From Publishing Perspectives:
Since 2012, traditionally published romance has been in “a steady decline.” Much of this, of course, parallels the rise of self-publishers’ entry into the velvet-roped arena.
If there’s a category in which self-publishing can claim to have walked away with the goods, it’s in low-priced romance ebooks, consumed by enviably loyal readers often at a rate of several titles per week.
The COVID-19 lockdown stage in the United States, however, “helped to lift the category’s ebook sales,” McLean’s report says.
“Unit sales for romance ebooks,” she writes, “increased 17 percentage points from January through May 2020. In all, 16.2 million romance ebooks and print books were sold during this time period.”
Total romance book sales in the trade–which had declined 11 percent in January 2020 over January 2019–began trending upward in March.
The category showed strong growth through the acute COVID-19 shutdown period, with print and ebook sales closing slightly higher–0.1 percent–in May, because of an impressive rebound in ebook unit sales.
Those unit ebook sales rose 17.4 points from January through May 2020. This meant that ebooks made up 60 percent of romance category sales, and romance ebook unit sales increased 10 percent between January and May 2020.
. . . .
In breaking out growth subjects, McLean sees historical romance in the lead on a unit basis, both in print and ebook formats, “but top-selling ebook titles differed from print sales leaders.”
- Golden in Death by JD Robb (Macmillan/St. Martin’s Press, February) led ebook sales in the overall romance category, followed by Hideaway by the dependable Nora Roberts (Macmillan/St. Martin’s Press, May) and Chasing Cassandra by Lisa Kleypas (HarperCollins/Avon, February).
- Print sales were led by Window on the Bay by Debbie Macomber (Penguin Random House/Ballantine, February), followed by Every Breath by Nicholas Sparks (Hachette Book Group/Sphere, October 2018), and Country Strong by Linda Lael Miller (Harlequin, January).
In her comments, McLean says, “With brick-and-mortar retail bookstores closed in the States this past spring, ebook sales–which have always been stronger for romance than in other categories–really took off.
. . . .
“Print romance also rose slightly, as newly housebound readers looked for fun and immersive germ-free reads while waiting out the pandemic.”
Link to the rest at Publishing Perspectives