From Writers in the Storm:
When we publish a book, we want it to be read. Obviously. But what else do we want?
At the most obvious level, we want our book to be bought, liked, shared, and reviewed. We want to see it on lists; we want lots of reviews (and stars) on Goodreads and Amazon. But we want something else, too—that connection with specific human beings who have been touched and changed by what we wrote.
When I published Queen of the Owls, I wanted all of those things—and I got a lot of them. The book earned awards, made it onto several “best of” lists. And yet, the most important results are things I never could have foreseen.
I’d like to share two of these “results” with you today. One has to do with a wonderful and unexpected connection with a photographer whose work took the experience of my fictitious protagonist to a whole new level. The other has to do with how Queen of the Owls saved someone’s life. Literally.
The first experience came from photographer Angelika Buettner, who saw my article in Ms. Magazine entitled Naked: Being Seen is Terrifying but Liberating . In the article, I personalized a central theme of the novel, which is about the power of “choosing to be seen”— the deep longing to reveal and embrace one’s whole self.
The article attracted Angelika’s attention because she had recently published a book called I Am: Celebrating the Perfect Imperfect
Through a gallery of 121 nude photos and testimonials that reveal the “inner and outer beauty” of women ages 40 to 99, Angelika’s goal is to empower women (and girls) by portraying the “aging and ageless” beauty of our perfectly-imperfect selves. As she told me in our first conversation: “I invited women to wear nothing but what they are feeling inside. Those women stepped out of their comfort zone and gave me the permission to portray their naked souls. I photographed a feeling they had lost—of loving oneself.”
When Angelika saw the article in Ms. Magazine, she immediately reached out to me, and from there to my novel. She read Queen of the Owls nonstop because, to her, it was exactly what she had been trying to convey in her portraits. “The protagonist is expressing the feeling my ladies have, and she finds why it so important to be seen, the real me, by myself. In the end those images are for ourselves.” We discovered that we were offering the same message—for me, through story; for her, through photographs.
From there, a collaboration began. We’ve been meeting on Zoom to talk about ways to work together, joined by a third woman, Lilianne Milgrom, a painter-turned-novelist whose work also addresses the theme of female embodiment. Our dream is a cross-disciplinary presentation about the female body in painting, photography, and story. A shared message, delivered more powerfully through complementary channels.
Link to the rest at Writers in the Storm
A reminder that PG doesn’t necessarily agree with everything he posts on TPV.
While he is generally tolerant of a wide variety of human behaviors, PG can’t envision himself as a photographic subject unless he is fully-clothed, the more fully, the better.
His personal opinion is that, particularly at his current stage in life and having added a Covid bulge in the last several months, PG wouldn’t feel the least liberated by photos of his aging and ageless, perfect-imperfect self existing, much less circulating among the general population or any subset thereof.
But PG understands that others may disagree (not about PG’s body in particular – there can be no rational disagreement about that – but naked bodies in general).