 15% of its’ population to invading armies would feel threatened if there were hostile nations on its’ borders. Stalin was paranoid. But it was not out of the question that the Nazis might try to convince the Western Allies that the Soviet Union was the real menace. General Patton advocated attacking the Red Army (which was an insane idea). The author is ridiculously anti-Soviet, I could not continue reading the book beyond the first several chapters.

(PG commentary – Comparison of the Nazis to the Soviets and finding that the Soviets are the better of the two is the ultimate race-to-the-bottom.)

But PG hasn’t fully delivered on the headline for this post!

Meet Alex, the World’s Most Successful Elected Official!

Belarus President Alexander Lukashenko, winner of the first free election in Belarus and five subsequent elections, an unbroken winning streak.
The only President Belarus will ever need!
Campaign slogan: “One Comrade, One Vote, One Time!!”
(Commentary by PG) (Sergei Gapon/Pool Photo via AP)
Lukashenko, winner of six straight elections as President of Belarus shares campaign secrets with one of his many fans. Description by PG, Photo Credit: February 15, 2019. Reuters

Here’s a link to a nine-minute PBS News Hour segment about Belarus dated July 20, 2021

Embedded Belarus video follows:

End of Belarus Update

The Point

It’s easy to consign the Belarus actions as isolated or archaic or otherwise something that real people would never take seriously.

However the tactics Comrade Lukashenko is ordering in Minsk are precisely those that were used during the the post-WWII period described in Ms. Appelbaum’s book. The dictators come and go, but the means of gaining and holding power in this part of the world haven’t changed in 100 years.

More to the point, Ms. Appelbaum sees hints of those same strategies and tactics in some Western Nations, as described in her latest book, Twilight of Democracy: The Seductive Lure of Authoritarianism (which PG hasn’t read, but intends to after finishing the current Appelbaum book he is reading – remember, it’s over 1,000 printed pages, and his Kindle says he’s about 30% finished.)

More than President Trump, PG is concerned about Cancel Culture, Critical Race Theory and similar movements arising as part of the backlash that lead to Trump’s narrow defeat in the last election. When PG first read much about these and other political concepts driving many activists during the last election cycle (before he started Ms. Appelbaum’s post WWII book mentioned at the top of this post), he was reminded of things he had learned from other reading concerning Soviet/Stalinist/Bolshevik strategies for taking and keeping power.

PG suggests that those who claim that western civilizations have somehow reached the end of history or that there is no chance of history repeating itself, that the arrow of progress inevitably points in the direction of greater freedom and cannot be reversed are simply incorrect. PG recalls reading that, at the beginning of the 21st century, about one-third of the nations of the world were democracies. Certainly, nondemocratic systems seem to regularly fail, but they are often followed by another nondemocratic system.

PG will point to the relatively widespread fears among certain groups that President Trump was going to be a dictator are some evidence that, even in large and longstanding democracies, there is no guarantee of continued democracy. Remember, Comrade Lukashenko began his rule by winning what was, by contemporary and local geographical standards, a reasonably open election. Around the turn of the 20th Century, China went through a period during which it appeared to be moving toward at least a type of democratically-elected government before gaining its latest Supreme Leader for Life. There were a few rulers that continued in power for a shorter period than Mao had.

Here’s Amazon’s product description for Ms. Appelbaum’s new book:

From the United States and Britain to continental Europe and beyond, liberal democracy is under siege, while authoritarianism is on the rise. In Twilight of Democracy, Anne Applebaum, an award-winning historian of Soviet atrocities who was one of the first American journalists to raise an alarm about antidemocratic trends in the West, explains the lure of nationalism and autocracy. In this captivating essay, she contends that political systems with radically simple beliefs are inherently appealing, especially when they benefit the loyal to the exclusion of everyone else. Elegantly written and urgently argued, Twilight of Democracy is a brilliant dissection of a world-shaking shift and a stirring glimpse of the road back to democratic values.


Minutiae

In the minutiae category, PG has concluded that, for him, reading a heavily-footnoted book in ebook form is a better overall experience than reading a paper version of the same. In an ebook (at least as read on a Kindle Paperwhite), the footnote numbers linking to the note are shown in the text and the notes are easily accessible, but you only see the text of the footnote if you tap the footnote number. Unless he taps, PG’s reading experience is similar to a book without footnotes.

When PG is reading a densely-footnoted printed book, many pages show only a few lines of text and a gaggle of footnotes visually dominate the page. For easily-distractible PG, the footnotes are a distinct temptation to examine and it’s not difficult for him to become involve in the fascinating details and lose track of the continuity of the text during that process.

Sometimes, his progress through such a paper book is:

  1. Read the text
  2. Examine any footnotes that include comments, quotes, etc.
  3. Go back and read the text again so he can pick up on the flow of ideas when he turns the page (odd-numbered pages are the worst, but even-numbered pages are not without the occasional speed-bump).
  4. Repeat this process for a thousand pages or so.

That said, despite being hip-deep in material filled rigid and beyond-argument doctrine, PG will not be doctrinaire regarding the ebook-vs.-print-and-footnotes question.

Comrades won’t lose their TPV Party Cards if they find fault with PG’s dictates.

(Promotional note – With your TPV Party Card, you get free delivery of Amazon ebooks to your local reading device! No more annoying shipping fees, Comrade!)

The Passion of Anne Hutchinson

From The Wall Street Journal:

How did a dispute within a small breakaway group of Protestants over a seemingly obscure point of theology become an iconic episode in American history? The issue was whether one could earn eternal salvation through godly behavior, or whether the gift of saving grace is bestowed without regard to a person’s conduct. To the side led by Anne Hutchinson, the difference was between a popish “covenant of works” and a true “covenant of grace.” To the other, headed by John Winthrop, “free grace” portended “antinomianism,” a world of free love and social disorder in which the laws of church and state did not apply to true believers.

The protagonists, as Marilyn J. Westerkamp shows in “The Passion of Anne Hutchinson,” (Oxford, 312 pages, $29.95) were worthy adversaries. Winthrop, the leader of the Great Puritan Migration to Massachusetts Bay, was the colony’s frequent governor and the man whose vision of a “city upon a hill” became the stuff of presidential speeches. Hutchinson (1591–1643), the daughter of a dissenting minister, was a charismatic matron with a reputation for piety. Caught in the middle was the Rev. John Cotton, a Cambridge-educated divine with a foot in each camp. Resonating through the centuries, the controversy plays out in the parties’ own voices in diaries and trial transcripts.

Hutchinson herself speaks to the modern interest in women’s history. Called by the scholar Michael Winship “the most famous—or infamous—English woman in colonial American history,” she has been cast as a martyr for religious freedom, a victim of the patriarchy, or a sacrifice to social order at a time when Massachusetts was threatened by belligerent Native Americans and a hostile Crown. She was a prophet, a Jezebel or both.

Hutchinson arrived in Boston, age 43, in September 1634, on board the same ship that a year earlier had brought her adored pastor, John Cotton, to the New World. Accompanying her was her husband, William, a successful cloth merchant, 10 of their 11 surviving children, and a handful of relatives and servants. The Hutchinsons joined their eldest son, who had already crossed the Atlantic with Cotton. Among the wealthiest émigrés, they received a house lot across the street from Winthrop, grazing rights on Taylor’s Island in the middle of Boston Harbor, and 600 acres of farmland near what later became Quincy. William soon became a town selectman and a member of the General Court. Anne became a sought-after midwife and herbalist, known for edifying religious counsel in the birthing room.

. . . .

By 1636, Anne was holding weekly prayer meetings for women in her home. At first, the gatherings followed the English custom of female “conventicles,” but as Anne’s fame spread her constituency broadened to include men. Eventually Hutchinson presided over two “public lectures” each week, attended by 60 to 80 followers. Her message—an increasingly strident condemnation of all the local clergy except Cotton—only exacerbated her challenge to the standing order.

In October, the colony’s embattled ministers held a private session with Cotton, Hutchinson and her newly arrived brother-in-law, the Rev. John Wheelwright. Cotton was conciliatory; the other two less so. While conceding that “sanctification,” or good behavior, might be evidence of salvation, Hutchinson and Wheelwright added a new point of contention, asserting that “the person of the Holy Ghost” dwelled within the justified believer. The “indwelling spirit” had been a byword for anarchy since the Reformation. It was exactly what Winthrop and the other institutionalists feared, and they swung into action. Over the next year, Winthrop was swept back into office, Cotton walked the fine line between supporting Hutchinson and placating his fellow clergy, and Wheelwright was banished for seditious contempt of authority. Then, in November 1637, Hutchinson was tried before the civil magistrates for troubling the peace of the commonwealth and its churches.

The trial lasted two days and Hutchinson clearly had the better of it, parrying wits and biblical knowledge with the colony’s best. Then, at the end of the second day, Hutchinson upended the proceedings when she proclaimed that her understanding of grace had come “by an immediate revelation.” (Scholars have long debated why she handed victory to her opponents—was she claiming her prophetic mantle, reassuring her base or suffering from exhaustion? Cotton, to his credit, argued on her behalf that such private revelation was within the Puritan mainstream.) More devastating was the public prophesy that followed: “I fear none but the great Jehovah, which hath foretold me of these things,” she proclaimed. “I know that, for this you go about to do to me, God will ruin you and your posterity and this whole state.”

Hutchinson was convicted and banished from the colony, her departure delayed until she could be excommunicated by her Boston church. In the end, even Cotton renounced her. She moved to Rhode Island but when Massachusetts threatened to annex the region, she and a small group fled to Dutch territory, not far from what is now the Hutchinson River in the northern Bronx. In 1643, all save one child were massacred by the local Native Americans. The leaders of Massachusetts Bay exulted: “The Lord heard our groans to heaven, and freed us from our great and sore affliction . . . this woeful woman.”

Link to the rest at The Wall Street Journal (PG apologizes for the paywall, but hasn’t figured out a way around it.)

PG notes that a great many histories of the Massachusetts Bay Colony, established in 1620 with the landing of the first passengers from The Mayflower, tend to show the colonists as consistently virtuous people.

They certainly displayed substantial toughness, finally coming ashore in late December.

The Mayflower arrived in November of 1620, hence, the Thanksgiving celebration that was held in 1621 to celebrate a year’s survival. However, there was no place to live on shore, so work crews ferried back and forth from the ship until late-December.

Only very crude shelters could be constructed on shore, but they were better than staying on an intensely cold, leaky and filthy ship, being thrown about during nasty New England winter storms, which were much colder and more severe than passengers had experienced in England or Holland.

In addition to those who had died during the voyage across the Atlantic, 45 of the 102 passengers who were on the Mayflower when it sighted land died during the first winter due to illness (likely a disease called leptospirosis, caused by leptospira bacteria that is spread by rat urine) poor nutrition and housing. A number of orphan children were taken in by families whose adult members had survived.

Based on PG’s reading, no one who made it through the first winter could have thought of themselves as among the privileged classes. He suspects a great many fervently wished they had never made the voyage. Even in the spring, their lives were miserable.

The colonists would have been much more likely to have died absent the miraculous appearance of Tisquantum, or Squanto, an English-speaking Native American. Squanto was a member of the Pawtuxet tribe who had been captured and enslaved by an earlier English explorer prior to his escape.

Unfortunately, the Pawtuxet tribe and other tribes were not immune to either leptospirosis or other European illnesses circulating among the settlers. These illnesses caused a great loss of life (almost certainly in much greater numbers than Mayflower passenger deaths) among the Native Americans in Massachusetts and adjoining areas. These large numbers of Native American deaths opened up a lot of vacant land for use by the Plymouth colonists and those who followed.

For those who may wish to assign blame for these deaths to the English settlers and crew, no one in Europe, let alone the Mayflower passengers, had any idea about the sources and causes of these types of illnesses. Evidence that microorganisms could cause disease wouldn’t be discovered until more than 250 years later. (Robert Koch, Nobel Prize for Physiology or Medicine, 1905)

That said, European diseases were invisible allies of a lot of different European explorers by decimating various Native American tribes. See, for example, Hernán Cortés and 500 Spanish soldiers. They managed to conquer the Aztec capitol, Tenochtitlan, estimated population, 200,000, in 1521. Tenochtitlan ruled an empire estimated to include 16 million people. By far the most important weapon was one about which Cortés knew nothing – smallpox.

PG remembers that some wealthy New England families cited their ancestors who arrived on the Mayflower as evidence of high breeding. Perhaps this belief still circulates in some circles, but both the Pilgrims (a minority) and non-Pilgrims were nobody’s idea of aristocrats in their own minds or in the minds of anyone in England who was aware of their existence.

Both PG and Mrs. PG have Mayflower ancestors. However, while we have enjoyed learning about them, neither of us feel more elevated by them than we do by the illiterate Swedes (PG) and the illiterate and impoverished Russians (Mrs. PG) who arrived in the United states in the late 1800’s/early 1900’s.

Further regarding Mayflower descendant’s superior breeding, it’s estimated that about one in seven Americans living today are descendants of those who arrived on the Mayflower.

PG’s suggestion (for any who may be interested) is to celebrate and be grateful for your progenitors, regardless of how humble or grand they may be.

It may help to know that however grand some of your ancestors may seem, the nature of family trees is that the number of ancestors doubles with each generation one traces back. There aren’t enough kings, queens, dukes or duchesses to fill anyone’s family tree. (And that’s not even considering the number of your ancestors who were illegitimate children.)

Trump Is a Godsend for Book Publishers. He’s Also a Nightmare.

From Intelligencer:

The past six months have been good to the book-publishing industry. Book sales, helped along by pandemic-induced lockdowns, are up. Adult-fiction sales have risen 30 percent year over year. And most of all, Trump hasn’t been in office. “Postelection, there’s been a breath of Thank God, we don’t have to do Trump books anymore,” one editor told me.

The lull has come to an end. After a brief reprieve from the dishy ticktocks that emerged from the turbulence of the Trump era, publishers are gearing up for a flurry of books detailing the final days and aftermath of his presidency. The Wall Street Journal reporter Michael C. Bender’s Frankly, We Did Win This Election and Michael Wolff’s third Trump book, Landslide, kicked things off on July 13. A week after that came Carol Leonnig and Philip Rucker’s second Trump book, I Alone Can Fix It. In the coming months, we will see volumes by the Washington Post’s Bob Woodward and Robert Costa, ABC’s Jonathan Karl, The New Yorker’s Susan Glasser and the New York Times’ Peter Baker, the Times’ Jonathan Martin and Alex Burns, the Times’ Jeremy W. Peters, the Times’ Maggie Haberman, and the Washington Examiner’s David M. Drucker.

Most of the publishing insiders I spoke to responded to the coming wave of Trump books with an audible sigh and an eye roll. “After the first few, all of these books seemed repetitive,” the editor said. “At a certain point, you had to wonder — do readers really care about some absurd thing some aide heard Trump say? I’m skeptical about this current crop of books, but my skepticism has been proven wrong again and again.”

Publishers were initially slow to capitalize on the chaos of the Trump era. When the journalist David Cay Johnston pitched a book about Trump in 2015, he was met with silence from big publishers. (He did end up selling the book, which was released in 2016.) At first, no one thought Trump would get the Republican nomination, then no one thought he would win the presidency. Books take months, if not years, to produce — by the time Trump volumes started rolling off the presses, the thinking went, he would be back hosting The Apprentice.

The Trump boom didn’t really begin until January 2018, when Wolff’s Fire and Fury set the template for future blockbusters: full of juicy detail, mired in the swamp. Above all, it made Trump mad. Thanks in part to a pathetic cease-and-desist letter sent by the president’s lawyers, the book was an instant megaseller and inaugurated the industry’s version of a gold rush.

Success followed a predictable pattern. Excerpts and scoops would be published in tip sheets, newspapers, and magazines. Trump would respond by calling the author a hack and a liar. Sales shot upward before falling just as quickly. Fire and Fury sold nearly 2 million copies in three weeks before it faded from the headlines. Its paperback edition sold fewer than 10,000.

For people with #resistance in their bio, hitting BUY NOW was irresistible.

. . . .

The Trump boom also had career repercussions. “These last few years, if you weren’t working on the big Trump book, you’re under the radar,” one senior Simon & Schuster publicist told me.

. . . .

 For editors of fiction and “serious” nonfiction, the past few years were a nightmare. “There was a sense that people had spent their entire careers knowing how to publish serious, important books by serious, important people, and they were getting blown out of the water by trashy, [*****] tell-alls,” said the former marketing director.

It doesn’t help morale that readers don’t particularly seem to care either. “People approached these books like merch,” said literary agent Kate McKean. “We all buy books we intend to read but don’t — it’s not that the content doesn’t matter, but people buy them the way they buy a shirt, a hat, a sticker.”

“Many of these political books are bought to express support and opposition to something,” said Matt Latimer, founder of the literary agency Javelin, “to make you feel like you’re doing something. And you are! Many of the books that were published did upset the president.”

. . . .

Now, we’re entering what one Penguin Random House publicist calls the “Downfall stage” of Trump’s presidency, referring to the film. “It’s the same people who read books about Hitler’s last days,” the publicist said. “It’s victory porn.”

Link to the rest at Intelligencer

Point 1 – PG thinks this may be the first post on TPVx that has mentioned the former president, but he’s still a little Covid-crazy, so he may be wrong.

Point 2 – TPVx has not, is not and will never be a political blog, so this is not a signal of any new direction.

Point 3 – Regardless of how they voted in any presidential election, PG suspects that great hordes of Americans would not mind the prospect of never seeing Mr. Trump’s name in the newspapers (are there any actual newspapers left?) or anywhere else unless he’s building another apartment tower, in which case, they could breeze on by the story if they weren’t real estate professionals.

Point 4 – PG doesn’t expect to see the scenario described in Point 3 happen very often. Trump sells newspapers (or used to) and he attracts online clicks like Wolfgang Puck or a Las Vegas stripper’s latest blog post. After all, PG clicked on the link to the OP.

The bottom line is that stories about Trump sell as the number of books about Trump listed in the OP and the quotes therein confirm.

Point 5 – The next time anyone associated with the New York Publishing scene mentions that they and/or their employer are curators of culture, mention Trump books. (PG just checked and two out of the top-ten non-fiction bestsellers are about Trump. Those two are published by Penguin and Henry Holt, owned by Macmillan, each a giant curator of culture.)

The Mournfulness of Cities

EDWARD HOPPER, HOTEL WINDOW, 1955, OIL ON CANVAS, 40 X 55″. PUBLIC DOMAIN, VIA WIKIMEDIA COMMONS

From The Paris Review:

I am puzzled by the mournfulness of cities. I suppose I mean American cities mostly—dense and vertical and relatively sudden. All piled up in fullest possible distinction from surroundings, from our flat and grassy origins, the migratory blur from which the self, itself, would seem to have emerged into the emptiness, the kindergarten-landscape gap between the earth and sky. I’m puzzled, especially, by what seems to me the ease of it, the automatic, fundamental, even corny quality of mournfulness in cities, so built into us, so preadapted for somehow, that even camped out there on the savannah, long before we dreamed of cities, I imagine we should probably have had a premonition, dreamed the sound of lonely saxophones on fire escapes. What’s mourned is hard to say. Not that the mourner needs to know. It seems so basic. One refers to certain Edward Hopper paintings—people gazing out of windows right at sunset or late at night. They’ve no idea. I don’t suppose that sort of gaze is even possible except within the city. You can hear the lonely saxophone-on-fire-escape (in principle, the instrument may vary) cry through Gershwin. Aaron Copland. You remember Sonny Rollins on the bridge (the structure varies, too, of course). So what in the world is that about? That there should be a characteristic thread of melody, a certain sort of mood to sound its way through all that lofty, sooty jumble to convey so clear and, as it seems, eternal a sense of loss and resignation. How in the world do you get “eternal” out of “saxophone” and “fire escape”? It doesn’t make much sense. That it should get to you—to me at least—more sharply, deeply, sadly than the ancient, naturally mournful, not to say eternal, sound of breath through reed or bamboo flute.

Not too many years ago, as I began to wonder about the mournfulness of cities—its expression in this way—I brought a recording of Aaron Copland’s Quiet City concert piece to my then-girlfriend Nancy’s house on a chilly winter evening. She had friends or family staying, so we slept in the front bedroom, which, because of its exposure or some problem with the heater, was quite cold. So I remember all the quilts and blankets and huddling up together as if desperate in some Lower East Side tenement and listening to this music break our hearts about ourselves, our struggling immigrant immersion and confusion in this terrible complexity. The lonely verticality of life. And why should sadness sound so sweet? I guess the sweetness is the resignation part.

I’d like to set up an experiment to chart the sadness—try to find out where it comes from, where it goes—to trace it, in that melody (whichever variation) as it threads across Manhattan from the Lower East Side straight across the river, more or less west, into the suburbs of New Jersey and whatever lies beyond. This would require, I’m guessing, maybe a hundred saxophonists stationed along the route on tops of buildings, water towers, farther out on people’s porches (with permission), empty parking lots, at intervals determined by the limits of their mutual audibility under variable conditions in the middle of the night, so each would strain a bit to pick it up and pass it on in step until they’re going all at once and all strung out along this fraying thread of melody for hours, with relievers in reserve. There’s bound to be some drifting in and out of phase, attenuation of the tempo, of the sadness for that matter, of the waveform, what I think of as the waveform of the whole thing as it comes across the river losing amplitude and sharpness, rounding, flattening, and diffusing into neighborhoods where maybe it just sort of washes over people staying up to hear it or, awakened, wondering what is that out there so faint and faintly echoed, faintly sad but not so sad that you can’t close your eyes again and drift right back to sleep.

It isn’t possible to hear it all at once. You have to track the propagation. All those saxophones receiving and repeating and coordinating, maybe, for an interval or two before the melody escapes itself to separate into these brief, discrete, coherent moments out of sync with one another, coming and going, reconnecting, fading out and in again along the line in ways that someone from an upper-story window at a distance might be able to appreciate, able to pick up, who knows, ten or twenty instruments way out there faintly gathering, shifting in and out of phase along a one- or two-mile stretch. And I imagine it would be all up and down like that—that long, sad train of thought disintegrating, recomposing here and there all night in waves and waves of waves until the players, one by one, begin to give it up toward dawn like crickets gradually flickering out.

In order to chart the whole thing as intended, though, we will need a car, someone to drive it slowly along the route with the windows down while someone else—me, I suppose—deflects a pen along some sort of moving scroll, perhaps a foot wide and a hundred feet long, that has been prepared with a single complex line of reference along the top, a kind of open silhouette, a structural cross section through the route, with key points noted, from the seismic verticalities of Manhattan through the quieter inflections of New Jersey and those ancient tract-house neighborhoods and finally going flat (as I imagine, having no idea what’s out there) into what? Savannah, maybe? Or some open field with the final saxophonist all alone out there in the grass.

Link to the rest at The Paris Review

PG’s in a distinctly contrary mood today. The title of the OP, The Mournfulness of Cities (which the first line narrowed to American cities) suggests sadness is embedded in their general character.

Then, the rest of the OP talks about New York City and New Jersey.

You got cold one night in Manhattan? Try Minneapolis in January!

Minnesota dogs stick to the sidewalks in January.

People plug in their gasoline-powered cars so electric engine block heaters will help to make sure their engines aren’t a solid block of frozen metal in the morning.

Minneapolis people go to Manhattan in January to warm up.

(I’m not forgetting you in January, Winnipeg. I know you go to Minneapolis to work on your tans when the Minneapolis people are all in Manhattan and hotel rooms are really cheap.)

Setting aside the weather, what about all of the other cities – Chicago, Denver, San Diego? All the same as Manhattan?

Au contraire tu es fou!!

PG has spent a lot of time in New York City, lived in Chicago, and spent lots and lots of time in many other large American cities.

He has to work hard to identify a city that is truly mournful. The only one that comes immediately to mind is Gary, Indiana. PG hasn’t been back to Gary for a long time, but it was pretty mournful when he last passed through.

You can certainly be downcast anywhere, including New York City, but PG’s memories of Manhattan (he’ll not speak to the Bronx) are filled with how much energy he picked up walking down the streets at all hours of the day and night.

He named Chicago (terrific city!), Denver and San Diego, but could have named dozens more that have an upbeat, unique vibe that isn’t really replicated anywhere else.

Outside the United States, he loves London and Paris. Oxford feels like he was born in one of the colleges. If heaven looks anything like Florence, PG can’t wait to get there. No mournfulness in Florence for PG.

Contrary and upbeat! That’s PG for the next ten minutes, maybe more!

Political Science Has Its Own Lab Leaks

From Foreign Policy:

The idea of a lab leak has gone, well, viral. As a political scientist, I cannot assess whether the evidence shows that COVID-19 emerged naturally or from laboratory procedures (although many experts strenuously disagree). Yet as a political scientist, I do think that my discipline can learn something from thinking seriously about our own “lab leaks” and the damage they could cause.

A political science lab leak might seem as much of a punchline as the concept of a mad social scientist. Nevertheless, the notion that scholarly ideas and findings can escape the nuanced, cautious world of the academic seminar and transform into new forms, even becoming threats, becomes more of a compelling metaphor if you think of academics as professional crafters of ideas intended to survive in a hostile environment. Given the importance of what we study, from nuclear war to international economics to democratization and genocide, the escape of a faulty idea could have—and has had—dangerous consequences for the world.

Academic settings provide an evolutionarily challenging environment in which ideas adapt to survive. The process of developing and testing academic theories provides metaphorical gain-of-function accelerations of these dynamics. To survive peer review, an idea has to be extremely lucky or, more likely, crafted to evade the antibodies of academia (reviewers’ objections). By that point, an idea is either so clunky it cannot survive on its own—or it is optimized to thrive in a less hostile environment.

Think tanks and magazines like the Atlantic (or Foreign Policy) serve as metaphorical wet markets where wild ideas are introduced into new and vulnerable populations. Although some authors lament a putative decline of social science’s influence, the spread of formerly academic ideas like intersectionality and the use of quantitative social science to reshape electioneering suggest that ideas not only move from the academy but can flourish once transplanted. This is hardly new: Terms from disciplines including psychoanalysis (“ego”), evolution (“survival of the fittest”), and economics (the “free market” and Marxism both) have escaped from the confines of academic work before.

The “clash of civilizations” hypothesis is a good candidate for one of the more disruptive lab leaks in political science’s history. When the Harvard University scholar Samuel P. Huntington released his article “The Clash of Civilizations?” (note the question mark, which disappeared in later versions) in Foreign Affairs in 1993, he spread a bold and simple hypothesis about the course of the post-Cold War world: “The great divisions among humankind and the dominating source of conflict will be cultural. … The clash of civilizations will dominate global politics. The fault lines between civilizations will be the battle lines of the future.”

Huntington’s thesis was not a conjecture based on careful empirical study—it was a speculation looking forward based on some cherry-picked contemporaneous examples. Many academic articles that sought to rebut Huntington by testing his hypothesis fell into this trap, attempting to show him wrong with sometimes quite impressive tests. But Huntington could not be disproved by mere facts. His idea was primed to thrive in the wild, free from the confines of empirical reality.

Facts, indeed, often appeared secondary to Huntington’s larger political project. In his follow-up book on the subject, The Clash of Civilizations and the Remaking of World Order, he illustrated his argument by sketching what he considered a plausible scenario: a Sino-U.S. conflict over Vietnam leading to a racialized third world war that ends with the destruction of Europe and the United States while India attempts to “reshape the world along Hindu lines.”

This writing led not to Huntington being ostracized but enhanced his reputation, especially after the 9/11 terrorist attacks made his claim that “Islam has bloody borders” seem plausible to mainstream audiences. As late as 2011, the New York Times columnist David Brooks praised Huntington as “one of America’s greatest political scientists”—and even though that column ultimately judged Huntington as having gotten the “clash” hypothesis wrong, it did so with kid gloves: “I write all this not to denigrate the great Huntington. He may still be proved right.”

Another contender is the idea of managing great-power competition through game theory. During the 1950s and 1960s, political scientists and their counterparts in economics and elsewhere sought to understand the Cold War by using then-novel tools of game theory to model relations between the United States and the Soviet Union. In their earliest forms, these attempts reduced the negotiations and confrontations between the two sides to simple matrices of outcomes and strategies with names like the Prisoner’s Dilemma, Chicken, and the Stag Hunt.

The allure was obvious. Make some simplifying assumptions about what the players in these games want; specify the strategies they can employ to achieve them; assume that players know what the other players know; and calculate that they will choose their strategy based on the choice the other player will make to maximize their well-being. Voilà—a science of strategy.

It is easy to mock this approach—too easy, in fact. These simple assumptions perform pretty well within their theoretical boundaries. Every semester (when the world isn’t in a pandemic), I use in-person simulations of these basic games with my undergraduate students to show that changing the rules of the game can influence players’ willingness to cooperate, a finding well attested in generations of scholarly tests.

Yet there’s a huge leap in jumping from these general, aggregate findings to believing that such simple ideas can guide the behavior of complex states without an incredible amount of additional refinement. In international relations, the specific strategies that can be employed are vast (and new ones can be invented), the stakes of every contest are unknowable, actors have incentives to hide what they know from others, and, perhaps most important, players interact again and again and again. Even when playing the Prisoner’s Dilemma, a game concocted to make cooperation a fool’s strategy, simply changing from playing a game once to playing it repeatedly can make cooperation an equilibrium.

Nevertheless, the general tendency of a certain influential sect of social science was to embrace the idea that game theory (to be fair, in somewhat more sophisticated terms) could provide not only insights into general features of world affairs but specific foreign-policy recommendations to guide the United States through the Cold War. In influential books like The Strategy of Conflict and Arms and Influence, the game theorist Thomas Schelling used those tools to make the Cold War seem easy to manage—an interaction in which cool head, logic, and a steely command of risk could make confrontations from the Taiwan Strait to the Berlin Wall explicable and winnable.

All of this would have been harmless if these ideas had stayed inside the lab.

Link to the rest at Foreign Policy

Exhibit #MXWT-94837 in support of the proposition that smart people are perfectly capable of believing and doing really dumb things.

Some might argue that the conceit of thinking one is really smart will likely lead to doing more dumb things on a far grander scale than than will occur in the life of someone who is reasonably intelligent and believes her/himself to be reasonably intelligent. The second person will, of course, make mistakes, but, not extraordinarily large and incredibly stupid mistakes.

Which brings us to Hubris and Nemesis

From Greek Mythology:

Nemesis was the goddess of divine retribution and revenge, who would show her wrath to any human being that would commit hubris, i.e. arrogance before the gods. She was considered a remorseless goddess.

. . . .

One myth concerning Nemesis is that of Narcissus. He was a young man who was very arrogant and disdained those who loved him. Nemesis led him to a pool, where he saw his reflection and fell in love with it. Unable to abandon his reflection, he died there.

Link to the rest at Greek Mythology

Examples of Hubris:

The Fall of Icarus

The story of Icarus was first written down in the first century AD in the Pseudo-Apollodorus, but the tale has a much older oral tradition. In the story, Icarus’s father made him a pair of wax wings and cautioned him not to fly too high with them. Becoming overconfident, Icarus flew as high as he wanted. The sun melted his wings, and he fell to his death.

Oedipus Rex by Sophocles

Oedipus Rex is a play by Sophocles, which was first performed about 429 BC. In this play, Kind Oedipus defies the gods’ prophecy that he will kill his father and murder his mother. Attempting to control and evade his own fate, he kills an old man who turns out to be his father. Later he marries the queen of Thebes, who turns out to be his mother. His attempt to defy the gods was considered hubris.

. . . .

The Canterbury Tales by Geoffrey Chaucer

In The Canterbury Tales, Geoffrey Chaucer offers another example of hubris. Written in the late 1300s AD, it includes the character of Chaunticleer, a rich and educated rooster. His pride in his wealth and accomplishments leads him to lose track of what is real, and he is easily duped by a fox that flatters his vocal ability. The fox eats him.

. . . .

Doctor Faustus by Christopher Marlowe

Written in the late 16th century, Doctor Faustus tells the story of a man who is so proud of his own academic accomplishments and intelligence that he sells his soul to the Devil for more knowledge and academic superiority. He receives eternal damnation as a result.

Link to the rest at Your Dictionary

From The Rand Corporation:

[The Hubris-Nemesis] complex involves a combination of hubris (a pretension toward an arrogant form of godliness) and nemesis (a vengeful desire to confront, defeat, humiliate, and punish an adversary, especially one that can be accused of hubris). The combination has strange dynamics that may lead to destructive, high-risk behavior. Attempts to deter, compel, or negotiate with a leader who has a hubris-nemesis complex can be ineffectual or even disastrously counterproductive when those attempts are based on concepts better suited to dealing with more normal leaders.

Link to the rest at The Rand Corporation

What Authors Have Found in Substack

From Publishers Weekly:

When I first moved to California, it was a dream come true: an office right on the beach in Santa Monica in January. At break time, I ran out onto the sand to the water’s edge and stared in awe at the surf, the sun, and the people playing at the edge of the world. My colleagues chuckled and made comments along the lines of, “You must be new.”

I soon learned that the company I had joined, like so many others, was a bit of a way station for many of its employees. “What do you do?” I’d ask, to replies of, “Oh, I’m an actor,” or, “I write for TV,” or, “I do stand-up comedy.” Not a week went by without someone asking me for some time off to rush to an audition. It seemed LAX was overrun with arrivals dreaming the same dream. Nowhere did I see this more than in the restaurant scene, from Geoffrey’s in Malibu to Ivy at the Shore in Santa Monica or Eveleigh’s on the Sunset Strip: everyone working the tables was an actor or writer or artist of some form.

Fast-forward to present-day Silicon Valley, land of a different dream. As venture capitalist Mark Suster recently put it, “The culture is driven by the 20-something irreverent founder with huge technical chops who in a David-versus-Goliath mythology takes on the titans of industry and wins.” The airports here disgorge a stream of would-be entrepreneurs who dream of creating the next unicorn, or billion-dollar startup. And, just like in Hollywood, reality hits soon and hits hard, with many making ends meet through side gigs in the euphemistically named gig economy, be it via DoorDash, Instacart, Lyft, Uber, or other such services.

What is a self-respecting aspirational author to do in such a world—one turned upside down by the Covid-19 pandemic? It takes time—an enormous amount of time—to write. It’s not trivial to be an ersatz taxi or delivery driver and write competently at the same time.

Yet most authors know it doesn’t pay much to write. Not all things beautiful, whether writing a book or painting or raising a child, are rewarded financially. The rewards are in the doing and in what the author or the painter or the parent brings to the world around them. Enter a new option: the paid subscription newsletter, the best-known version being Substack.

Originally designed to address the crisis in journalism, wherein the ad-supported business model evaporated like the morning dew and the incremental value of professionally written content drifted down to near nothing, paid newsletters give journalists a chance to be compensated directly for their hard work. Many of these writers were recently let go from their media houses. Others, with strong personal brands, believe they can be paid better as independents in control of their own work. A grand experiment is underway, with traditional media outlets like the New Yorker and the New York Times decrying the unravelling of the fifth estate. Look closer at what is actually happening and you’ll see something else—something that looks very familiar to the waiters in L.A. and the Uber drivers in Silicon Valley. For many writers on Substack and similar platforms, writing a paid subscription newsletter is the new side gig.

Take my example. Having published one book on strategy, I was looking for a way to write the next one. I had so much material and needed time, lots of time: time that was flexible enough to allow me to juggle the responsibilities of raising little children and of contributing to paying the bills, all under pandemic lockdown. Every little bit helps, and being paid while writing makes my dream of publishing the next book that much more of a reality. Or the example of JJ Ding, author of the ChinAI newsletter, who juggles graduate studies with corralling a community of dedicated English-Mandarin translators to make the world of AI research underway in China better understood outside the country, reducing the fear and mistrust between China and the U.S.

Or there’s the example of Animatou Sow, author of the Crème de la Crème newsletter, who juggles writing books, posting Instagram stories, and hosting podcasts, which all feature her incisive cultural commentary, such as, “Books are the answer to rampant 21st-century charlatanism.”

Link to the rest at Publishers Weekly

PG was generally familiar with Substack prior to reading the OP, but is interested to hear from those more knowledgeable about whether writing a paid subscription newsletter on Substack actually generates much money for most people (excluding extreme outliers).

How to turn down the noise that mars our decision-making

From The Washington Post:

A friend of mine was suffering such severe back pain that it was difficult for him to walk or stand. He consulted three doctors about the best course of treatment. The first was adamant that he needed surgery right away. The second advised my friend that he didn’t need surgery and that if he continued physical therapy, his condition would improve gradually over the coming months. The third prescribed strong steroids and recommended that, if his condition didn’t improve in a month, then he should have surgery. My friend followed the third doctor’s guidance, and it seems to be working. But he was mighty upset and confused by all those clashing perspectives. And he is still unsure whether that third doctor’s approach is the right one.

This undesirable variability in professional judgment is an example of noise, the ubiquitous and often-ignored human failing that is the focus of this well-researched, convincing and practical book. “Noise: A Flaw in Human Judgment” was written by the all-star team of psychologist and Nobel Prize winner Daniel Kahneman, former McKinsey partner and management professor Olivier Sibony, and productive legal scholar and behavioral economist Cass Sunstein. Kahneman won the Nobel Memorial Prize in Economic Sciences for his pathbreaking work with Amos Tversky on systematic biases in judgment. It prompted armies of psychologists and behavioral economists (including Sibony and Sunstein) to study the causes and remedies for many such faults, including overconfidence, stereotyping and confirmation bias — or seeking, remembering and placing excessive weight on information that supports our beliefs.

The authors kick things off by distinguishing between bias (systematic deviations) and noise (random scatter). The book then sustains a relentless focus on explaining and documenting the wallop packed by the simple and omnipresent error of noise — and what decision-makers can do about it. It blends stories, studies and statistics to make a compelling case that noise does at least as much damage as bias: undermining fairness and justice, wasting time and money, and damaging physical and mental health.

Kahneman and his colleagues show how unwanted variation in judgments (evaluations) and decisions (choices) creates “noisy systems” — which plague professionals including criminal judges, insurance underwriters, forensic scientists, futurists and physicians, who routinely make wildly varied judgments and decisions about similar cases. Systems are noisy, in part, because different professionals apply different standards. There is disturbing evidence, for example, that when multiple physicians evaluated identical cases for evidence of heart disease, tuberculosis, endometriosis, skin cancer and breast cancer, they agreed on diagnoses only about two-thirds of the time. In such noisy systems, errors add up rather than cancel each other out. As the authors put it, “If two felons who both should be sentenced to five years in prison receive sentences of three and seven years, justice has not, on average, been done.”

Systems are also noisy because, over time, the same professionals apply inconsistent standards. To illustrate, a study of 22 physicians who each examined the same 13 angiograms two times, several months apart, found that they disagreed with themselves between 63 percent and 92 percent of the time. To explain such swings, the authors use research on “occasion noise”: Fluctuations in a person’s mood, fatigue, physical environment and prior performance that are (objectively) irrelevant, yet shape judgments. Like the study titled “Clouds Make Nerds Look Good,” which examined 682 actual decisions by college admissions officers: They weighted applicants’ academic strengths more heavily on cloudier days and applicants’ nonacademic strengths more heavily on sunnier days.

Link to the rest at The Washington Post

PG will certainly second the notion of judges hearing criminal cases being subject to “noise” in the OP.
Search for “inconsistent sentencing” on Google. You will find that a great deal of research and scholarship devoted to studying why criminal defendants that are convicted of or plead guilty to seemingly similar crimes receive widely divergent sentences from judges who are acting under similar laws.

More severe sentences imposed on racial minorities than on white defendants are the hot button in this legal field. On average, racial minorities in a given jurisdiction receive harsher punishment than non-minorities for the same crimes.

However, female criminals of all races are treated much more leniently than male criminals of the same race who are convicted of the same crimes.

“In 2012 Sonja B. Starr from University of Michigan Law School found that, controlling for the crime, “men receive 63% longer sentences on average than women do,” and “[w]omen are…twice as likely to avoid incarceration if convicted”, also based on data from US federal court cases.” See SSRN

Having represented a judge in one case and a handful of attorneys in other cases in a past professional life, PG can assure you that going to law school or being elevated to the bench does not change a human into a machine.

Determining a suitable sentence for a criminal is anything but a precise process. There are zillions of factors that can come into play – far too many and far too subtle for any legislature to craft written legislation that addresses all of them.

Is the defendant remorseful or not? How remorseful or how not-remorseful? PG can attest that reading a defendant’s words as captured in a court transcript and watching and listening to the defendant as they speak is two different things.

Just as some people are better at fooling others when they are lying than other people, some people are better at conveying truthfulness than others, even when both tell the truth.

There are also different purposes for punishment. Simply punishing an individual for committing an evil deed is the most obvious. This is the simple application of the rule evil deeds must be penalized for fundamental justice in a society.

However, assuming that the defendant will be released from confinement at some future time, deterring that defendant from committing another crime is another purpose. Deterring other individuals from committing similar crimes is another purpose for punishment. Enforcing broad societal standards of behavior is another.

To take an extreme example, if everyone who exceeded the posted speed limit by five miles per hour or more were sent to prison for a minimum of 30 years, that would be quite a powerful deterrent. However, there is an inherent societal value that the punishment should fit the crime.

If our speeding driver received the same sentence as someone who killed another person with a knife, we would not feel that such a system was just and fair.

PG suggests that the “noise” described in the OP and what sounds like an interesting book is not the only reason why human judgment is complex to understand and assess fully.

The Howe Dynasty

From The Wall Street Journal:

On the hot afternoon of July 6, 1758, advance troops of a vast Anglo-American army probed through forest toward the French fortress of Ticonderoga, in what is now upstate New York. As skirmishing suddenly erupted, the woods crackled with gunfire. Casualties were minimal but momentous: Shot through the heart, and among the first to fall, was the army’s charismatic second-in-command, British Brig. Gen. George Augustus, Lord Howe.

Since arriving in America the previous summer, the dynamic and popular Lord Howe had galvanized hopes of reviving a flagging colonial war against the French. The calamity of his death was soon compounded by another: Two days later, the flustered Maj. Gen. James Abercromby authorized a frontal assault that was repulsed at a heavy cost in killed and wounded.

The loss of George Howe at age 33 was not simply a jarring setback in Britain’s struggle with France but a personal tragedy for the aristocratic family he headed. Back in England, his widowed mother, Charlotte, Lady Howe, led the official mourning. Despite her grief, she worked to ensure that the seat in Parliament left vacant by George’s sacrifice was filled by one of his surviving brothers rather than an outsider. It was an action that won widespread admiration, inviting comparisons with the stoical matrons of ancient Rome.

Yet as Julie Flavell reveals in “The Howe Dynasty,” it was just one example of the way in which extraordinary Howe women transcended their expected gender roles to enter spheres of influence dominated by men. Ms. Flavell, an independent scholar who specializes in British-American relations, traces the fortunes of Lady Howe and her extensive brood. Key characters include George’s younger brothers Richard and William, who likewise played prominent roles in Britain’s imperial conflicts, and their lesser-known—but no less remarkable—elder sister Caroline. During a long lifetime, Caroline Howe (1722-1814) was a dedicated correspondent, expressing opinions that not only provide a fresh perspective on her notoriously taciturn brothers but offer fascinating glimpses into the rarefied world of the English aristocracy.

Spanning almost a century of the Georgian era, “The Howe Dynasty” presents a richly detailed and lively saga of one of its most distinguished families. Challenging and insightful, it reflects impressive scholarship, grounded in exhaustive archival research on both sides of the Atlantic. An especially valuable source is the correspondence that Caroline Howe maintained over more than 50 years of friendship with Lady Georgiana Spencer, mother of the celebrated leader of fashion, Georgiana Cavendish, Duchess of Devonshire.

“The Howe Dynasty” shows how women whose supreme function in life was to produce male heirs could nonetheless find a voice through informal “networking,” establishing crucial contacts in the drawing room or on the hunting field that could be mobilized to secure favors and control opinion.

Charlotte von Kielmansegg was only 15 when she married Emanuel Scrope Howe, 2nd Viscount Howe, in 1719. At her husband’s death in 1735, Lady Howe had already borne him 10 children, eight of whom lived into adulthood. Her direction of family affairs was later aided by a redoubtable sister-in-law, Mary, Lady Pembroke. She dedicated herself to schooling Lady Charlotte and Caroline in the subtle arts of exercising influence at court and in the country. In Ms. Flavell’s assessment, mother and daughter alike became “apt pupils of their capable kinswoman.”

The Howes shared the same Hanoverian ancestry as their monarchs, and it was widely credited that Charlotte was the illegitimate offspring of King George I of Great Britain. Thanks to Lady Pembroke’s persistent lobbying, Charlotte became lady-in-waiting to Princess Augusta, the wife of Frederick, Prince of Wales. This was a vital conduit of patronage that proved pivotal for reviving the Howe fortunes. In her turn, Caroline established a rapport with the unconventional Princess Amelia—the aunt of George III—who shared her love of hunting, gossip and cards.

Link to the rest at The Wall Street Journal (PG apologizes for the paywall, but hasn’t figured out a way around it.)

Faustian Bargain

From The Wall Street Journal:

Adolf Hitler gets the blame for lighting the fuse of World War II, and for good reason. Yet Germany had a partner in Soviet Russia, not only during the infamous Hitler-Stalin Pact of 1939 but well before, starting with the Treaty of Rapallo in 1922. Without his enablers in Moscow, it’s hard to imagine that Hitler would have dared go to war against the rest of Europe.

In “Faustian Bargain” (Oxford, 384 pages, $29.95), Ian Ona Johnson shows how extensive Russia’s help was. He begins the story at the end of World War I, which had left the world with two pariah states: Germany because it had begun hostilities, Russia because the Bolshevik Revolution had transformed the country from a wartime ally to a postwar menace. Hardly had the ink dried on the punitive peace treaty signed at Versailles in June 1919 than the two pariahs joined forces.

As Mr. Johnson chronicles, Russia offered a place for the German army to develop weapons and train men in violation of the treaty that its civilian government had just signed. In return, Russia would learn how to modernize the Red Army, huge in size but badly trained and poorly equipped. The agreement was formalized at Rapallo, Italy. “Poland must and will be wiped off the map,” wrote Gen. Hans von Seeckt, the man who established Sondergruppe Russland (Special Group Russia), the bureau that would manage military relations between Germany and Russia. Seeckt was referring, of course, to the country that Versailles had resurrected between them. (Poland had been divided between Germany, Russia and the now-vanished Austro-Hungarian Empire.) “It was not an unfair peace that motivated Seeckt and his fellow officers,” Mr. Johnson writes. “It was the far more ambitious aim of reversing Germany’s defeat in the First World War.”

Mr. Johnson, who teaches military history at Notre Dame, draws on American, British, German, Polish and Russian archives to describe a “secret school of war.” The resulting book has an academic flavor, but it’s consistently interesting and spiced by the occasional scandal, including one in which a German naval officer brings his Russian girlfriend home to Germany, supporting her through a movie studio he purchased with government money, planning to use it for military propaganda. When the studio goes bankrupt, damning details emerge, triggering high-level resignations and bringing to light “the breadth of Germany’s commitment to rearm.”

In the 1920s, without troubling the civilian government in Berlin, the Reichswehr (German defense force) set up a ring of bases south and east of Moscow. German companies like Junkers and Krupp contracted directly with the Soviet government to manufacture warplanes in Russia, deliver coveted German-built locomotives and train Red Army technicians. Versailles had banned all offensive weapons, but the “Black Reichswehr” in Russia included warplanes, battle tanks and poison gas. Russia, for its part, learned alongside the Germans. Stalin was so interested in Krupp’s tank designer Eduard Grotte that he ordered that the man be kept in Russia by “all measures up to arrest.”

It’s chilling to learn how much time and money Germany and Russia devoted to chemical warfare, hoping to develop gas bombs to be dropped from high altitude upon enemy cities. In the end, the effort failed. “The vision of cities obliterated by mustard gas was fading,” Mr. Johnson says of the situation in 1931, “with a war of machines—tanks and planes—rising in its place.”

Armored warfare seems to have been the most successful collaboration. The Reichswehr developed the doctrine: Heavy tanks with large guns were more valuable than speedy vehicles; they should be deployed in mass and accompanied by motorized infantry. Companies in Germany built the prototype Panzers, as they were called, and shipped them to Russia disguised as farm tractors.

. . . .

When Hitler became Germany’s chancellor in 1933, his obsession with “Jewish Bolshevism” cooled the relationship with Moscow. Nor did he worry about adhering to the terms of Versailles. The official and “black” Reichswehrs merged into the wartime Wehrmacht, with conscription supporting a huge army with modern tanks and a fully fledged air force, all made possible by Soviet Russia.

Cooperation between the two countries began again in August 1939, when Hitler and Stalin agreed to a “nonaggression pact.” The Germans invaded Poland on Sept. 1, the Russians on the 17th, and the two armies met at Brest-Litovsk on the 22nd.

. . . .

Meanwhile, German machinery, weapons and technology flowed east, and Russian oil, grain and raw materials helped equip and feed the Wehrmacht that occupied most of Western Europe in 1940. More quietly, the Soviet Union absorbed half of Poland, the Baltic countries, and strategic pieces of Romania and Finland. The mutual exchange continued until the Sunday morning in June 1941 when Germany crashed into the Soviet Union. “Invading German forces,” Mr. Johnson tells us, “marched on rubber boots made with materiel shipped over the Trans-Siberian Railroad. Their rations included Soviet grain, which had continued to arrive up to the very day of the invasion.”

Link to the rest at The Wall Street Journal (PG apologizes for the paywall, but hasn’t figured out a way around it.)

PG has read a great deal of 20th century history, but the OP was the first time he had learned that extensive cooperation between Germany and Russia began in 1922 instead of 1939.

PG notes that the publisher of the book discussed in the OP, Oxford University Press, has elected to release the book in hardcover only, at least for the moment. PG may or may not check back later to see if an ebook is available or, more likely, put a hold on the book through his public library.

The author of the book, Ian Ona Johnson, is a an Assistant Professor of Military History at the University of Notre Dame who looks very young (which is a more revealing statement about PG than it is about Dr. Johnson). His author page does mention that he and his wife are the owners of a dog named Patton.

Speaking of his local public library, several years ago, PG and Mrs. PG culled their physical book collection to the tune of at least a couple of thousand books by donating them to that library. The librarian who accepted the donation glanced at the books and told PG that the library was likely to keep some of them instead of selling all of them off. Evidently, that was a compliment that the librarian did not customarily deliver when accepting book donations.

PG just checked and he still has nine oak bookcases (6 feet tall, except for one that is 7 feet tall, made to fit in a niche in a gone-but-not-forgotten law office and a bit tippy if not secured to the wall behind it, made by a former client of PG who owned a furniture factory in exchange for PG’s legal services).

Each of these bookcases is filled with physical books that will also make a trip to the local public library with the help of a couple of burly young men as and when Mrs. PG is willing to let them go.

Is the Pirate Queen of Scientific Publishing in Real Trouble This Time?

From The Chronicle of Higher Education:

It’s been a rough few months for Sci-Hub, the beloved outlaw repository of scientific papers. In January its Twitter account, which had more than 180,000 followers, was permanently suspended. In response to a lawsuit brought by publishers, new papers aren’t being added to its library. The website is blocked in a dozen countries, including Austria, Britain, and France. There are rumors of an FBI investigation.

And yet Alexandra Elbakyan, the 32-year-old graduate student who founded the site in 2011, seems more or less unfazed. I spoke with her recently via Zoom with the assistance of a Russian translator. Elbakyan, who is originally from Kazakhstan, has a bachelor’s degree in computer science and coded Sci-Hub herself. She lives in Moscow now and is studying philosophy at the Russian Academy of Sciences. Back when she started the site, which offers access to north of 85 million papers, she didn’t expect to be fending off lawsuits and dodging investigations a decade on.

“I thought Sci-Hub would become legal in a couple of years,” she said. “When the laws are obviously in the way of scientific development, they should be canceled.”

. . . .

It hasn’t been that simple. In 2017 a New York judge awarded Elsevier, the multibillion-dollar publishing company behind more than 2,500 journals, a $15-million default judgment against Sci-Hub for copyright infringement. The same year, a Virginia judge awarded the American Chemical Society $4.8 million. (With Elbakyan overseas and Sci-Hub’s financial situation somewhat mysterious, neither publisher is likely to collect a dime.) Courts have repeatedly forced Elbakyan to switch domain names.

The latest lawsuit, filed in India by three academic publishers, including Elsevier, asks the High Court of Delhi to block access to Sci-Hub throughout the country. While the case is pending, the court has instructed Sci-Hub to stop uploading papers to its database. The order is not unusual; what’s surprising is that Elbakyan has complied. She has a history of ignoring legal rulings, and the Indian court has no power over Sci-Hub’s activities in other countries. So why has she chosen, at this moment, to give in?

One reason is that Elbakyan believes she has a shot at winning the case, and her odds might improve if she plays by the rules. “I want the Indian court to finally support free access to science,” she said. If that happened, it would mark a significant victory for Sci-Hub, with reverberations likely beyond India. Victory remains a longshot, but Elbakyan thinks it’s worth the hassle and expense. She didn’t even bother to contest the two lawsuits in the United States.

In coverage of Sci-Hub over the years, Elbakyan is usually cast as an idealistic young programmer standing up to publishers who resell science at a steep markup. There’s some truth to that. Elsevier brings in billions in large part by charging colleges and universities for bundled access to its journals. Those without subscriptions often pay $31.50 for access to a single article. For an independent researcher, or one who works at a small institution that can’t afford to sign a deal with Elsevier, the cost of merely scanning the literature is prohibitive.

And you could argue, as Elbakyan does, that the company’s paywalls have the potential to slow scientific progress. She’s not the only one: More than 18,000 researchers have signed on to a boycott of Elsevier journals because of its business practices.

The other option is to download a journal article’s PDF from Sci-Hub free. About a half-million people each day choose the latter.

Pirates and Publishers

So what’s wrong with using Sci-Hub? According to the publishers who brought the case in India, quite a bit. Pirate sites like Sci-Hub “threaten the integrity of the scientific record, and the safety of university and personal data,” a joint statement reads. It goes on to say that sites like Sci-Hub “have no incentive to ensure the accuracy of scientific articles, no incentive to ensure published papers meet ethical standards, and no incentive to retract or correct articles if issues arise.”

For the record, there’s little evidence that Sci-Hub is actually a threat to the scientific record. The papers on the site are the same papers you can download through official channels. It’s almost certainly true that articles that have been retracted or corrected remain up on Sci-Hub, but academic publishers themselves have a less-than-stellar record of policing and pruning the literature. Plenty of research that has failed to replicate, or should never have passed peer review in the first place, can be found in Elsevier’s archives.

The charge that Sci-Hub is a threat to personal data stems from Elbakyan’s practice of using, let us say, borrowed logins in order to download papers. That’s necessary because whenever publishers determine that a login is being used to download an unusual number of papers, they cut off access, forcing Elbakyan to constantly seek new logins. She’s done this for years and makes no secret of it. The publishers also allege that she uses “phishing attacks to illegally extract copyrighted journal articles.”

Elbakyan denies employing phishing attacks — that is, sending emails that trick people into revealing their login information — but allows that some of the accounts Sci-Hub has used might have been obtained with that technique. “I cannot check the exact source of the account that I receive by email,” she said. There’s no indication that Sci-Hub is using the logins for some other nefarious purpose.

Even so, courts have found that what Sci-Hub does isn’t legal. The question is whether, in the cause of sharing scientific information, her systematic ransacking of academic publishing is justified. In short, is Elbakyan doing more good than harm?

Link to the rest at The Chronicle of Higher Education

Disclosure: A very long time ago, PG spent an unhappy three years working for what is now called RELX , which is the owner of the Elsevier which is the focus of the OP. (Combine Dutch and English top executives and you can come up with some of the most stupid company names in the universe.)

The business in which Elsevier and related companies is massively profitable for the following reasons.

  1. Elsevier and its associated companies obtain valuable intellectual property at no cost.
  2. Elsevier, etc., obtain expert editing and review of valuable intellectual property at no cost.
  3. Elsevier, etc., employees perform the most mundane tasks involved in putting together this free material into printed and (reluctantly) electronic publications for which they charge research academic libraries obscene prices to receive printed copies and access electronic copies of this material.
  4. Libraries at academic research institutions (every major and most minor universities, colleges, schools of law, medicine, etc., plus research institutions, etc.) must have access to this information so their scholars can perform research for a variety of purposes, including, prominently, writing new articles to submit to the editors of Elsevier’s prestigious journals to be considered for publication.
  5. The engine that drives this entire boat is called (at least in the United States) publish or perish. If you wish to move from a lowly graduate student into the world of assistant professors, associage professors, full professors, deans, etc., and have your employment in such roles protected by tenure, you need to publish in the sorts of journals Elesevier owns. The exact same work published via KDP won’t do the job.

By PG’s potentially-blinkered lights, this sort of system is possible because the people paying for these journals and funding the writing and review of the journal articles are spending other people’s money.

There is no direct cost to the dean of a medical school who requires that any candidate for an assistant professorship at the medical school have published a lot of articles in respected medical journals published by Elsevier or similar publishers.

In PG’s mind, there is no reason that an entrepreneurial University president could not start a University publishing organization that operates in the same manner as Elsevier and others do. Harvard University has had its own press for a long time but, to the best of PG’s knowledge, has limited itself to publishing books, not periodicals, The Harvard Business Review, published by the Harvard School of Business, is an example of a prestigious journal published by a private university.

On the law school front, many law schools have published law reviews in which law professors seek to have scholarly publications published. Publications in law reviews satisfy the publish or perish obligations of law professors at a wide range of institutions. One cool feature for law schools is that quite a bit of work on the law reviews is performed by second and third-year law students who have performed well in law school. Indeed, being invited to become a member of the law review’s staff is an important résumé entry for a starting lawyer looking for a job.

Why can’t the medical school and the biology and chemistry and English departments do exactly the same thing? If the Stanford Medical School announced it would be starting a series of medical journals devoted to issues important to a variety of medical specialties and staffing it with the same sort of people Elsevier uses, Stanford publications would very quickly take their place at the top of the journal rankings and receive gobs of submissions from graduate students and professors elsewhere. Stanford could charge others for subscriptions to these publications and substantially burnish the medical school and the university’s already stellar reputation.

Yes, it would cost a university some money to start its own series of professional and scholarly journals, but such publications would allow a university to earn extremely large sums of money that its libraries and the libraries of other colleges and universities pay to Elsevier and its ilk.

Professors at colleges and universities would be happy to scratch each other’s backs by exchanging peer review services for colleagues at other institutions.

PG suspects that the reason that universities do not start these sorts of entrepreneurial ventures goes back to the Other People’s Money problem and a desire for a quiet life.

If others with to comment, criticize, expand, dismiss, etc., etc. PG’s thoughts on this subject, they should feel free to do so in the comments, in their own blogs (hopefully linking back to this post, but PG’s not going to sue anyone who quotes him with or without attribution plus ideas are not protected by copyright laws.)

The #OwnVoices Conundrum

From Publishers Weekly:

I was straight for part of my life. Most gay people were, at least when I was growing up. I kissed some boys and worried about finding a date to prom, all the while falling headlong for my friends who were girls. I thought everyone felt this way—at least until one of my crushes broke my heart so thoroughly that I had to reconsider my assumptions.

Then I read Fried Green Tomatoes at the Whistle Stop Café, and the scales fell from my eyes. Simply put, since I had never been exposed to an alternative, I had reversed the definitions of like and love in my mind. It was 1992 when I figured that out; I was 17, and I flipped through the card catalog at my local library in suburban Chicago, desperate to find books about me so I could wrap my brain around this change in circumstances and maybe figure out how to envision my own future.

In case you were wondering, the pickings at the Libertyville Public Library were slim.

Since then, there’s been a fairly miraculous change in the world around me—first in representation of the LGBT+ community on film and in print and then in authentic stories finding greater purchase in publishing through the #OwnVoices movement. What I love about #OwnVoices is that people are starting to catch up (admittedly, not without some backsliding) with the very true idea that minority stories of all different types are relevant to everyone. At their foundation, stories transport, educate, and cradle us. Storytelling has always been a critical part of being human, and diverse storytelling is a critical part of crafting a global society that works for everyone, not just a privileged few.

I believe there’s been wide benefit from the #OwnVoices movement—both for writers finding outlets for their work as well as for readers who now have a much richer selection of stories available to them. I find it interesting, then, that the We Need Diverse Books organization has decided to stop using the #OwnVoices term. In a recent blog post, WNDB says it sees #OwnVoices as having become a “ ‘catch all’ marketing term” and is moving to particularize (and personalize) authors more in its descriptions. Bitch Media also ran an extensive article about the problems with this approach to promoting diversity and authentic storytelling.

But have we, in our push for progress, fallen into an unexpected trap?

I’ve been resistant to categorization my entire life (which, believe me, has not been easy for my parents). I splash around in the deep end of gray areas and kind of love that I’ve left a long trail of confounded people in my wake. I’ve had a career in technology for a quarter century, very often as the only woman on my team. I wear men’s clothes, do most of the cooking in my house, have a well-used sewing machine that’s almost as old as I am, and, okay, I get man crushes sometimes. So, as much as I’ve appreciated (and benefited from) the #OwnVoices label, labels in general make me suspicious.

The beauty of fiction is that it has always gone beyond the lived experience of the author: that’s what research is for, what networks are for, and how sensitivity readers can help. I write literature that explores love, family, and friendship, and I’m committed to writing authentic characters with universal experiences. After a lifetime of living in a world that either wasn’t quite sure what to do with me or was downright hostile, I don’t want to be boxed in with my art. I also don’t want a stupid hashtag to provide cover for inauthentic, substandard writing acquired to fill quotas or facilitate marketing and sales.

I want diversity in storytelling to be celebrated and promoted no matter who is writing, which requires much more than a hashtag; it requires diversity within the ranks of people in power—the gatekeepers, the tastemakers. It requires us all to try hard to put ourselves into other people’s shoes and challenge ourselves to deeply understand and empathize with a variety of experiences. Frankly, it requires more (and more delicate and thoughtful) work than I suspect most people want to put in.

Publishing is a business, and business thrives on formula, efficiency, and succinct and compelling marketing. But publishing is also a conduit for art, which means that everyone in it, writers included, needs to be held to a higher, more exacting standard. There are important stories to tell—stories that can bring us together and illuminate dark corners.

Maybe #OwnVoices isn’t the best solution to this, but bringing diversity and authentic voices to a broader audience has never been an easy problem to solve, and I’ve learned to take what I can get without stopping my push for something better.

Link to the rest at Publishers Weekly

Winning Is Not Uncomplicated

From Public Books:

Louisa Thomas is a singular sportswriter. In her wide-ranging coverage of tennis, football, basketball, baseball, soccer, and more, statistics and scores are incidental. Instead, Thomas shows that the real sports stories are to be found elsewhere: in the intense psychological battles and interpersonal drama of tennis, the sociopolitical implications of underfunding women’s sports, the aesthetic pleasures of watching basketball players move through air, and the general joy of being triumphant.

Thomas never seems to take for granted that sports are intrinsically valuable, or even worthy of our attention. Somewhat paradoxically, it is this conscientious skepticism, evident in all her writing, that reveals how much there is to gain from immersing yourself in sports, whether as player or spectator. In a piece about how Simone Biles is the greatest athlete of all time, Thomas wrote, “There are certain irresolvable tensions within the ideals of sportsmanship: winning is the ultimate goal, but it isn’t everything; it’s all fun and games, but you better take your job seriously; be proud, but don’t show it. These unwritten rules have always been less kind to women than to men, who are typically given some leeway when it comes to embracing their greatness and making their names.”

To read Thomas is to join her on a quest to understand these irresolvable tensions and unwritten rules. She finds what remains ambiguous and complex and invites us to consider existential questions. Why do we watch sports? Why do we care so much about them? Should we? What, ultimately, are sports for? Her searching, elegant writing intimates that sports are not only important and beautiful, but also, more boldly, that they may be important because they are beautiful.

. . . .

Tara Menon (TM): Something that you do better than anybody, not just as a sportswriter but as a writer in general, is capture bodies in motion. The way you write about how Kim Clijsters moves on a tennis court is exemplary:

[She] would sprint for a ball in the corner, extend her leading leg as she began her backswing, and then slide. Her trailing leg would extend in the other direction, bringing her into a deep, sliding split. As she swept her right arm forward to make contact with the ball, her racquet following a simple, efficient path, her left hand would drop for balance. And then, after the shot, she would recover like a cat, using her tremendous strength and flexibility to pull her feet beneath her and accelerate toward the center of the court in one quick motion.

Another one that stands out for me is your description of Jamal Murray’s shot in game four of the NBA Western Conference finals in 2020: “As Murray went up to the rim, [LeBron] James leapt, right arm extended, a rising wall. And, midair, Murray shifted the ball to his left and then swung it under and behind James, finishing the layup with his right hand as he fell. It was a carbon copy of one of Michael Jordan’s most iconic shots—and it seemed to catch James’s attention.” Reading those sentences, I feel like I’m watching a slow-motion replay with stellar commentary.

Louisa Thomas (LT): I appreciate your saying that, because I actually think that while there are certain things I do well, I don’t think that’s one of them. Partly because I’m not actually that good at describing things. If you tell me to describe the walls in here, I’d struggle to come up with something besides “pale green.” Those are sections that I spend a silly amount of time on. One reason why I think they might be effective is that I try not to overdo them. Sometimes a single sentence of action can sustain a whole piece.

TM: I know you were an English major as an undergraduate. How has that background influenced your writing?

LT: Oh, I certainly learned from poetry.

TM: Any particular poets?

LT: Wallace Stevens is a pretty good touchstone, partly because he taught me about pacing and the power of stripping away, as well as building up. He is very good at putting pressure on individual images. Think of some of his most famous poems: “Anecdote of the Jar,” or “The Snow Man,” or “Thirteen Ways of Looking at a Blackbird.” He’s able to distill an object or an idea into something essential without exhausting it. Every word, every beat, matters. I’m not, generally speaking, a maximalist when I write. I want my words to count, and I care a lot about the way things sound. I think I care much more about rhythm than your average writer, and I got that from poetry.

I’m almost more of an auditory writer than a visual writer. I often write in my head when I’m running, or when I’m walking, before I put something on the page. I’m speaking to myself in my head, and so my words are in my ear. Maybe I learned that from Stevens, too: he famously composed his poems while walking to work.

TM: You talking about putting pressure on a single image lets me naturally segue into my favorite moments in your pieces, which is when you compare athletes to animals—whether that’s Nikola Jokic as “more giant squid than great white shark,” or Kevin Durant as a “fawn.”

LT: That’s my favorite thing to do. You want to give the reader permission to have fun—and give yourself permission to have fun. It’s harder if you’re writing about a dark topic, like domestic violence, for example. But if you’re writing about Jokic and Durant, you want to have fun. Durant has these long, spindly legs and a blank gaze: hence, a fawn. And the introduction of animals is a signal that we’re going to get a little ridiculous, because sports are ridiculous, too. One of the things I like about sports is that they have an element of the absurd. This is a way of engaging in that aspect.

TM: I now feel unable to look at Kevin Durant as anything except a fawn. You also have other, nonanimal mini descriptions of people: Zion Williamson as “a linebacker crossed with Baryshnikov,” or Daniil Medvedev as “a character from Dostoevsky.”

My absolute favorite is tennis star Andy Murray as “a walking existential crisis.” [Laughter] When I read that, I thought, that’s exactly the feeling Murray evokes every time I see him. And you captured it in a single phrase. That line also captures what I find so compelling about tennis, which is that it seems so psychological. Does that appeal to you as a tennis writer?

LT: Yes, but it can also be a danger for me. I can be too ready to read facial expressions, and other sports are less impacted by psychology than tennis. In tennis, there’s such a mind-body connection. You can actually see when someone tightens. Their feet are not moving in the same way, or their racket is dropping on their serve because they’re literally tight. You also can see it on their face, and that I find really, really compelling. Regardless of the sport, I’m always only writing about humans.

Link to the rest at Public Books

The Many Lives of Jewish Lore’s Favorite Monster

From Electric Lit:

In the late 16th century, rumors of an impending pogrom swirl around the Jewish ghetto. Rabbi Judah Loew ben Bezalel, the Maharal of Prague and an expert in the Kabbalah capable of bringing life to inanimate forms, decides to protect his community with a golem, a figure made from earth and animated through religious ritual. Golems do not speak and do not think for themselves. They have super strength, a dogmatic allegiance to their creator, and little else. In other words: they are perfect bodyguards. Under the cover of night, the Maharal gathers clay from the Vltava river to build a humanoid figure. When Rabbit Loew carves “emet,” the Hebrew word for “truth” on the golem’s forehead, his work is done; the golem is alive. The golem curbs the violent threats against the Jewish ghetto and serves as a valuable handyman for its neighbors, completing chores and fetching water. However, the creature loses discipline. It runs amok, threatening the community it was created to defend. Rabbi Loew must destroy his monster. To do so, he erases the first letter of “emet,” leaving “met,” meaning “dead.”

The Golem of Prague is perhaps the most famous story of the golem, but Jewish people have crafted golems—in stories, at least—since long before the 16th century. Our clay creatures wind their way through religious texts, stories of rabbis, and Jewish folklore.

These tales aren’t always by Jewish writers and artists. German-Christian writers throughout the 1800s and the early 1900s examined Jewish communities and their golems. Famously, The Brothers Grimm include an iteration of the golem tale in their collected stories. In this version, the rabbi who creates the golem is killed, suffocated by the falling clay of his monster.

Once you know the monster you are looking for, golems are everywhere. 

But why? All things considered, golems are rather unassuming monsters. They are (canonically speaking) not very flashy; the word “golem” is used in modern Hebrew to mean dumb or helpless. And as far as Jewish representation goes, the golem’s unintelligent and potentially destructive nature directly contrasts with Judaism’s focus on learning, wisdom, and religious law. Yet even today, golems lurch through pages of novels, movie screens, and video games. In Prague, the legend of the golem thrives: Golem Biscuits cafe bakes golem cookies, nearly every gift store sells posters of Rabbi Loew and his golem strolling through cobblestone streets. And the appearance of golems in recent literature and media allows us to explore both experiences of Jewishness and popular perceptions of Jewish culture.

. . . .

In Jewish diasporic writing, the golem appears during moments of crisis: the pogroms of the 16th century, the heavy flow of Jewish immigration to the U.S. during the 1800s, and the Holocaust. The golem, it seems, is needed at points of crisis to alleviate Jewish pain.

Golems present a powerful model for Jewish resistance against antisemitic violence, especially in historical novels. In Alice Hoffman’s 2019 novel The World That We Knew, Jewish parents seek the help of a rabbi to create a golem to defend their daughter, Lea, against Nazi terror. Hoffman introduces golems as nearly omnipotent: communing with fish and birds, seeing the future, and speaking with the dead. It is necessary to kill the golem once it has fulfilled its purpose. The rabbi’s daughter accepts the task and builds a golem from river mud and menstrual blood. Hoffman’s golem is named Ava, “reminiscent of Chava, the Hebrew word for life,” signifying both Ava’s new life and the continued existence that Ava’s protection grants Lea.

Link to the rest at Electric Lit

Putting the Story Back in Science

From Public Books:

I first met Ainissa Ramirez at an astonishing venue: the Qatar National Convention Center, in Doha. The date was in October 2013. We were both speakers at the World Innovation Summit for Education, a biennial meeting organized by the Qatari royal family to showcase new ideas on educational reform. Dr. Ramirez, then a 44-year-old materials scientist and a former member of the Yale faculty, described herself as a “science evangelist,” and she had strong ideas to promote. The professor said she hoped to encourage a whole generation of young women, especially young women of color, to lend their talents to the scientific endeavor.

“You can do it,” she told some of the young women she met at the conference. “You can change the world through science.”

Not long after returning to the US, Ainissa Ramirez contacted me, inquiring if she might audit my Columbia Master’s in Sustainability Management class, “Writing about Global Science for the International Media.” She’d been thinking about switching her focus from academe to science journalism; she wanted to write more and do her teaching through the mass media. Dr. Ramirez already had one published book to her credit: a popular work she’d coauthored, Newton’s Football: The Science behind America’s Game. I really wanted to include her. But I was constrained by class-size limits, so I reluctantly said no.

Well, Ainissa Ramirez didn’t need my class, not for a nanosecond. She’s a brilliant storyteller, and she possesses an unusual talent for taking science stories and shaping them into a compelling narrative. That’s really the secret of great science writing: finding the story within the technical information, unspooling it, and then retelling it in a form that readers will find exciting. This shouldn’t be an impossible task. After all, science is a human endeavor, and most anything that human beings do is likely to be interesting. And yet, much of what is called science journalism fails to do it.

I have my own theories about why this is. One is that many science writers are themselves frustrated scientists, so they sometimes write with the same dryness they read in academic papers. Dr. Ramirez, however, has already labored as an academic scientist—Bell Laboratories, MIT, Yale—and is secure in her credentials. She knows what the other side of science journalism looks like, and she’s not worried that when she writes simply she might be “talking down.” Moreover, she doesn’t fret about the emotionality of an anecdote. In fact, she uses emotion (and irony) to drive her stories.

And that’s why Ainissa Ramirez is such a jewel. Her first solo book, The Alchemy of Us: How Humans and Matter Transformed One Another, published by the MIT Press smack in the middle of the 2020 COVID-19 pandemic, tells the backstory of scientific inventions that influence our daily lives. Who knew that Christmas rituals were shaped by the growth of American railroads? That the size of modern humans was affected by the invention of the electric light? Ainissa Ramirez knows this and pulls readers into the technical story. The Alchemy of Us is one of those books that almost anyone in any field of endeavor will find interesting. That’s why more than a year after publication the work is still in print and has won much praise and a few prizes. Smithsonian magazine listed it as one of the best science books of 2020.

Link to the rest at Public Books

Intimate Strangers

From The Millions:

On a flight from Tijuana to Mexico City, I sat next to a woman who told me in Spanish that she was scared of flying, and grabbed my hand when the plane leapt. When the plane touched down she hugged me.

On a flight from D.C. to San Diego, I sat next to a college student who noticed that I was feverish. When I returned to my seat after throwing up in the lavatory sink, he handed me a fleece blanket monogrammed with his university logo.

On a flight from Boston to Los Angeles, I sat next to a woman who confessed she was flying home to sell the house she’d lived in for decades. Her husband had just died, and she needed to downsize. They were high school sweethearts; he had been her date to the homecoming dance. She tilted her phone screen toward me to show me a photo: it was them at the dance, him in a white jacket and her in a knee-length dress, rounded like a bell. When I glanced up from her phone, I saw her eyes had grown wet.

Why am I telling you about these interactions? Because lately, I’ve been missing airports and airplanes. I don’t just miss them for the adventure they imply; I also miss the casual proximity to strangers these in-between spaces invite. For more than a year we’ve avoided brushing up against others, holding our breath when it becomes necessary to squeeze by someone at the grocery store, turning our head while reaching over them for tortillas. The pandemic has rendered other people’s bodies not just inconvenient but dangerous, suspect.

. . . .

A few months ago, nostalgic for the days of flying nonchalantly with strangers, I looked up some of my favorite airport essays to re-read. I hoped that they would help me articulate what, exactly, I miss about being crammed up next to the passenger in seat 18B.

I started with Pico Iyer’s 1995 travelogue about the Los Angeles airport, “Where Worlds Collide,” a piece I first read in a college creative writing course. At the time, I was a Californian living in New England, and even Iyer’s dreary descriptions of LAX—“a surprisingly shabby and hollowed-out kind of place”—made me homesick. In order to gather the raw materials for this essay, Iyer haunted LAX for a week, noting its inequalities and inconsistencies, ironies and images. But what interested me most when I returned to the essay was the way he put words to something I hadn’t quite articulated: the heightened attention we experience during travel.

Iyer calls this “an odd kind of twilight zone of consciousness, that weightless limbo of a world in which people are between lives and between selves, almost sleepwalking, not really sure of who or where they are.” This altered consciousness, in my experience, usually takes one of two forms. In the first, we become the sleepwalkers Iyer refers to. We move from security to gate to boarding line to seat in a haze, propelled forward by the surge of other passengers and the loudspeaker’s muffled instructions. Alternatively, this sense of displacement can heighten our attention to our surroundings. In the absence of our daily stimuli—emails on a computer screen, a toddler asking for a snack, a red light at the intersection—our attention is loosed to roam freely.

Travel in general (think of the crowd of tourists pressing toward a sculpture in a museum) and public transportation in particular (think of the subway at rush hour) enforce a proximity to strangers that I don’t experience anywhere else in my life. The displacement of air travel, a “strange statelessness,” means we are confronted with each other in a transparent way. These public spaces afford an anonymous intimacy; I can watch people, press close to them, see them without the scaffolding of job or car or routine. But this noticing has to do with more than just proximity, otherwise I’d miss standing crammed up against other people at the DMV. This state of consciousness also sharpens our awareness of our surroundings. Displaced from our daily environments, our attention zeroes in on novelty. Because of this increased capacity for noticing, we tend to see the bodies around us with more than a passing glance. I remember standing on the Athens metro in late winter and watching a woman’s eyes flick along the passing landscape. The morning light turned her irises gold, the pupils stuttering with the scenery that flashed by in frames through the window.

In the no man’s land of public travel, Iyer writes, “people are at the far edge of themselves in airports, ready to break down or through. You see strangers pouring out their life stories to strangers here, or making new life stories with other strangers.” In other words, the conversations and interactions I’ve shared with seatmates aren’t unusual, because the limbo-like space we share invites us to see each other with a rare kind of attention. Pair that with the intensified emotions we experience while flying (something psychologists chalk up to air pressure, altitude, dehydration, and loss of control), and I begin to understand why airports make us porous to each other.

Link to the rest at The Millions

From: Where Worlds Collide by Pico Iyer

They come out, blinking, into the bleached, forgetful sunshine, in Dodgers caps and Rodeo Drive T-shirts, with the maps their cousins have drawn for them and the images they’ve brought over from Cops and Terminator 2; they come out, dazed, disoriented, heads still partly in the clouds, bodies still several time zones—or centuries—away, and they step into the Promised Land.

In front of them is a Van Stop, a Bus Stop, a Courtesy Tram Stop, and a Shuttle Bus Stop (the shuttles themselves tracing circuits A, B, and C). At the Shuttle Bus Stop, they see the All American Shuttle, the Apollo Shuttle, Celebrity Airport Livery, the Great American Stageline, the Movie Shuttle, the Transport, Ride-4-You, and forty-two other magic buses waiting to whisk them everywhere from Bakersfield to Disneyland.

They see Koreans piling into the Taeguk Airport Shuttle and the Seoul Shuttle, which will take them to Koreatown without their ever feeling they’ve left home; they see newcomers from the Middle East disappearing under the Arabic script of the Sahara Shuttle. They see fast-talking, finger-snapping, palm-slapping jive artists straight from their TV screens shouting incomprehensible slogans about deals, destinations, and drugs. Over there is a block-long white limo, a Lincoln Continental, and, over there, a black Chevy Blazer with Mexican stickers all over its windows, being towed. They have arrived in the Land of Opportunity, and the opportunities are swirling dizzily, promiscuously, around them.

They have already braved the ranks of Asian officials, the criminal-looking security men in jackets that say “Elsinore Airport Services,” the men shaking tins that say “Helping America’s Hopeless.” They have already seen the tilting mugs that say “California: a new slant on life” and the portable fruit machines in the gift shop.

They have already, perhaps, visited the restroom where someone has written, “Yes on Proposition 187. Mexicans go home,” the snack bar where a slice of pizza costs $3.19 (18 quetzals, they think in horror), and the sign that urges them to try the Cockatoo Inn Grand Hotel. The latest arrivals at Los Angeles International Airport are ready now to claim their new lives.

Link to the rest at Where Worlds Collide

The OP and Mr. Iyer’s essay reminded PG of how happy he is not to fly for business all the time any more.

For a period of his earlier work life, he flew about 200,000 miles per year, about 90% on domestic US routes. Certainly, he knew people who flew more miles than he did, but he didn’t envy them.

The airline he used for 99% of his flights treated him very well.

Relatively speaking.

Perhaps PG should say the airline treated him as well as it could because he was definitely a frequent flier and, presumably, they didn’t want PG’s employer to spend all that money with another airline.

Not that another airline would have offered an experience that was any different than the first. (Different logos on identical airplanes and different uniforms on pretty-much identical flight crews don’t count as different. Plus the airport security line never changes, except sometimes they ask if you have a bomb in your suitcase in French. Non.)

As many people know, the main reward airlines provide for their customers who fly a lot is — more flying!

Suffice to say, when he moved on from the last job with a lot of travel, PG was terminally burned out on flying.

In a few weeks, PG and Mrs. PG will get on an airliner for a (thankfully) short flight across part of the United States for personal reasons. PG doesn’t mind taking road trips by car, but flying is the best choice for this trip.

When PG made the reservations, he was surprised that he still had a few antique frequent flier miles in his account in addition to digital spider webs, so he used most of them to upgrade the seating for Mrs. PG and himself from Sardine to SardinePlus class.

One of PG’s offspring is knowledgeable about the ins and outs of flying today, getting through airports, etc., etc., so PG will ask for a briefing to update his knowledge of the ever-changing ways airlines and the federal government Do Things in the Very Best Way.

PG hasn’t even started this round-trip and he’s already disliking it.

He anticipates that it will require the funeral of a first degree relative (there are fewer than there used to be) to get him on another airplane.

What an annoying grump PG is on some days!

He blames COVID, the aftereffects of which are still hanging around like cockroaches in a cheap New York City apartment.

The General’s Garden

From The Wall Street Journal:

On June 25, 1815, Napoleon Bonaparte arrived at Malmaison, the late Empress Joséphine’s estate 7 miles west of Paris. His dream of holding on to the French throne had just shattered at Waterloo, costing the lives of tens of thousands. Five years earlier, he had divorced Joséphine because she hadn’t given him the heir his dynastic desires required. Now that she was dead, all he could think about was how much he missed her—how she used to walk under the trees she had planted, those cedars, cypresses and Japanese pagodas, how she would examine the flowers in her greenhouse or gather the roses she loved so much. The memory made Napoleon wince. “She was the most graceful woman I ever saw,” he told his stepdaughter Hortense. Too little, too late.

Joséphine, always “surrounded by colour and fragrance,” as the British historian Ruth Scurr’s beautiful new book describes her, was the gardener Napoleon never became. This is, indeed, how she appears in François Gérard’s 1801 portrait of her: languidly sunk into her sofa, a bouquet of freshly picked flowers by her side, her teeming garden behind her. Compared to Joséphine, Napoleon was at best a jardinier intermittent, an intermittent gardener, an epithet bestowed on him by a plaque installed on the small island of Île-d’Aix, where Napoleon is believed to have grafted an ash onto an elm (just as he, the native Corsican, had grafted himself onto native French stock).

It is an adjustment to think of Napoleon as a cultivator rather than as a conqueror, a planter rather than a planner.

. . . .

Napoleon: A Life Told in Gardens and Shadows,” [is] a book so saturated with detail that the reader can hear the gravel crunching under her characters’ feet.

. . . .

 Ms. Scurr [tells] the endlessly fascinating story of his life anew: not as a megalomaniac’s power-hungry ascent to temporary glory but as the constantly frustrated reaching for the plenitude and happiness that Joséphine’s found in her garden.

Napoleon’s botanical career, such as it was, began in military school in Brienne-le-Château, with a small plot he used to create an arbor so he could be by himself. It continued with attempts to salvage his father’s mulberry nursery on Corsica, and, as he cast his menacing shadow over much of Europe, culminated in a variety of designs for formal gardens at home and abroad, including a madcap scheme that would have turned the Roman Forum into a promenade. But even as Napoleon sought to reinvent himself as a modern amalgam of Caesar Augustus, Charlemagne and Alexander the Great, he kept finding himself sent back to islands, his fabulous empire shrunk to gardens of diminishing size and lushness. Napoleon’s last, scraggly garden was on Deadwood, aptly named, a rocky, mist-shrouded plateau on Saint Helena, one of the remotest islands in the South Atlantic.

. . . .

Napoleon never allowed himself to love gardens the way Joséphine did—for the surprises they can yield, the basketfuls of unexpected beauty they can fling one’s way. The gardens Napoleon dreamed up were manifestations of his might, rigid tools of imperial domination. Tolstoy, in “War and Peace” (1869), rightly mocked historians who would attribute the actions of the masses to the will of one man. The French, he wrote, did not nearly lose the Battle of Borodino because Napoleon had a cold that day. Napoleon would have agreed, if for a different reason. He liked to think of himself as an impersonal force, an inexorable vessel for historical necessity. “I am the clock that exists but does not know itself,” he told his secretary Las Cases, a remark meant to show that he did, of course, know himself very well. Trapped in the prison house of his restless intellect, Napoleon demanded of himself that he be a genius, and of the world that it perceive him as such.

Gardens helped Napoleon carry on: Banished to Elba, his island Lilliput, he was never more thrilled than when he saw that his gardener had arranged some heliotropes so that they formed a large “N.” And a garden played a part in his downfall, too: Ms. Scurr reminds us of the walled-in orchard of the Hougoumont estate at Waterloo, which, fiercely defended by Wellington’s troops, evaded Napoleon’s control. Visiting the site more than four decades later, novelist Victor Hugo could still see the bullet holes.

. . . .

Did things change during Napoleon’s final exile on Saint Helena? Ms. Scurr suggests as much in the poignant chapter that wraps up her account. His health deteriorating rapidly, having grown, visitors reported, “enormously fat,” Napoleon heeded his doctor’s advice and grabbed a spade: “I will dig the ground.” Soon his old penchant for control flared up again: He helped construct a turf wall, 2.7 meters high, and a maze of sunken paths meant to shield him from his guards. But on Deadwood little would linger, not the fish in his pond, not the birds in his aviary, not the oaks he had transplanted (one held on). As his garden faltered, so did the botanizing ex-Emperor. 

Link to the rest at The Wall Street Journal (PG apologizes for the paywall, but hasn’t figured out a way around it.)

Chasing the Thrill

From The Wall Street Journal:

Begin it where warm waters halt / And take it in the canyon down, / Not far, but too far to walk. / Put in below the home of Brown.

From there it’s no place for the meek, / The end is ever drawing nigh; / There’ll be no paddle up your creek, / Just heavy loads and water high.

Have you ever heard of the Lost Dutchman Mine and the Beale Cipher? How about the Oak Island Money Pit? Or the artist Kit Williams’s “Masquerade” (aka the Quest for the Golden Hare) and the magician David Blaine’s “The Mysterious Stranger” (aka the Search for the Golden Orb)? I hadn’t either. But now I know all about treasure hunts and those who plan them—especially one eccentric denizen of the American Southwest, whose self-published memoir of 2010 contains the near-incomprehensible verse-clues quoted above.

Reading Daniel Barbarisi’s “Chasing the Thrill: Obsession, Death, and Glory in America’s Most Extraordinary Treasure Hunt” might feel a bit like watching a Discovery Channel documentary, but the book is quite a yarn. In fact, it’s an exhaustive account of one of the oddest episodes in the crowded annals of bizarro Americana.

The impresario of “Chasing the Thrill” is Forrest Fenn, a former Vietnam War fighter pilot who made a fortune peddling Native-American artifacts and other works in arty Santa Fe, N.M. As we learn from Mr. Barbarisi, a former Wall Street Journal sportswriter and the author of an earlier book on fantasy-sports gambling, Fenn, at age 80, got the notion to hide a treasure chest in the rough country north of Santa Fe. He then printed a slim autobiography called “The Thrill of the Chase,” whose final chapter released his poetic arrows into the public imagination—verses containing nine gnomic pointers to the whereabouts of the trove of 265 gold coins, dozens of gold nuggets, plastic baggies of gold dust, a block of $1,000 bills, plus rare Mayan relics, Chinese jade and more. The 42-pound cache—secreted in a smallish 12th-century Italian lock box—was valued at up to $2 million.

Word of the Fenn lode predictably set off a gold rush of tens of thousands of ambitious, greedy and often deeply disturbed “clue solvers” who spent the next decade busting their brains and pondering maps, draining their bank accounts and risking their lives. They scoured “The Thrill of the Chase,” followed Fenn’s frequent interviews, watched and re-watched a 2013 “Today” segment he’d done, besieged his Santa Fe compound, corresponded by email, and followed a bunch of Fenn-obsessed blogs and YouTube channels. Then they traipsed through northern New Mexico, Colorado, Wyoming and southern Montana, certain that the Fenn treasure—like the mythical Land of Prester John in the Middle Ages—was just over the horizon.

The author spent years commuting from his home, job and family in Boston to the Southwest. He immersed himself in the Fenn hunters’ subculture, and pursued a number of failed solves with his wingman, Jay Raynor, a Canadian fantasy-sports wizard and crypto-currency trader. He then cozied up close to the magus, trying to get to the bottom of what motivated Fenn to launch his quest. Was he chasing a kind of pop immortality for himself? Or was he more a sadistic puppet master, savoring the spectacle of addicted hunters abasing themselves to win his favor in hopes of priceless hints to the solution? Or was he, as one cynical solver had it, simply a “media whore” hooked on attention. In any case, he writes, “Fenn had managed to mythologize his own past.”

Link to the rest at The Wall Street Journal (PG apologizes for the paywall, but hasn’t figured out a way around it.)

PG has spent significant portions of his life living in dry and sparsely-populated parts of the United States. He will say that the open desert can be very beautiful, but will also acknowledge that it can attract some individuals who are a bit off and move farther in the off direction the more time they spend alone in the desert.

Princeton Dumbs Down Classics

From The Atlantic:

My Atlantic colleague John McWhorter and I must have received the same high-frequency language-nerd alert, audible only to the types of people whose idea of fun is Esperanto grammar. We both recently learned that Princeton’s classics department had ceased requiring its students to study Latin and Greek, and we reacted in predictable horror. A classics department without Latin and Greek is like a math department without multiplication and division, or an art department without paint. More than a thousand years ago, the monk Ælfric prefaced his Latin Grammar by saying it was “the key that unlocks the understanding of books.” I had a vision of a new generation of Princeton classicists, sniffing and thwacking at padlocked volumes of Thucydides or Cicero with looks of total incomprehension, like Ben Stiller and Owen Wilson trying to get the files “in the computer” in Zoolander.

. . . .

But then I remembered my own language training, and I’ve come around to Princeton’s point of view. My classical education started, oddly enough, just like Owen Wilson’s. We attended the same private school about a decade apart, and like all students, we were subjected to a mandatory year of Latin. (After that requirement was abolished, Wilson and his co-screenwriter Wes Anderson made the film Rushmore, in which the nixing of Latin from a prep-school curriculum is a plot point.) We had the same teacher, who told me that Wilson was one of the worst students he’d ever taught. I took another five years of Latin, plus four of Greek, while Wilson went off to find his fortune in Hollywood. I think even Ælfric would agree he got the better end of that deal.

I never met Wilson, but I clearly remember many classmates squirming in their seats, struggling to give a damn about whether nauta was masculine or feminine, or how to turn it into a dative plural, or what the hell a dative plural was anyway. They off-loaded all knowledge of Latin seemingly seconds after handing in their final exam. Some of us did give a damn, however, and after a couple of years of Latin-grammar boot camp, we could read erotic poetry from 2,000 years ago and be genuinely, uh, moved. I remembered that difference years later when I met linguists who were recruited as spies by the United States government. To assess their abilities, the government would invent complicated languages and give them tests to figure out who would catch on. The best candidates were the ones who liked the process so much that they asked if they could please have more tests to take home—you know, just for fun.

Princeton’s deliberation about Greek and Latin requirements amounts to asking: Should our classics department, which is devoted to all aspects of the study of antiquity, introduce the subject with a sequence of classes most hospitable to the oddly built minds of language fanatics? The classical world appeals to philosophers, archaeologists, historians, poets, rhetoricians, and others. To study the history or mythology of Greece and Rome in a state of total ignorance of those civilizations’ language sounds to me like a sad imitation of a classical education. But if a student becomes initially interested in classics by reading a Greek myth, it is not obvious to me that requiring her to chant the principal parts of the verb βαινω for a semester will tend the flame of her curiosity rather than snuff it out. Is she more like me, or more like Wilson?

A classicist at Princeton told me that his department expects to teach just as much Greek and Latin as it ever did. No classes will be cut. But instead of making these courses a gateway to the classics, they’ll be an option the majority of majors will take—without the implication that philology is the best or only way to get into the subject. If that hypothesis is correct, he said, and classics attracts more undergraduate majors and most of them take Greek and Latin, Princeton will have more students proficient in these languages after dropping the requirement. (Con artists and drug dealers will recognize the move here, enticing the customer with a harmless product, only to hook them later on the harder stuff.) Conversely, students may begin to regard Greek and Latin the way English majors regard Middle and Old English: as antique curiosities that only the strangest of their fellow students spend much time on.

The classicist I spoke with is more optimistic. Those who do not take Latin and Greek would, he supposes, be from the minority of undergraduates with niche interests relatively remote from Latin or Greek grammar. “We have students who are using computational and CGI modeling of ancient Greek architecture,” he told me. “We want those students to be in classics.”

But will those students really be in classics—or just in the classics department? To be classically educated, as I understood it, meant taking one’s place in a line of students stretching back two or three thousand years. Each of those students learned many of the same things, and learned them roughly the same way, so that if you were to travel back in time (either by DeLorean or by library card), you could converse with anyone in that line and have access to that person’s knowledge. That access is Ælfric’s key, and if you skip the philology and substitute in CGI classes, the key doesn’t fit anymore, and the culture traced by that line of students, from Hesiod to Derek Walcott, is locked away.

. . . .

“People are very sensitive about tradition right now,” the Princeton classicist told me. (He asked not to be named, because of the incessant trolling his department has received for its decision.) “And these changes can look to an ungenerous eye like they are not giving due respect to tradition.” That would be the case, he said, if Princeton were trying to persuade students to learn less Latin and Greek, rather than more, while recruiting students with other original interests and backgrounds. Various fields have already made this shift. After all, you can now study English without knowing much about the history of English; at Princeton and many peer institutions, a single course on Shakespeare is enough to satisfy one’s requirement for pre-1700 study of the English language. You can write a senior thesis on Thomas Pynchon, and no one will make you start your education by learning when the dual dropped out of English grammar, or by deciphering Chaucer. Princeton students can still learn about these things, and I think they should. But the grammarians and Chaucerians are not posted like riddling bridge-keepers outside the department.

Link to the rest at The Atlantic

  1. PG agrees with the “Dumb Down” headline.
  2. The quotes from the various Princeton professors in the OP demonstrate (for PG) one of the reasons that professors et al should teach and competent administrative minds should be recruited to actually operate the various academic departments.
  3. PG suspects this change will not be looked back upon as the beginning of the rebirth of Classics at Princeton.
  4. PG predicts that, absent the Atlantic article (which was a decision by an Atlantic editor that puzzles PG), no one other than a few classicists at other institutions would have noticed this change.
  5. Yes, PG did take Latin in college, but quit without completing the first year. That makes him an expert on this topic.

7 Character Lessons from a Real Life Heroine

From Writers in the Storm:

This week on June 8 was Women’s Fiction Day, celebrating strong female protagonists. More and more stories these days are bringing us great female characters. In thrillers and military fiction, one challenge is to write those strong women as authentic, well-rounded female personalities rather than alpha males with lady parts.

One good way to address this challenge is to study the real-life heroines of the past, who used wits, wiles, cunning, determination, and subterfuge to stay alive and conquer their foes. Today, we’ll take a look at the life of a real-life heroine who was feared by the Nazis as “the most dangerous spy in all of France,” Virginia Hall Goillot.

. . . .

Say the name “Virginia Hall” to anyone in the Clandestine Services, and they may well get choked up with reverence. Being a woman with no special physical ability and lacking one leg, no recruiter then or now would entertain thoughts of Virginia being capable of military service, especially behind enemy lines.

Nevertheless, she was determined to serve an active role in the battle against Nazi Germany, and serve she did, becoming one of the most revered 20th-century icons in the Intelligence Community. Altogether remarkable, she is a breathtaking example of selflessness, courage, and commitment and a true role model for both the Intelligence Community, and for fiction writers.

Virginia Hall was born on April 6, 1906, to a wealthy family in Baltimore, Maryland. Having a gift for languages, she studied French, German, and Italian at Radcliffe College and Barnard College. She then traveled to Europe to continue her education in Austria, France, and Germany. Her goal was to enter the US Foreign Service.

After finishing her studies in 1931, she worked as a Consular Service clerk at the US Embassy in Warsaw. From there, she was assigned to a consulate office in Izmir, Turkey, where a hunting accident forced her to have her lower left leg amputated. She obtained a wooden prosthetic leg, which she named “Cuthbert.” She was then assigned to the US consulate in Venice.

When Virginia requested permission to take the US Foreign Service Exam, she was informed that, due to her injury, she could not apply for a position as a diplomat. She returned to the United States and attended graduate school at American University in Washington, DC.

. . . .

Virginia was visiting Paris when Germany invaded France in 1940. She immediately volunteered with the French Ambulance Corps and drove ambulances to evacuate wounded French soldiers from the front. When France surrendered to Germany, Virginia escaped to Spain and then on to England.

In London, Virginia applied for service in the British Special Operations Executive (“SOE”) and was accepted. With the SOE, Virginia trained in weapons, communications, and as a resistance organizer for occupied France, and in August of 1941, she infiltrated Vichy in France. Some sources state that she was the first female SOE agent to do so.

The United States was not yet directly involved in the war, so Virginia posed as a news correspondent for the New York Post. Once the United States did enter the war in December of 1941, the sensible thing for her to do would have been to hustle back to England. Fortunately for the Allied effort, she declined to escape and went underground.

At the time Virginia infiltrated Vichy in 1941, operating there under the Pétain government was more dangerous for an SOE agent than operating in the Nazi-occupied region of France. The Vichy government had command of the French police departments, and with so many reliable local assets, it could more easily discover infiltrators and resistors. Most SOE agents sent into Vichy in 1941 and 1942 were killed or captured within days.

. . . .

Virginia quickly earned a reputation as a great recruiter and resistance organizer in France. She was instrumental in the rescue of hundreds of downed Allied aviators, and she arranged their safe return to England. She also organized a network of safe houses and coordinated numerous air drops of weapons and supplies to the French Resistance at a time when most drops were being intercepted by the Vichy police and the Gestapo.

Virginia’s successes did not go completely unnoticed by the Vichy government and the Nazis. The Gestapo branded her as the most dangerous spy in all of France, and they made her capture a priority. When the Germans took over Vichy in November of 1942, infamous Gestapo leader Klaus Barbie demanded that “the woman with the limp,” as Virginia was known, be captured and brought directly to him so that he could personally strangle her.

Virginia used her one good leg to stay one step ahead of the Gestapo, and that November, she escaped on foot over the Pyrenees to Spain. Some convincing sources say she was alone on this trip. Some other convincing sources say she was not alone on this trip. It is possible that she made more than one trip over the Pyrenees.

. . . .

Once in Spain, Virginia had no identification papers at a time when such documents were crucial. The Spanish arrested her and incarcerated her for several weeks. When the US consulate in Barcelona learned of this, they claimed Virginia as a legitimate US citizen and demanded her release.

After four months working undercover in Spain, Virginia returned to England in 1943 in the hope of doing more “useful” work. Once there, Virginia left the SOE to join the fledgling American OSS and volunteered to return to occupied France.

Virginia dyed her hair gray and disguised herself as an elderly farmer. Since her wooden leg made a nighttime parachute drop too dangerous for her, she was infiltrated back to Bretagne, France, on a British torpedo boat. Using the alias “Marcelle Montagne” and the code name “Diane,” she made her way to central France, where she set up radio communications with London.

In addition to transmitting intelligence back to London, Virginia again organized successful supply drops for the French Resistance, established safe houses, helped train three battalions of Free French guerrilla forces, and linked up with a Jedburgh team after the Allied invasion. In spite of Klaus Barbie’s personal vendetta against her, Virginia avoided capture and continued operating until the Allies liberated central France in 1944.

Link to the rest at Writers in the Storm

Les Marguerites Fleuriront ce Soir (the daisies will bloom at night) by Jeffrey W. Bass via Wikipedia. This image is a work of a Central Intelligence Agency employee, taken or made as part of that person’s official duties. As a Work of the United States Government, this image or media is in the public domain in the United States.
French identification certificate for “Marcelle Montagne” forged by OSS

The OP draws from the following book, Key Figures in Espionage:

June 10, 1942: The Lidice Massacre

From Fishwrap:

The village of Lidice was located in the Protectorate of Bohemia and Moravia (present-day Czech Republic) during WWII. In reprisal for the assassination of a Nazi official in the Spring of 1942, Adolf Hitler ordered the assassination of all men in Lidice, aged 16 and older. The women and children were taken to concentration camps or gassed, and the village of Lidice was destroyed.

In 1939, the area around Lidice came under Nazi control. Reinhard Heydrich, a high-ranking German official, was appointed Deputy Reich Protector of the area. Heydrich was one of the principal architects of the Holocaust. He was known for brutality, murder, and efforts to destroy any Nazi resistance. On May 27, 1942, Heydrich was being driven to his headquarters at Prague Castle when his car was attacked by two Czechoslovak resistance operatives. The operatives were trained in Great Britain and operated under the approval of the Czechoslovak government. Heydrich was wounded and died less than a week later.

German officials declared a state of emergency and established a curfew in Prague. They began a massive search for the attackers, promising that anyone involved, and their families, would be executed. Days later, when they failed to locate any conspirators, they decided to destroy the village of Lidice in reprisal. They chose Lidice because its residents were suspected of harboring members of the local resistance.

On June 10, 1942, German police and SS officials surrounded Lidice to block off any escape route. They rounded up 192 boys and men from Lidice and marched them to a farm on the edge of town, where they lined them up and shot them in groups.

Nazi officials separated the women and children and loaded the women onto rails cars for transport to concentration camps. Most went to Ravensbrück, where 60 died. A few of the children considered racially pure were handed over to SS families. The rest were likely killed in late June when Nazi official Adolph Eichman ordered the children to be gassed to death at Chelmno extermination camp.

In all, some 340 people from Lidice died and the town was destroyed. Nazi officials shelled the village, set it on fire, and plowed over the remains. To further erase the memory of Lidice, the name of the village was removed from all local municipal records.

Link to the rest at Fishwrap

More grisly details from Wikipedia:

Men

Horst Böhme, the SiPo chief for the Protectorate of Bohemia and Moravia, immediately acted on the orders. Members of the Ordnungspolizei and SD (Sicherheitsdienst) surrounded the village of Lidice, blocking all avenues of escape. The Nazi regime chose this village because its residents were suspected of harbouring local resistance partisans and were falsely associated with aiding Operation Anthropoid team members. Post-war memorial ceremony to honour victims

All men of the village were rounded up and taken to the farm of the Horák family on the edge of the village. Mattresses were taken from neighbouring houses where they were stood up against the wall of the Horáks’ barn to prevent ricochets. The shooting of the men commenced at about 7:00 am. At first the men were shot in groups of five, but Böhme thought the executions were proceeding too slowly and ordered that ten men be shot at a time. The dead were left lying where they fell. This continued until the afternoon hours when there were 173 dead. Another 11 men who were not in the village that day were arrested and murdered soon afterwards as were eight men and seven women already under arrest because they had relations serving with the Czech army in exile in the United Kingdom. Only three male inhabitants of the village survived the massacre, two of whom were in the RAF and stationed in England at the time. The only adult man from Lidice actually in Czechoslovakia who survived this atrocity was František Saidl (1887–1961), the former deputy-mayor of Lidice who had been arrested at the end of 1938 because on 19 December 1938 he accidentally killed his son Eduard Saidl. He was imprisoned for four years and had no idea about this massacre. He found out when he returned home on 23 December 1942. Upon discovering the massacre, he was so distraught he turned himself in to SS officers in the nearby town of Kladno, confessed to being from Lidice, and even said he approved of the assassination of Heydrich. Despite confirming his identity, the SS officers simply laughed at him and turned him away, and he went on to survive the war.

Women and children

Maria Doležalová, one of the children kidnapped from Lidice, testifies at the RuSHA trialMemorial to the murdered children of Lidice

A total of 203 women and 105 children were first taken to Lidice village school, then the nearby town of Kladno and detained in the grammar school for three days. The children were separated from their mothers and four pregnant women were sent to the same hospital where Heydrich died, forced to undergo abortions and then sent to different concentration camps. On 12 June 1942, 184 women of Lidice were loaded on trucks, driven to Kladno railway station and forced into a special passenger train guarded by an escort. On the morning of 14 June, the train halted on a railway siding at the concentration camp at Ravensbrück. The camp authorities tried to keep the Lidice women isolated, but were prevented from doing so by other inmates. The women were forced to work in leather processing, road building, textile and ammunition factories.

Eighty-eight Lidice children were transported to the area of the former textile factory in Gneisenau Street in Łódź. Their arrival was announced by a telegram from Horst Böhme’s Prague office which ended with: the children are only bringing what they wear. No special care is desirable. The care was minimal and they suffered from a lack of hygiene and from illnesses. By order of the camp management, no medical care was given to the children. Shortly after their arrival in Łódź, officials from the Central Race and Settlement branch chose seven children for Germanisation. The few children considered racially suitable for Germanisation were handed over to SS families.

The furore over Lidice caused some hesitation over the fate of the remaining children but in late June Adolf Eichmann ordered the massacre of the remainder of the children. However Eichmann was not convicted of this crime at his trial in Jerusalem, as the judges deemed that “… it has not been proven to us beyond reasonable doubt, according to the evidence before us, that they were murdered.” On 2 July, all of the remaining 82 Lidice children were handed over to the Łódź Gestapo office, who sent them to the Chelmno extermination camp 70 kilometres (43 miles) away, where they were gassed to death in Magirus gas vans. Out of the 105 Lidice children, 82 died in Chełmno, six died in the German Lebensborn orphanages and 17 returned home.

Lidice, die Zerstörung (The Destruction of Lidice) – Wikimedia Commons – This image was provided to Wikimedia Commons by the German Federal Archive (Deutsches Bundesarchiv)
The destruction of Lidice, Czechoslovakia, in 1942, in a propaganda photograph released by the Nazis. (Archive, Lidice Memorial)
Maria Doležalová, one of the children kidnapped from Lidice, testifies at the RuSHA trial – The RuSHA trial against the SS racial policies (officially, United States of America vs. Ulrich Greifelt, et al) was the eighth of the twelve trials held in Nuremberg by the U.S. authorities for Nazi war crimes after the end of World War II. (via Wikimedia Commons, Public Domain)
This is Nazi Brutality, poster by Ben Shahn, 1943, published by the US Department of War Information, via Wikimedia Commons, Public Domain
Eighty-two statues of children are depicted in Marie Uchytilová’s “A Monument of children’s war victims.” (Archive, Lidice Memorial via Wikimedia Commons)

PG hasn’t put together this litany of horrors to ruin your day.

He is concerned that the great wars of the Twentieth Century and their aftermath are being forgotten. Virtually all of Europe and large swaths of Asia were terribly damaged. The exact number of deaths will never be known, but an estimated 20 million deaths were caused by World War I and 70-85 million people were killed in World War II. In each case, the civilian deaths exceeded deaths of members of the military.

In addition to deaths by violence, there were 19 to 25 million war-related famine deaths in the USSR, China, Indonesia, Vietnam, the Philippines, and India caused by World War II that are not usually included in war casualty figures.

Like others, PG is sometimes disturbed by Wokesters who are triggered by seeing the statue of a Civil War General and claim deep hurt and lasting harm from this experience.

Boxing’s Moral Quandary

From The Wall Street Journal:

To use all the old metaphors, Tris Dixon’s “Damage: The Untold Story of Brain Trauma in Boxing” is a slap in the face, a punch in the gut, a kick in the groin. Given that this remarkable, long-overdue treatise on the mental and physical ravages of boxing doesn’t hold anything back, it’s fitting that Mr. Dixon’s book lands with power and precision. For boxing fans, it’s a wake-up call. To remain a fan of the sport—to cheer on the punishment that takes place in the ring, then choose to ignore its consequences—constitutes a cruel form of enabling.

Even for readers who are not aficionados of the sweet science, “Damage” hits hard. At its core is the public adoration of athletes as modern-day gladiators—or, at least, icons of physical prowess—and what we demand of them: the courage and sacrifice that we celebrate from the peanut gallery. “This is a sport in which bravery can be measured by the amount of punishment one can withstand,” Mr. Dixon tells us. Meanwhile, in the ring, “bravery” is a surefire prescription for chronic traumatic encephalopathy (CTE), a deterioration of the brain caused by repeated head trauma.

A veteran boxing journalist in the U.S. and England, Mr. Dixon tackles his subject with great compassion. He interviews neurologists, psychologists and overseers of the sport—managers, trainers and commissioners—but mostly he spends time with the fighters. Some are remarkably sanguine about the physical and mental toll they can see coming. “I’m on the back end, I know what it’s like,” says former World Boxing Organization heavyweight champion Shannon Briggs, who is still fighting as he nears his 50thbirthday. “I know I’ve got something wrong with me, I know all these punches are going to eventually catch upto me, so I’m reading about CTE and I started taking CBD,” Mr. Briggs tells the author, referring to cannabidiol, the cannabis-derived compound. “I poured the [antidepressant] pills down the toilet the day I tried cannabis.”

Like lambs to the slaughter, boxers trudge on, only to wind up on “queer street.” The most notable example is Muhammad Ali. In his prime, Ali was known for his ability to slip punches and avoid punishment, but his career was long and brutal. He fought the best and toughest fighters. And, like nearly all boxers, he stayed in the ring too long. “Age thirty is the cusp,” Ferdie Pacheco, Ali’s onetime fight doctor, is quoted saying. “Thirty-five is over the line. I don’t care how good you are, after age thirty-five you’re getting brain damage.” Ali had six fights after the age of 35; he lost three of them. The result may well have been Parkinson’s disease. Parkinson’s and other maladies—dementia; memory loss; the rapid deterioration of verbal skills and motor functions such as bowel control, breathing and walking—are all common results of CTE.

In the past, the image of the punch-drunk fighter was a source of humor and playful ridicule, on stage and on screen. Mr. Dixon cites the example of “Slapsie” Maxie Rosenbloom, a light-heavyweight from the 1930s who had 298 professional fights. Following his boxing career, he became a comic actor in movies and on television, where he lampooned the tortured speech patterns and lumbering mannerisms of a late-career palooka. But after generations of concussions, cerebral hemorrhaging and deaths in the ring, by the early 21st century the image of a brain-damaged boxer was no longer funny. Unlike Rosenbloom, most wound up in asylums, hospitals and sanitariums.

Link to the rest at The Wall Street Journal (PG apologizes for the paywall, but hasn’t figured out a way around it.)

Why We Find Certain People More Attractive Than Others, According to Science

PG would not normally post an item that indicates by its title that it relies on “Science” but will make an exception in this case.

From Medium:

If I were to ask you what you find attractive, what would you say? Would you date someone shorter/much taller than you? Do you think you could fall in love with someone who is not your type?

I decided to look for meaningful connections with people instead of falling for looks, and it’s the best decision I ever made. The first message I received from my boyfriend on the online dating app was not the best introduction of all times. However, we did have a great conversation, and I liked his profile pictures. When we first met, I felt happy instantly. We had arranged to meet at a park on a beautiful sunny Sunday. He stood there with his bicycle and grinned at me. I liked his charisma, which radiated pure optimism and joy, which blew me away. After the first awkward seconds of saying hello, we had such a ball, laughing, giggling, and talking for five hours straight. In short: We hit it off right away.

Today, I love our conversations and his opinion on the many things I write about. Truth be told, he influences much of what I write and is an avid critic of my work. Also, I think he is the most handsome guy on this planet — seriously, he is awesome in any way imaginable. Just recently, I asked him what he thought when he saw me for the first time. His answer: I think I thought you were hot and easy to talk to.

Easy communication influences attractiveness

Although we had sent each other several messages beforehand, I couldn’t tell for sure from the photos whether I found him truly attractive. How could I? I didn’t know how old or new the photos were, whether he still had his hair like that, or whether he had gained or lost weight in the meantime. And, more importantly, I wanted to get to know the person behind the profile.

A study found that after a good in-person meeting, people find their future dates more attractive. With online dating platforms such as Tinder, users try to manage the vast number of profiles by picking the seemingly most attractive people. However, rating someone’s attractiveness by judging pictures is not the best way to find a partner. We can overlook crucial aspects such as what makes for a good conversation. The qualities of a good conversational partner influence how attractive they are in our eyes.

But not only smooth communication impact the attractiveness of our date, but also whether the person radiates certain security and commitment. While dating and throughout relationships, we want to know how our partner feels about us and know their intentions. This is why uncertainty, at least to some extent, is a relationship killer.

Being uncertain about love interests is devastating

Before we met for the first time, he told me that he could definitely commit to a relationship. Therefore, we both knew what we were getting into and what our intentions were. For me, it was not like additional pressure, but a kind of security, which I liked very much. So I knew that I was going to meet someone who cared about getting to know me. That was very important to me at that moment.

It’s exactly that sense of security we need, according to several studies. Furthermore, being unsure of a potential romantic partner’s interest in you could cause you to view them as less sexually appealing. Basically, since we are afraid of disappointment, we deceive ourselves into thinking that someone is less desirable. Because we want to know how much our date likes us — if someone doesn’t let us know how they feel, we are inclined to see that person as less attractive.

But it’s not just our fear of possible rejection that influences whether or not we find someone attractive, but also how often we see a person. Or, to put it another way: Proximity plays an integral role in who we find attractive.

Link to the rest at Medium

The OP includes several links to a website called Futurity, which PG had not encountered before. Futurity appears to cite at least some of its articles to individuals who say they are related to one university or another, e.g. “Algorithm Takes the Grunt Work Out of Quilting” – “Stanford” by a person who is apparently writing a doctoral dissertation for the Computer Science Department in the vicinity of Palo Alto.

PG has enough experience in his field to judge articles written by lawyers about legal issues, but claims no expertise with respect to quilting or computer science (although he’s not diametrically opposed or non-diametrically opposed to either field of endeavor (whatever winds your clock)).

Whenever PG reads an article like the OP, he is very grateful to have been married to Mrs. PG for a long time and hopes to remain in that state for a much longer time in the future.