From The Wall Street Journal:
My greatest hope for 2019 is cultural. It is that the left will rise and do what only it can do—strike a blow against political correctness in the arts and entertainment. All artists are meant to be free and daring. Their job, whether in drama, comedy or music, is to approach the truth—to apprehend it, get their hands on it and hold it up for a moment for everyone to see. That’s a big job, a great one, and you can do it only if you’re brave. Pope John Paul II, in his 1999 Letter to Artists, noted something I have witnessed: The artist faces a constant sense of defeat. You’re working, you’re trying, but it’s never as good as you wanted, as you dreamed. Even your most successful work only comes close. Artists are looking for “the hidden meaning of things.” Their “intuitions” spring from their souls. There is an “unbridgeable gap” between what they produce and “the dazzling perfection” of what they glimpsed in the creative moment. They forge on anyway.
. . . .
At happy gatherings the past two weeks, talk turned to the controversy over Frank Loesser’s 1944 holiday classic, “Baby, It’s Cold Outside.” You know the argument. The song should be pulled from playlists and effectively banned because its lyrics, on close inspection, are somewhat rapey. It’s a song about sexual assault; there’s a clear power imbalance. This argument comes from young writers and activists of the #MeToo movement. Actually, the man in the song hopes to seduce, not rape; the song is flirty and humorous, a spoof of the endless drama between men and women.
From every conversation I witnessed liberal opinion is very much against banning the song, as is conservative opinion.
But companies hate controversy. Radio stations don’t want petitions at Christmastime, no one wants trouble. We’ll be hearing “Baby, It’s Cold Outside” less as the years go by. It only takes a few highly focused idiots to kill a song.
. . . .
Political correctness is the enemy of art. Self-censorship is a killer of art. Censorship applied from outside, through organized pressure, is an assassination of art.
We have seen the political correctness of the social-justice warriors sweep the universities, hounding out those who would speak from an incorrect perspective, decreeing new rules of language and living. They do not understand that when you tell people, especially Americans, what they can and cannot say, can and cannot think, they don’t stop saying and thinking. They go underground, sometimes to the depths. And it is dark down there.
Link to the rest at The Wall Street Journal