Why Books Don’t Work

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From Andy Matuschak:

Books are easy to take for granted. Not any specific book, I mean: the form of a book. Paper or pixels—it hardly matters. Words in lines on pages in chapters. And at least for non-fiction books, one implied assumption at the foundation: people absorb knowledge by reading sentences. This last idea so invisibly defines the medium that it’s hard not to take for granted, which is a shame because, as we’ll see, it’s quite mistaken.

Picture some serious non-fiction tomes. The Selfish GeneThinking, Fast and SlowGuns, Germs, and Steel; etc. Have you ever had a book like this—one you’d read—come up in conversation, only to discover that you’d absorbed what amounts to a few sentences? I’ll be honest: it happens to me regularly. Often things go well at first. I’ll feel I can sketch the basic claims, paint the surface; but when someone asks a basic probing question, the edifice instantly collapses. Sometimes it’s a memory issue: I simply can’t recall the relevant details. But just as often, as I grasp about, I’ll realize I had never really understood the idea in question, though I’d certainly thought I understood when I read the book. Indeed, I’ll realize that I had barely noticed how little I’d absorbed until that very moment.

I know I’m not alone here. When I share this observation with others—even others, like myself, who take learning seriously—it seems that everyone has had a similar experience.

. . . .

Now, the books I named aren’t small investments. Each takes around 6–9 hours to read. Adult American college graduates read 24 minutes a day on average, so a typical reader might spend much of a month with one of these books. Millions of people have read each of these books, so that’s tens of millions of hours spent. In exchange for all that time, how much knowledge was absorbed? How many people absorbed most of the knowledge the author intended to convey? Or even just what they intended to acquire? I suspect it’s a small minority.

. . . .

All this suggests a peculiar conclusion: as a medium, books are surprisingly bad at conveying knowledge, and readers mostly don’t realize it.

The conclusion is peculiar, in part, because books are shockingly powerful knowledge-carrying artifacts! In the Cosmos episode, “The Persistence of Memory,” Carl Sagan exalts:

What an astonishing thing a book is. It’s a flat object made from a tree with flexible parts on which are imprinted lots of funny dark squiggles. But one glance at it and you’re inside the mind of another person, maybe somebody dead for thousands of years. Across the millennia, an author is speaking clearly and silently inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people who never knew each other, citizens of distant epochs. Books break the shackles of time. A book is proof that humans are capable of working magic.

Indeed: books are magical! Human progress in the era of mass communication makes clear that some readers really do absorb deep knowledge from books, at least some of the time. So why do books seem to work for some people sometimes? Why does the medium fail when it fails?

. . . .

We’ve been discussing books so far, but have you ever had the same type of experience with a lecture? It’s easy to attend a lecture and feel that you understand, only to discover over that night’s problem set that you understood very little. Memory feels partly to blame: you might sense that you knew certain details at one time, but you’ve forgotten. Yet we can’t pin this all on memory. When you pull on certain strings from the lecture, you might discover that you had never really understood, though you’d certainly thought you understood during the lecture.

. . . .

Like books, lectures can be entertaining or influential; like books, lectures do seem to work… sometimes, for some people. But you probably don’t believe that lectures are a reliable way to convey knowledge.

Books don’t work for the same reason that lectures don’t work: neither medium has any explicit theory of how people actually learn things, and as a result, both mediums accidentally (and mostly invisibly) evolved around a theory that’s plainly false.

. . . .

Lectures, as a medium, have no carefully-considered cognitive model at their foundation. Yet if we were aliens observing typical lectures from afar, we might notice the implicit model they appear to share: “the lecturer says words describing an idea; the class hears the words and maybe scribbles in a notebook; then the class understands the idea.” In learning sciences, we call this model “transmissionism.” It’s the notion that knowledge can be directly transmitted from teacher to student, like transcribing text from one page onto another. If only! The idea is so thoroughly discredited that “transmissionism” is only used pejoratively, in reference to naive historical teaching practices. Or as an ad-hominem in juicy academic spats.

Of course, good lecturers don’t usually believe that simply telling their audience about an idea causes them to understand it. It’s just that lectures, as a format, are shaped as if that were true, so lecturers mostly behave as if it were true.

If pressed, many lecturers would offer a more plausible cognitive model: understanding actually comes after the lecture, when attendees solve problem sets, write essays, etc. The lecture provides the raw information for those later activities. Great: that’s a real model, and parts of it are supported by cognitive science. But if we’d begun with this model, would we have chosen live, ninety-minute speeches to convey raw information for a problem set?

Listeners’ attention wanders after a few minutes, so wouldn’t we want to interleave the problem-solving sessions with the lecture? Live speeches can’t be paused or rewound, so aren’t they awfully lossy for conveying raw information? People can read much more quickly than a lecturer speaks, so wouldn’t text be more efficient? And so on—it’s already clear that the traditional lecture format isn’t particularly informed by this model.

The lectures-as-warmup model is a post-hoc rationalization, but it does gesture at a deep theory about cognition: to understand something, you must actively engage with it.

. . . .

In summary: lectures don’t work because the medium lacks a functioning cognitive model. It’s (implicitly) built on a faulty idea about how people learn—transmissionism—which we can caricaturize as “lecturer says words describing an idea; students hear words; then they understand.”

. . . .

Like lectures, books have no carefully-considered cognitive model at their foundation, but the medium does have an implicit model. And like lectures, that model is transmissionism. Sequences of words in sequences of lines in sequences of pages, the form of a book suggests people absorb knowledge by reading sentences. In caricature: “The author describes an idea in words on the page; the reader reads the words; then the reader understands the idea. When the reader reaches the last page, they’ve finished the book.” Of course, most authors don’t believe that people learn things this way, but because the medium makes the assumption invisible, it’s hard to question.

Like lecturers, many authors would offer a more plausible cognitive model when pressed. Readers can’t just read the words. They have to really think about them. Maybe take some notes. Discuss with others. Write an essay in response. Like a lecture, a book is a warmup for the thinking that happens later. Great: that’s a better model! Let’s look at how it plays out.

I acknowledged earlier that of course, some people do absorb knowledge from books. Indeed, those are the people who really do think about what they’re reading. The process is often invisible. These readers’ inner monologues have sounds like: “This idea reminds me of…,” “This point conflicts with…,” “I don’t really understand how…,” etc. If they take some notes, they’re not simply transcribing the author’s words: they’re summarizing, synthesizing, analyzing.

Unfortunately, these tactics don’t come easily. Readers must learn specific reflective strategies. “What questions should I be asking? How should I summarize what I’m reading?” Readers must run their own feedback loops. “Did I understand that? Should I re-read it? Consult another text?” Readers must understand their own cognition. “What does it feel like to understand something? Where are my blind spots?”

These skills fall into a bucket which learning science calls “metacognition.” The experimental evidence suggests that it’s challenging to learn these types of skills, and that many adults lack them

. . . .

Worse, even if readers know how to do all these things, the process is quite taxing. Readers must juggle both the content of the book and also all these meta-questions. People particularly struggle to multitask like this when the content is unfamiliar.

Where is the book in all this? If we believe that successful reading requires engaging in all this complex metacognition, how is that reflected in the medium? What’s it doing to help?

Of course, great authors earnestly want readers to think carefully about their words. These authors form sophisticated pictures of their readers’ evolving conceptions. They anticipate confusions readers might have, then shape their prose to acknowledge and mitigate those issues. They make constant choices about depth and detail using these models. They suggest what background knowledge might be needed for certain passages and where to go to get it.

By shouldering some of readers’ self-monitoring and regulation, these authors’ efforts can indeed lighten the metacognitive burden. But metacognition is an inherently dynamic process, evolving continuously as readers’ own conceptions evolve. Books are static. Prose can frame or stimulate readers’ thoughts, but prose can’t behave or respond to those thoughts as they unfold in each reader’s head. The reader must plan and steer their own feedback loops.

. . . .

If the model is that people understand written ideas by thinking carefully about them, what would books look like if they were built around helping people do that?

Link to the rest at Andy Matuschak

One of Mrs. PG’s professors told her that one of the best ways of becoming familiar with a particular time period in a place was to read a well-written novel that focused on that period and place.

PG suspects that well-written fiction may be a better way of attracting and keeping a reader’s attention than the most accurate nonfiction. Thus, Jane Austen has provided more people with an understanding and appreciation of the Regency period in Britain than any academic histories covering the period from 1811 to 1820.

10 thoughts on “Why Books Don’t Work”

  1. And Philip Kerr’s Bernie Gunther mystery series set in Germany and Europe as well as South America, before, during and after World War II, provide memorable details that convey much about the people and culture of that time.

    • He and Alan Furst are practically the spokesmen for that period. Furst’s “Night Soldiers” series gives such an incredible sense of the time, the places, and the tensions. While some of his books are set in France, others cover regions often left out of stories of those times, including Poland, Hungry, Bulgaria, Greece (“Spies of the Balkans”!), Spain, and a bit of the USSR. (The Poland series really gives an incredible sense of life just as the war started.)

  2. It’s a help in all the humanities, but the sciences are more resistant to the aid of fictionalization.

    Let’s hope they stay that way. But, science has made some huge strides in education over the last twenty years. YouTube is loaded with videos detailing all sorts of scientific ideas. The animation takes things to a level not available in the text book. It also brings out qualified people who are just very good at explaining stuff.

    It’s not fiction, but like fiction, it’s a different way of looking at things.

    Didn’t understand the bit about the gate voltage in the mosfet video? Watch the next one on the topic, then the next one. And the next one. It’s right there.

    Think YouTube is too dumbed down for the serious student? How about the MIT course on YouTube MIT 6.042J Math For Computer Science? That one is a classroom setting.

    • The PBS, Discovery, and TEDtalk channels on youtube are good stuff. Very useful.

      The UFO, Atlantis, and faux science channels? Less so.

      A couple of the gun history channels are very useful for the mechanically curious. Good background data for period pieces.

      The value of the history channels is proportional to how far downtime they go. Most of the “recent” history ones are more about politics than history.

      Like most sources, you need a critical eye to figure out how reputable the source.

  3. I am in complete agreement with Mrs. PG’s professor.

    I think history at the high school level at least, if not beyond, is best absorbed through the medium of well-written and vivid historic novels, with a framework of non-fiction additional materials for context.

    What you want, when first encountering a new time/place (and it’s all new to young students), is the feel of it, the sense of how it works, and then the non-fiction “whys” to bolster that understanding. And this is how we learn naturally — by making a cognitive model out of our social and economic environment and then discovering why it is formed in just that way.

    Alas, this doesn’t work for all subjects. It’s a help in all the humanities, but the sciences are more resistant to the aid of fictionalization. (Well, with the possible exception of Flatland.) Still, there are engaging introductory science writers who can make concepts both vivid and memorable (e.g., George Gamow).

    What do we know? We know people, and we have evolved to model the behaviors of people and to understand them deeply. It is an inescapable urge. The more we can model our learning environments on that, the better. What more natural than fiction, for the purpose, if the content is suitable?

  4. Thus, Jane Austen has provided more people with an understanding and appreciation of the Regency period in Britain than any academic histories covering the period from 1811 to 1820.

    The difference is the scope of the narrative. Austin wrote about a very small group and detailed activities.

    Histories that do the same can compete at the same level. For example, over the last several days we have heard first hand accounts from soldiers who landed at Omaha Beach on D-Day. This is real history, and very focused. It gives a sense of the battle that can’t be found in a history with a larger scope. Unfortunately, much of this history of D-Day will be lost forever in a few years.

    The narrower the scope of the history, the more it reads like a novel in the hands of a skilled author.

    I have an idea that skilled novelists could do very well writing real history focused on a small scope.

  5. One might as well say that food doesn’t work.

    I mean, even if someone has harvested it & delivered it to the grocery store & someone has cooked it, you still have to chew & digest the stuff.

    Teachers don’t teach – students learn. Same for books.

    BTW my twist on Mrs. PG’s prof’s rule is to read mysteries from the place involved, set in the era I’m interested in. Done right, such books convey a lot about social relationships & history. If you are interested in Tudor England, I recommend the Shardlake mysteries by CJ. Sansom.

    • Assuming instructional books and textbooks, it’s not that books are bad, it’s that so many *writers* absolutely suck at imparting information.

      I passed Chem I and II with only cursory glances through the textbooks; Asimov’s chemistry books gave me the information I needed to pass the tests. (information largely not found in the texts themselves; the teachers were apparently supposed to deliver much information orally)

  6. I think the problem of the author of this piece is that he expects a book to serve a utilitarian purpose, to be his teacher. Of course it doesn’t work for him. Books, except maybe textbooks, are not supposed to teach, it is not their primary focus at all. For myself, I expect a book to be an entertainment and an escape. If I learn something in the process of reading, that’s a bonus. So for me, books work. It’s all in the expectations.

  7. “If the model is that people understand written ideas by thinking carefully about them, what would books look like if they were built around helping people do that?”

    Part of growing up is hopefully learning how to think – without someone else having to do it for you.

    The OP reminds me of a child demanding someone read them a book – even though said child knows and understands all the words in said book.

    But different people do absorb information better different ways.

    A good example is me playing with and trying to use DAZ 3D Studio. Some of the ‘How To’s are PDFs while others are videos of screens as you are walked through the many different tricks to get things to come out the way you’d like. I’ve come to prefer the PDFs because I can go at my own pace and go back over things if I’m not sure or don’t get the expected results. Watching the videos I often find myself in two states, one where I’m wishing they’d just get to the point/trick already, or going ‘What just happened?’ as something the video doesn’t bother explaining suddenly occurs.

    That being said, I have run across a few PDFs that some ‘designer’ got a hold of and made as hard to read as possible (white on black in bold and single spaced – to my aging eyes it all runs together into one quick headache …)

    MYMV and may the info you need be in a format you prefer. 😉

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