There are a number of literary tourist things to do in Dublin, Ireland. There are the numerous James Joyce themed tours. Then there is the Dublin Writer’s museum. As you trek around the city, you’ll note the number of signs pointing to Trinity College, where you can view the Book of Kells. Though we’ve given you some facts about the Book of Kells before (and noted the strict copyright), here’s a little bit more information on this prestigious manuscript. Here are four reasons why the Book of Kells is important:
1. IT’S THE MOST FAMOUS OF THE EARLY MEDIEVAL MANUSCRIPTS
This may sound like circuitous logic, but the Book of Kells has been well known for a very long time. We have a few well-preserved illustrated manuscripts from before the 12th century. The Book of Durrow, Lichfield Gospels, and the Lindisfarne Gospels rank in a similar period, but even among those three, the Book of Kells has a unique position of veneration.
A lot of this has to do with the very precise illumination of the manuscript. Though it has some similar iconography and styles to the Linisfarne gospels, the actual hand-work is more detailed. The illustrations are lush and layered.
People have been writing about the Book of Kells since the 12th century. The 12th century historian Giraldus Cambrensis even concluded the book had been written by an angel.
It has been housed at Trinity College since the 17th century, given to the school for safe keeping. It’s been on display there since the 1800s, inspiring visitors since.
2. ITS HISTORY IS A MYSTERY
Unlike other manuscripts that have been produced, the Book of Kells did not document its creation. The most popular theory posits that the book was either created on the island of Iona, or its production was begun at Iona. Later, the book (and its creator) fled Iona when it was sacked by Vikings, where it ultimately ended up at the Abbey of Kells. Another popular theory has it as being produced at Kells to commemorate the founding of the Abbey on its centennial or bicentennial anniversary.
We aren’t even sure about the year of production, only that it dates somewhere between the 8th and 9th century. Nor is anyone really sure of its production heritage, alternately claimed to be English, Irish, and Scottish in origin.
The fact that it is unsigned or unattributed is also unique. During this period and in this region, it would not have been uncommon for the book to have some attribution to its maker. Sure, in other regions, manuscripts could be “manufactured” by many nameless hands. However, it is a bit unusual for a piece like this, with its artistry and illustration, to have no attribution. Monks and scribes producing insular books at this time generally had a sense of their own artistry, leading some to sign their pieces or for the pieces to have some sort of specific attribution. It also was not uncommon to write out the ownership of such a book in the marginalia, and the fact that that does not fully exist for this book is strange. Though, we do have some records from the Abbey of Kells written in the book starting in the 11th century.
It’s thought that about four artists and three scribes worked on the book and its illustration. Sadly, they remain nameless, but that doesn’t stop the Book of Kells from being important.
Link to the rest at BookRiot