Invested In Not Writing

From Dean Wesley Smith:

Amazing How Common This Is…

Basically put, writers, over time, develop a real and crippling investment in not writing. And, at the same time, often claim they want to write.

These writers cross the spectrum of types.

— Teachers who always wanted to write, teach writing, but now feel inside that they just flat don’t dare expose that they are still beginning writers at their core.

— Burnt out writers who have made writing so important (because they have had a few successes in the past) that they don’t dare write anything more. Failure is a very high platform that these writers in their minds don’t dare jump from.

— Beginning writers who talk a lot and talk a good game, but over time have become so afraid that their writing will not back up their talk, they feel that they don’t dare write. (I’ve had friends like this over the years. Sadly, they are long gone.)

— Writers (like I was for years in the 1970s) who buy into the myths of rewriting and perfection so much that after a time they don’t dare show their work because it’s not done yet, it needs one more draft, it needs one more reader, and so on. Kris talked about this writer in her Perfection book and blogs. Perfection is never attained and fear of having someone say that is crippling. (I was saved from this by Heinlein’s Rules.)

— Writers who think that they already know everything, that they don’t need to learn because it would destroy their perfect voice, flat don’t dare write much at all because for them, writing is too hard. And when writing gets hard, these type of writers back up and claim they are writing, but the book is taking years. And that magical book will never see the light of day because failure of not selling for these writers is much more damaging than the failure of not ever finishing.

— Writers who grew up afraid of what others would say. Not even writing under pen names can clear out this investment in the fear, so these writers flat don’t dare write. A single rejection, a single bad review, can turn their worlds upside down. So not writing is far, far safer.

In other words, personal history, choices, personalities, and so on often make a writer so invested in not writing, they don’t.

. . . .

(W)riters in all the above categories must learn at a deep level that nothing is ever perfect. Any story, any novel, is only the best you can do at that moment. And that is good enough.

Link to the rest at Dean Wesley Smith

Five Years is Forever in Indie Publishing

From Dean Wesley Smith:

Well, I spent the last two nights going back and trying to update and then even fisk my own post from five years ago about pricing. What a fool’s errand.

The post was so out of date, I just kept shaking my head in amazement and wondering who wrote it.

I was looking at it through 2017 glasses and a ton of new knowledge. Stunning, just stunning how many changes in this business have happened.

. . . .

Electronic Pricing… Novels

Genre matters. Range from $3.99 to $6.99, with romance being on the lower side, mystery on the upper side.

Length does not seem to matter at all.

All the studies have shown that you get above $6.99 and you start hitting price resistance for electronic books unless the book is something really special.

You go below $3.99 and you leave yourself no room for discounting or short-term sales.

You get down into the 99 cent area and you are in a trash ghetto.

And yes, I do know about the stupidity of ever-free. Just say no. However, doing a deep discount on a first novel of a series will get you readers. But make sure those readers pay something otherwise you attract the wrong kinds of readers. And secondly, you have to have the rest of the series priced decently for genre to make the first book discount look worthwhile.

. . . .

Paper Pricing… Novels

The old general rule of $2.00 profit in extended distribution in CreateSpace has become meaningless. Get your price down as much as you can. Under $10 is the best for trade paper. $12.99 is fine as well. Above that you hit resistance unless the book is longer.

Length not only matters, it causes the price to go up. You have no choice, but try to keep the cost down as low as possible.

If you want to try to do some bookstore distribution (a folly in 2017 because as Author Earnings have reported, almost 80% of paper books are sold online these days. But if you want to try, go to IngramSpark to get into the Ingram Catalog. (Yes, you can do two editions, one on CreateSpace just for Amazon and the other at Ingram for larger distribution.

Link to the rest at Dean Wesley Smith

Here’s a link to Dean Smith’s books. If you like an author’s post, you can show your appreciation by checking out their books.

Logic: The Lost Art in Being a Fiction Writer

From author Dean Wesley Smith:

I have been going on now in numbers of posts about how we fiction writers sabotage ourselves. Fear without real cause is the normal reason.

But I have another deeper reason tonight.

Lack of logic.

In a few posts I used math to try to make sense of the silliness of a few myths. Math tends to be very logical.

Simply put, fiction writers, when it comes to the very basis of being a fiction writer, toss all logic out the window and listen to people who have never written or published a book.

This goes on from the very beginning of every writer’s career.  The one uniform trait in becoming a full-time fiction writer is that you must have the ability to unlearn all the crap. Unlearn all the illogical aspects of both the craft and the business.

. . . .

— Agents. If you wouldn’t give your gardner 15% ownership of your home for mowing your lawn every week, so why give an agent 15% of your property for doing even less work? Yet writers spend years and years chasing the opportunity to do just that.

. . . .

— Wanting to Be Taken Care Of. Writers think that some major corporation only thinking of the bottom line and buying all of the writer’s rights in their work will take care of them. Yeah, P.T. Barnum had a saying for those kinds of folks.

— Book Doctor/Story Editor. Writers think that someone who has never published a novel (and wouldn’t know how to construct a novel if their life depended on it) are worth paying thousands of dollars to get advice from. These book doctors or story editors took private lessons from P.T. Barnum.

— If You Don’t Write Much You Will Get Better. This one is so stupid I have trouble even trying to talk about it without laughing. And I really enjoy the fact that writers think if they don’t write much and do it REALLY SLOWLY they will get even better. (English teachers rejoice at even less homework to read.)

Link to the rest at Dean Wesley Smith and thanks to Deb for the tip.

Here’s a link to Dean Wesley Smith’s books. If you like an author’s post, you can show your appreciation by checking out their books.

A Question…

From Dean Wesley Smith:

Yesterday, in the last chapter of the book I did about writing a novel in five days while traveling, I made a comment near the end that I found the exercise fun to be able to (just for a few days) feel like I belonged in the world of the pulp writers.

And I made a comment that I was born too late.

A reader wrote me privately with a good comment. Basically the reader reminded me that I should feel lucky to have the modern things we writers use such as computers, control of our own work instead of selling it to gatekeepers and so on.

The reader made a very good point. We do have it so easy, so much easier than the pulp writers did. I know that, I study the pulp writers and their lives.

Yet even with things being easier, it is unusual for a writer in 2017 to write a novel in five days. (And realize the novel I wrote would have been on the long side for the length that pulp writers wrote.)

And the idea of someone like me doing that every week for years and years is just alien in this modern world.

So I got to wondering why? And I tried to find some reasons.

— Not a shortage of markets.

Any story can be out and in reader’s hands in very short order. No gatekeepers anymore of any value. So that’s not why.

— No problem with the mechanics.

Manual typewriters were a problem in the pulp days. (Anyone remember how to change a ribbon or carbon paper?)

But now we have computers, large screens, laptops, voice writing, you name it. All are used to make writing easier. And it is a ton easier. Not even in the same difficulty universe.

From there I came up with a blank.

Mechanics and markets, the two major limiting factors other than the writer’s belief system. And both mechanics and markets are a ton easier in the modern world.

So why do writers in this modern world not just write novels every week, week-after-week?

That even “Why?” question…

I knew the answer. Writer’s belief systems. Modern writers don’t believe they can.

That belief has been trained out.

Writers of the modern world have been taught to think that writing at pulp speed is different, unusual, a fantastic feat, massive work, and on and on and on…

I then realized I had done it too. And until tonight I hadn’t caught myself on it.

Link to the rest at Dean Wesley Smith and thanks to Colleen for the tip.

Here’s a link to Dean Wesley Smith’s books. If you like an author’s post, you can show your appreciation by checking out their books.

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